Perfect Jump Shots With OpenCV And Processing

October 13, 2013 by Adam Fabio 15 Comments

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[ElectricSlim] likes taking “Jump Shots” – photographs where the subject is captured in midair. He’s created a novel method to catch the perfect moment with OpenCV and Processing. Anyone who has tried jump shot photography can tell you how frustrating it is. Even with an experienced photographer at the shutter, shots are as likely to miss that perfect moment as they are to catch it. This is even harder when you’re trying to take jump shots solo. Wireless shutter releases can work, but unless you have a DSLR, shutter lag can cause you to miss the mark.

[ElectricSlim] decided to put his programming skills to work on the problem. He wrote a Processing sketch using the OpenCV library. The sketch has a relatively simple logic path: “IF a face is detected within a bounding box AND the face is dropping in height THEN snap a picture” The system isn’t perfect, A person must be looking directly at the camera for the photo the face to be detected. However, it’s good enough to take some great shots. The software is also repeatable enough to make animations of various jump shots, as seen in [ElectricSlim’s] video.

We think this would be a great starting point for a trigger system. Use a webcam to determine when to shoot a picture. When the conditions pass, a trigger could be sent to a DSLR, resulting in a much higher quality frame than what most webcams can produce.

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Fail Of The Week: Photography Turntable

October 10, 2013 by Mike Szczys 28 Comments

Turntable photography has seen a rise in popularity driven by online shopping. If you can’t hold it in your hand at least you can see what it looks like from all angles. From the still image, [Petteri Aimonen’s] roll-your-own turntable looks great. It’s completely enclosed and has a very nice paint job. But when you see it in action it appears to suffer from a stutter.

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Game Controller Repurposed For Flea Market Find

September 30, 2013 by Marsh 2 Comments

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A jarring pan with your tripod can ruin a shot in your film, and tilting up or down usually requires some loosening and tightening kung fu to keep gravity from taking over. The “Power Panner” is a remote-controlled device that fits between the tripod and the camera, handling pans and tilts with ease. When [NeXT] found one at the Capitol Flea Market for $5, he didn’t care about the missing remote. He bought the Panner, dragged it home, and hacked together his own remote with a Sega Master Pad.

After researching similar devices online, [NeXT] had determined the original remote’s pinout: essentially a D-pad with adjustable speed control. He decided to ignore the speed pins and to instead search for a suitable replacement controller. A Sega Master Pad offered the most straightforward solution, so [NeXT] went to work separating out the wires and soldering them to a DIN connector. He couldn’t find the right plug to fit the Panner’s DIN-7 jack, so he substituted a DIN-8 with the extra pin snapped off.

Rather than use the remaining two buttons for speed control, [NeXT] chose to feed them directly into his camera to drive the focus and shutter, but the Master Pad’s wiring posed a problem: the camera would have to share the Power Panner’s ground, and the Panner plugs into the wall via a 6V adapter. Fingers crossed, he decided to push ahead and was relieved that everything worked. We suspect the shared ground won’t be a problem as long as one device uses a floating power supply, which the Panner can provide either through the proper wall wart or by using its 4 AA battery option.

If you’re in the mood for more camera hacks, check out the sound-dampening and waterproofing build from last week.

Priceless Paintings – Scanned And Printed In 3D

September 24, 2013 by Phillip Ryals 25 Comments

When we think of works by Van Gogh and Rembrandt, most of us remember a picture, but we aren’t accustomed to seeing the actual painting. [Tim Zaman], a scientist at Delft University of Technology in the Netherlands, realized that the material presence of the paint conveys meaning as well. He wanted to create a lifelike reproduction in full dimension and color. While a common laser-based technique could have been used for depth mapping, resolution is dependent on the width of the line or dot, and the camera cannot capture color data simultaneously with this method. In his thesis, [Tim] goes into great detail on a hybrid imaging technique involving two cameras and a projector. He and his team eventually used two 40-megapixel Nikon cameras in conjunction with a fringe projector to capture a topographical map with in-plane resolution of 50 μm, and depth resolution of 9.2 μm.

We can’t find a lot of information on the printing process they used, other than references to high-resolution 3D printers by Océ (a Canon company). That said, [Tim] has provided a plethora of images of some of the reproductions, and we have to say they look amazing. The inclusion of depth information takes this a big step further than that gigapixel scanning setup we saw recently.

Check out the BBC interview with Tim, as well as time lapse videos of the scanning and printing process after the break.

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Sound Blimp Makes Camera Quieter And Waterproof

September 23, 2013 by Marsh 23 Comments

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The D-SLR “crunch” sound can be pretty satisfying. Your camera has moving parts and those cell-phone amateurs can eat your shutter actuation. If you’re a professional photographer behind the scenes on a sound stage or at any film shoot, however, your mirror slapping around is loud enough to get you kicked off the set. [Dan Tábar] needed his D800 to keep it down, so he made his own sound blimp to suppress the noise. As an added bonus, it turns out the case is waterproof, too!

[Dan] got the idea from a fellow photographer who was using a prefab Jacobson blimp to snap pictures in sound-sensitive environments. Not wanting to spend $1000, he looked for a DIY alternative. This build uses a Pelican case to house the body of the camera and interchangeable extension tubes to cover lenses of various sizes. [Dan] took measurements and test-fit a paper cutout of his D800 before carving holes into the Pelican case with a Dremel tool. One side got a circular hole for the extension tubes, while the other received a rectangular cut for the camera’s LCD screen and a smaller circle for the viewfinder.

Lexan serves as a window for all of the open ends: LCD, viewfinder, and the lens. [Dan] snaps pictures with a wireless trigger, saving him the trouble of drilling another hole. You can hear the D800 before and after noise reduction in a video after the break, along with a second video of [Dan] trying out some underwater shots. If you’d rather take a trip back in time, there’s always the 3D printed pinhole camera from last week.

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Stealth Peephole Camera Watches Your Front Door

September 17, 2013 by James Hobson 33 Comments

In this week’s links post we mentioned an over-powered DSLR peephole that purportedly cost $4000. So when we saw this tip regarding a relatively inexpensive digital peephole, we thought some of you might be a bit more interested.

The hardware is quite simple; a decent webcam, a Raspberry Pi, and a powered USB hub. The camera gets stripped down to its PCB and hidden inside the door itself. Even if you see this from the inside it’s just a suspicious-looking wire which wouldn’t make most people think a camera was in use.

On the software side of things, [Alex] set up his Raspberry Pi as a 24/7 webcam server to stream the video online. Unlike using a cheap wireless CCTV camera, his video signals are secure. He then runs Motion, a free software motion detector to allow the camera to trigger events when someone comes sneaking by. It can be setup to send you a text, call you, play an alarm, take a picture, record a video… the list goes on. His blog has a full DIY guide if you want to replicate this system. We just hope you have a stronger door!

We covered a similar project back in 2011, but it had made use of real server instead of an inexpensive Raspberry Pi.

[Thanks Alex!]

Digital Camera Becomes Video Transmitter

September 12, 2013 by Brian Benchoff 21 Comments

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In the arena of high altitude balloons, Canon’s PowerShot series of digicams are the camera du jour for sending high into the stratosphere. There’s a particular reason for this: these cameras can run the very capable CHDK firmware that turns a $100 digicam into a camera with a built-in intervalometer along with a whole bunch of really cool features. It appears this CHDK firmware is much more powerful than we imagined, because [Chris] is now transmitting pictures taken from a Canon a530 to the ground, using only the CHDK firmware and a cheap radio module.

These PowerShot cameras have an ARM processor inside that runs VxWorks, a minimal but very capable OS for embedded devices and Mars rovers. By tying in to the Tx and Rx lines of the camera, [Chris] can issue commands to the OS, change settings, and even install his own code.

With the help of [Phil Heron]’s SSDV encoder written in C, [Chris] was able to get the camera to transmit images with a small radio transmitter that fits in the battery compartment. Right now, [Chris] has only built the CHDK + SSDV for the Canon a530, but with how useful this build is, we expect to see an improved version very shortly.