Robotic Mic Swarm Helps Pull Voices Out Of Crowded Room Of Multiple Speakers

One of the persistent challenges in audio technology has been distinguishing individual voices in a room full of chatter. In virtual meeting settings, the moderator can simply hit the mute button to focus on a single speaker. When there’s multiple people making noise in the same room, though, there’s no easy way to isolate a desired voice from the rest. But what if we ‘mute’ out these other boisterous talkers with technology?

Enter the University of Washington’s research team, who have developed a groundbreaking method to address this very challenge. Their innovation? A smart speaker equipped with self-deploying microphones that can zone in on individual speech patterns and locations, thanks to some clever algorithms.

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Why Walking Tanks Never Became A Thing

The walking tank concept has always captured imaginations. Whether you’re talking about the AT-AT walkers of Star Wars, or the Dreadnoughts from Warhammer 40,000, they are often portrayed in fiction as mighty and capable foes on the battlefield. These legged behemoths ideally combine the firepower and defense of traditional tanks with the versatility of a legged walking frame.

Despite their futuristic allure, walking tanks never found a practical military application. Let’s take a look at why tracks still rule, and why walking combat machines are going to remain firmly in the realm of fiction for the foreseeable future.

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Hypersonic Speech Jammer Works At A Distance

Speech jammers were a meme a little while back. By feeding back delayed voice audio to a person’s ears, it makes it near-impossible for most people to speak, as our speech system runs on a continual feedback loop. [Benn Jordan] decided to try reworking that concept by replacing headphones with a directed sound projector.

The key to the project is the use of hypersonic sound arrays. These essentially use high-frequency sound beyond the human range of hearing to carry a lower-frequency sound signal. By essentially modulating this higher-frequency carrier to create the perception of lower-frequency sound, it’s possible to create an audible signal that is highly directional. It’s like a “sound laser” that can be pointed directly at a person to allow them to hear it, which is then inaudible when pointed slightly away.

These allow the delayed voice signal to be fired at a person’s head with a relatively narrow spatial spread. When an individual speaks into a microphone hooked up to the device, delayed audio is sent through the hypersonic array back to the speaker’s ears, garbling their speech as their brain gets confused by the feedback.

[Benn] demonstrated the device in public by offering random individuals $100 to read a paragraph out of a book. The speech jammer worked a treat, and [Benn] was able to keep his money… until one amazingly immune individual breezed through the test. Check out our prior coverage of speech jamming technology. Video after the break.

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Testing Oxide Etchants For The Home Semiconductor Fab

Building circuits on a silicon chip is a bit like a game of Tetris — you have to lay down layer after layer of different materials while lining up holes in the existing layers with blocks of the correct shape on new layers. Of course, Tetris generally doesn’t require you to use insanely high temperatures and spectacularly toxic chemicals to play. Or maybe it does; we haven’t played the game in a while, so they might have nerfed things.

Luckily, [ProjectsInFlight] doesn’t treat his efforts to build semiconductors at home like a game — in fact, the first half of his video on etching oxide layers on silicon chips is devoted to the dangers of hydrofluoric acid. As it turns out, despite the fact that HF can dissolve your skin, sear your lungs, and stop your heart, as long as you use a dilute solution of the stuff and take proper precautions, you should be pretty safe around it. This makes sense, since HF is present in small amounts in all manner of consumer products, many of which are methodically tested in search of a practical way to remove oxides from silicon, which [ProjectsInFlight] has spent so much effort recently to learn how to deposit. But such is the ironic lot of a chip maker.

Three products were tested — rust remover, glass etching cream, and a dental porcelain etching gel — against a 300 nm silicon dioxide layer. Etch speed varied widely, from rust remover’s 10 nm/min to glass etching cream’s blazing 240 nm/min — we wonder if that could be moderated by thinning the cream out with a bit of water. Each solution had pros and cons; the liquid rust remover was cheap easy to handle and clean up, while the dental etching gel was extremely easy to deposit but pretty expensive.

The good news was that everything worked, and each performed differently enough that [ProjectsInFlight] now has a range of tools to choose from. We’re looking forward to seeing what’s next — looks like it’ll be masking techniques.

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Powder Your Prints For Baby-Smoothness

Layer lines are a dead giveaway to non-normies that a thing was 3D printed. There are things you can do to smooth them — sanding, chemical smoothing, and fillers come to mind. Although this technique technically uses all three, it starts with something very simple.

In the video after the break, [DaveRig] gets right to the point: baby powder and resin mixed together make a fine smoothing agent when cured. Having read about it online, he decided to give it a try.

Starting with a half sphere that had admittedly pretty big layer lines, [DaveRig] mixed up enough resin and baby powder to make the consistency of milk or cream. Then he put five coats on, curing and sanding with 120 in between each one.

Then it’s on to standard post-processing stuff. You know, wipe it down with alcohol, sand it a little more, wet sand, and then it’s on to the airbrush and clear-coat. The end result looks to be as smooth as your average bowling ball, as you can see in the main photo.

What’s your favorite post-processing method? Have you tried annealing them in salt?

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Input Device Gets New Input Device

One of the nicest things about a trackpoint is that you don’t have to take your hands off the keyboard. One of the worst things about a trackpoint is its usual placement, which can force a weird hand position that can cause repetitive stress injury.

[notshitashi] has done an incredible job of adding a trackpoint to the Glove80 wireless split keyboard. It must have been really scary to drill holes in the palm rests of such a nice and not-cheap keyboard, but [notshitashi] soldiered on nonetheless, and the end result looks great.

Starting with a trackpoint module from Ali, [notshitashi] found that it didn’t fit the palm rest without being trimmed down, so they desoldered the business part from the main PCB and reattached it with wires. They had to go through a few of them to get it just right, but that’s the way it goes sometimes.

[notshitashi] calls this “a bit of a cheat and dirty hack” because the trackpoint module is wired and, therefore, a separate USB HID. Yes, the Glove80 has GPIO connectors in both halves, but the problem is that stock ZMK has yet to support pointing devices. We don’t care; this is quite the elegant hack anyway.

Want to jazz up your mechanical keyboard with a trackpoint? Here’s a handy guide. Or, you can perform a transplant.

You Can Use An Old Tape Deck As A Distortion Pedal

Distorted guitars were a big part of the rock revolution last century; we try to forget about the roll. As a youth, [David Hilowitz] couldn’t afford a loud aggressive amp, a distortion pedal, or even a proper electric guitar. This experience ended up teaching him that you can use random old audio hardware as a distortion effect.

[David’s] guitar journey started when he found a classical guitar on a dumpster. He learned to play, but longed for the sound of a proper electric guitar. Family friends gifted him a solitary pickup, intending he build a guitar, but he simply duct-taped it to his steel-strung classical instead. The only thing he lacked was an amp. He made do with an old stereo system and a record pre-amp. With his his faux-electric guitar plugged into the microphone input, he was blessed with a rudimentary but pleasant distortion that filled his heart with joy.

[David] goes on to explain the concepts behind distorted guitar sounds, and how his home hi-fi was able to serve as a passable starter amp when he was young and couldn’t afford better. He then goes on the hunt for more old gear at a local Goodwill store, finding a neat old tape deck that similarly produced some nice warm distorted tones. In [David’s] experience, old hi-fi gear with microphone inputs can generally do a decent job in this role, with electric guitar pickups typically overloading the preamps which expect a lower-level signal. It’s different to what you’d get from a Big Muff or Boss DS-1, but it’s a neat sound nonetheless.

We’ve looked at distortion effects before, including rolling your own and putting it into production. Video after the break.

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