three sensory bridge audio spectrum analyzers, one in use with a lit LED array plugged in, the other facing the camera and leaning against the third, all on a table

The Sensory Bridge Is Your Path To A Desktop Rave

September 26, 2022 by Abe Connelly 7 Comments

[Lixie Labs] are no strangers to creating many projects with LEDs or other displays. Now they’ve created a low latency music visualizer, called the Sensory Bridge, that creates gorgeous light shows from music.

The Sensory Bridge has the ability to update up to 128 RGB LEDs at 60 fps. The unit has an on-board MEMS microphone that picks up ambient music to produce the light show. The chip is an ESP32-S2 that does Fast Fourier Transform trickery to allow for real-time updates to the RGB array. The LED terminal supports the common WS2812B LED pinouts (5 V, GND, DATA). The Sensory Bridge also has an “accessory port” that can be used for hardware extensions, such as a base for their LED “Mini Mast”, a long RGB array PCB strip.

The unit is powered by a 5 V 2 A USB-C connector. Different knobs on the device adjust the brightness, microphone sensitivity and reactivity of the LED strip. One of the nicer features is its “noise calibration” that can record ambient sound and subtract off the background noise frequency components to give a cleaner music signal. The Sensory Bridge is still new and it looks like some of the features are yet to come, like WiFi communication, accessory port upgrades and 3.5 mm audio input to bypass the on-board microphone.

The stated goals of the Sensory Bridge are to provide an open, powerful and flexible platform. This can be seen with their commitment to releasing the project as open source hardware, providing firmware, PCB design files and even the case STLs under a libre/free license. Audio spectrum analyzers are a favorite of ours and we’ve seen many different iterations ranging from ones using Raspberry Pis to others use ESP32s.

Video after the break!

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This Found-Sound Organ Was Made With Python And A Laser Cutter

September 25, 2022 by Dan Maloney 17 Comments

Some readers will no doubt remember attaching a playing card to the front fork of their bicycle so that the spokes flapped the card as the wheel rotated. It was supposed to sound like a motorcycle, which it didn’t, but it was good, clean fun with the bonus of making us even more annoying to the neighborhood retirees than the normal baseline, which was already pretty high.

[Garett Morrison]’s “Click Wheel Organ” works on much the same principle as a card in the spokes, only with far more wheels, and with much more musicality. The organ consists of a separate toothed wheel for each note, all turning on a common shaft. Each wheel is laser-cut from thin plywood, with a series of fine teeth on its outer circumference. The number of teeth, as calculated by a Python script, determines the pitch of the sound made when a thin reed is pressed against the spinning wheel. Since the ratio of teeth between the wheels is fixed, all the notes stay in tune relative to each other, as long as the speed of the wheels stays constant.

The proof-of-concept in the video below shows that speed control isn’t quite there yet — playing multiple notes at the same time seems to increase drag enough to slow the wheels down and lower the pitch for all the notes. There appears to be a photointerrupter on the wheel shaft to monitor speed, so we’d imagine a PID loop to control motor speed might help. That and a bigger motor that won’t bog down as easily. As for the sound, we’ll just say that it certainly is unique — and, that it seems like something [Nicolas Bras] would really dig.

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CMOS Oscillator Circuit Gets An Eatable Input

September 24, 2022 by Lee Wilkins 9 Comments

In interaction designer [Leonardo Amico]’s work Processing Decay, lettuce is used as an input to produce sound as an element within a CMOS circuit.

We’ve all seen lemons and potatoes doubling in science-fairs as edible batteries, but lettuce is something else. [Leandro]’s circuit uses alligator clips to insert lettuce into oscillators in this audio generating circuit — we think they’re behaving like resistors. Without refrigeration, the resistance of the lettuce changes, and so does the oscillation in the circuit. In a matter of hours, days, and weeks the cells degrades slowly, modulating the system and its sonic output. What a way to make music!

This hack isn’t the freshest — the video dates from nine years ago — but this is the first lettuce circuit we’ve seen. Of course, we love other food hacks like these multi-wavelength lasers used to cook 3D-printed chicken, or maybe the circuit can make use of this neural net detecting fruit ripeness.

Glue-on nails with vinyl record pickups pierced through them that are used on a vinyl record

The Sound Of Nails On Black Vinyl Records

September 16, 2022 by Abe Connelly 32 Comments

[Victoria Shen] modifies glue-on nails to give her the ability to play vinyl records with her fingers. Details are light but from the many glamour pictures, it looks like she pushes record player needles through glue-on nails with thin pickup wire that then presumably goes to an audio jack for amplification.

[Victoria] experiments with novel musical tools for use in her art and performances. Be sure to check out the videos of the nails in action. The combination of “scratching” and ability to alter the speed of vinyl with the free fingers creates a weird and eerie experience.

Using her “Needle Nails”, [Victoria] has found she’s able to play multiple records simultaneously (Nitter). Thanks to the different diameters of 33, 78 and 45 vinyls, she’s able to stack them up while still keeping her fingers on them.

Glove like musical instruments are nothing new but the novel use of fashion, glamour and technology allow [Victoria Shen] the freedom to create something uniquely weird and cool, so much so that Beyonce used it in a video shoot for Vogue (Nitter).

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Mechanical Relay Percussion In A Eurorack Format

September 15, 2022 by Lewin Day 5 Comments

There are plenty of analog and digital synthesis modules available in Eurorack format. But how about one that actually does physical percussion while capturing the output at the same time? The VU Perc Relay module does just that.

The concept is simple. Eurorack control voltages are fed to a VU meter, which swings about and makes noise when the needle hits a copper strip. This strip is connected to a piezo element which captures the sound. There’s also a relay that gets triggered under such conditions, with that sound also captured by a piezo element. Thus, the input control voltages create real percussion noises with the VU meter and relay, and then capture them for output to the rest of the rack.

Having actual physical sound devices in a compact Eurorack module is neat. The fact that it’s transparent is even cooler, as it lets you see the percussion in action. Notably, the physical nature of this module means you’ll want to place some bubble wrap or other isolating material under your rack when performing on stage with a PA. Otherwise, you risk getting feedback through the piezos.

We see plenty of good Eurorack gear around these parts, like this useful wireless MIDI connection. Video after the break.

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This Simple Light-Controlled Synth Has A Surprisingly Rich Sound

September 15, 2022 by Dan Maloney 5 Comments

Audio synthesizers can range from vast racks of equipment with modules stitched together by a web of patch cords to a couple of 555s wired together in an Atari punk arrangement. This light-controlled synth comes in closer to the lower extreme of that range, but packs a sonic punch that belies its simplicity.

The project is the latest version of [lonesoulsurfer]’s “Moog Light Synthesizer,” which shares a lot of the circuitry found in his first version a couple of years ago. This one has a lot of bells and whistles, but it all starts with a PWM oscillator that contributes to the mean, growling quality of its sound. There’s also a low-pass filter that’s controlled by a couple of light-dependent resistors, which can be played by blocking them off with a fingertip. A couple of inverters form a drone oscillator that can be switched into the circuit, as well as a 555-based arpeggiator to chop things up a bit.

All those circuits, as well as support for a thirteen-key keyboard, live on one custom PCB. There’s also an off-the-shelf echo/reverb module that’s been significantly hacked to add to the richness of the sound. The custom wood and acrylic case make the whole thing look as good as it sounds.

We noted that [lonesoulsurfer]’s previous “Box of Beezz” drone synth seemed to evoke parts of the “THX Deep Note” at times; similarly, some of the sounds of this synth sound like they’d come from the soundtrack of a [Christopher Nolan] film — check it out in the video below.

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Making A Tape Echo The Traditional Way

September 14, 2022 by Dave Walker 12 Comments

[Juan Nicola] has taken inspiration from the musician hackers of old and re-purposed a reel-to-reel tape recorder into a tape-echo for his guitar with a built-in valve amplifier (video in Spanish).

The principle is to record the sound of the guitar onto a piece of moving magnetic tape, then to read it back again a short time later. This signal is mixed with the live input and re-recorded back onto the tape further back. The effect is heard as an echo, and this approach was very popular before digital effects became readily available.

[Juan] installed a new read-head onto his Grundig TK40 and managed to find a suitable mechanical arrangement to keep it all in place. He has since updated the project by moving to a tape loop, allowing an infinite play-time by re-using the same piece of tape over and over.

Turning tape machines into echo effects is not a new idea, and we’ve shown a few of them over the years, but every one is slightly different!

Both versions are shown after the break. YouTube closed-caption auto-translate might come in handy here for non-Spanish speakers.

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