Ethernet is how we often network computers together, particularly when they’re too important to leave on a fussy WiFi connection. Have you ever thought about listening to Ethernet signals, though? Well, you totally could, with the NSA selector from [wenzellabs].
The NSA selector is a Eurorack module, designed for use as part of a larger modular synthesizer. There are lots of fun jokes and references on the PCB, but the front panel really shows you what this module is all about. It’s got a pair of RJ45 jacks, ready to receive your Ethernet cables through which data is flowing. They’re paired with a single audio output jack. “Any bit on the network will be sent to the audio output,” [wenzellabs] explains.
The device operates in a relatively simple fashion. Network traffic from one jack is forwarded to the other, unmodified. However, it’s also spat out to a simple digital-to-analog converter and turned into audio. This thing doesn’t play digital audio formats or anything like that—it just turns raw Ethernet signalling into audible noise.
Modern musicians may take for granted that a wide array of musical instruments can either be easily connected to a computer or modeled entirely in one, allowing for all kinds of nuanced ways of creating unique sounds and vivid pieces of music without much hardware expense. Not so in the 1930s. Musicians of the time often had to go to great lengths to generate new types of sounds, and one of the most famous of these was the Leslie speaker, known for its unique tremolo and vibrato. Original Leslies could cost thousands now, though, so [Levi Graves] built a modern recreation.
The Leslie speaker itself got its characteristic sound by using two speakers. The top treble speaker was connected to a pair of horns (only one of which produced sound, the other was used for a counterweight) on a rotating platform. The second speaker in the bottom part of the cabinet faced a rotating drum. Both the horns and drum were rotated at a speed chosen by the musician and leading to its unique sound. [Levi] is actually using an original Leslie drum for his recreation but the sound is coming out of a 100-watt “mystery” speaker, with everything packaged neatly into a speaker enclosure. He’s using a single-speed Leslie motor but with a custom-built foot switch can employ more fine-tuned control over the speed that the drum rotates.
Even though modern technology allows us to recreate sounds like this, often the physical manipulation of soundwaves like this created a unique feeling of sound that can’t be replicated in any other way. That’s part of what’s driven the popularity of these speakers throughout the decades, as well as the Hammond organs they’re often paired with. The tone generators on these organs themselves are yet another example of physical hardware providing a unique, classic sound not easily replicated.
We loved keygens back in the day. Our lawyers advise us to clarify that it’s because of the demo-scene style music embedded in them, not because we used them for piracy. [Patch] must feel the same way, as he has a lovely historical retrospective out on “The Internet’s Most Illegal Music” (embedded below).
After defining what he’s talking about for the younger set, who may never have seen a keygen in this degenerate era of software-by-subscription, [Patch] traces the history of the jaunty chiptunes that were so often embedded in this genre of program. He starts with the early demoscene and its relationship with cracker groups — those are coders who circulate “cracked” versions of games, with the copyright protection removed. In the old days, they’d embed an extra loading screen to take credit for the dastardly deeds that our lawyer says to disavow.
The Hurdy-Gurdy continues to worm its way into pole position as the hacker’s instrument. How else could you explain a medieval wheel fiddle being turned into a synthesizer? Move over, keytar — [Rory Scammell]’sBalfolk Boombox is the real deal.
It began life as MIDI-outputting SAMgurdy by [Sam Palmer], which we sadly missed covering (though we didfeature a MIDI-gurdy a few years back) but this boombox does far more than just MIDI samples. In a sentence no one ever thought would be penned, this instrument puts a Eurorack on a Hurdy-Gurdy for the ultimate synthwave bardcore mashup. There’s an analog synth, there’s a drum machine, there’s modularity to do whatever [Rory] should desire. There are also sixteen sampled instruments available at the push of a button, including multiple analog Hurdy-Gurdies.
It is, as [Rory] says, “a gig in a box”. There’s no point trying to describe it all in words: it really must be heard to be believed, so check out the demo video embedded below, and if you’re hankering for more info, he produced a fifteen minute in-depth video and if you can’t get enough of the sound, here’s a demo with all16 sampled instruments.We’re pretty sure one of them is the Sega soundfont, and the 8-bit samples are absolutely GameBoy.
How, exactly, we fell in love with the hurdy-gurdy has fallen into mystery, but we’ve been filling up thehurdy-gurdy tag lately,on your suggestions. This one is thanks to a tip from [Physics Dude] in a comment– thanks for that, by the way– andthe tips line remains open if the internet has not finally been scoured of all content both hurdy and gurdy.
We wrote recently about a maker’s quest to create just such a hybrid instrument, and why it ended in failure: pressing strings onto the fretboard also pushed them tighter to the wheel, ruining the all-important tension. To recap, the spinning wheel of a hurdy-gurdy excites the strings exactly like a violin bow, and like a violin bow, the pressure has to be just right. There’s no evidence [Keizo Ishibashi] was aware of that work, but he solved the problem regardless, simply by thinking outside the box — the soundbox, that is.
Unlike a hurdy-gurdy, the Cantareel keeps its wheel outside the soundbox. The wheel also does not rub directly upon the strings: instead, it turns what appears to be a pair of o-rings. Each rosined o-ring bows 2 of the guitar’s strings, giving four strings a’ singing. (Five golden rings can only be assumed.) The outer two strings of this ex-six-string are used to hold the wheel assembly in place by feeding through holes on the mounting arms. The guitar is otherwise unmodified, making this hack reversible.
It differs from the classic hurdy-gurdy in one particular: on the Cantareel, every string is a drone string. There’s no way to keep the rubber rings from rubbing against the strings, so all four are always singing. This may just be the price you pay to get that smooth gurdy sound out of a guitar form factor. We’re not even sure it’s right to call it a price when it sounds this good.
If you’re looking for a long journey into the wonderful world of instrument hacking, [Arty Farty Guitars] is six parts into a seven part series onhacking an existing guitar into a guitar-hurdy-gurdy-hybrid,and it is “a trip” as the youths once said. The first video is embedded below.
The Hurdy-Gurdy is a wheeled instrument from medieval europe, which you may have heard of, given the existence of the laser-cut nerdy-gurdy, the electronicmidi-gurdy we covered here, and the digi-gurdy whichseems to be a hybrid of the two. In case you haven’t seen one before, the general format is for a hurdy-gurdy is this : a wheel rubs against the strings, causing them to vibrate via sliding friction, providing a sound not entirely unlike an upset violin. A keyboard on the neck of the instrument provides both fretting and press the strings onto the wheel to create sound.
[Arty Farty Guitars] is a guitar guy, so he didn’t like the part with about the keyboard. He wanted to have a Hurdy Gurdy with a guitar fretboard. It turns out that that is a lot easier said than done, even when starting with an existing guitar instead of from scratch, and [Arty Farty Guitar] takes us through all of the challenges, failures and injuries incurred along the way.
Probably the most interesting piece of the puzzle is the the cranking/keying assembly that allows one hand to control cranking the wheel AND act as keyboard for pressing strings into the wheel. It’s key to the whole build, as combining those functions on the lower hand leaves the other hand free to use the guitar fretboard half of the instrument. That controller gets its day invideo five of the series. It might inspire some to start thinking about chorded computer inputs– scrolling and typing?
If you watch up to the sixth video, you learn that that the guitar’s fretting action is ultimately incompatible with pressing strings against the wheel at the precise, constant tension needed for good sound. To salvage the project he had to switch from a bowing action with a TPU-surfaced wheel to a sort of plectrum wheel, creating an instrument similar to thethousand-pick guitar we saw last year.
Even though [Arty Farty Guitars] isn’t sure this hybrid instrument can really be called a Hurdy Gurdy anymore, now that it isn’t using a bowing action, we can’t help but admire the hacking spirit that set him on this journey. We look forward to the promised concert in the upcoming 7th video, once he figures out how to play this thing nicely.
In its 3D printed case, it looks like a giant polyphonic analog synth, but under the plastic lies a pneumatic heart: the sound is actually being made by slide whistles. We always thought of the slide whistle as a bit of a gag instrument, but this might change our minds. The sliders on the synth-box obviously couple to the sliders in the whistles. The ‘volume knobs’ are actually speed controllers for computer fans that feed air into the whistles. The air path is possibly not ideal– there’s a bit of warbling in the whistles at some pitches– but the idea is certainly a fun one. Notes are played by not blocking the air path out the whistle, as you can see in the video embedded below.
Since the fans are always on, this is an example of a drone instrument,like bagpipes or the old hacker’s favourite,the hurdy gurdy. [Chris] actually says in his tip– for which we are very thankful– that this project takes inspiration not from those projects but from Indian instruments like the Shruthi Box and Tanpura. We haven’t seen those on Hackaday yet, but if you know of any hacks involving them,please leave a tip.
