The Engineering Of A Jimi Hendrix Performance

February 26, 2026 by Jenny List 32 Comments

The guitarist Jimi Hendrix had a unique sound which has influenced countless musicians over the decades. He achieved it through mastery not only of his instrument, but of the complex feedback relationship between amplifier, environment, and guitar — coupled with a series of effects pedals including some then-unique ones made for him. Musical commentators have pored over his work for decades, but a recent piece in IEEE Spectrum is particularly interesting as it examines things from a technical perspective.

It centers around an electrical simulation of Hendrix’s effects chain, and makes an assertion that’s obvious on consideration but not the usual take on a Hendrix performance; that in his hands it became a wave synthesizer rather than the instrument itself. Certainly for anyone with an interest in analogue audio electronics as they pertain to musical synthesis it helps in placing the influence of the different circuits on the sound, and in hearing the familiar performances in a new light.

This isn’t the first time we’ve seen someone take a modelling approach to a guitar effects chain, indeed it’s obvious something missing from the work above is the guitar itself.

Header image: Gemeente Rotterdam (Stadsarchief) CC-0.

Restoring A Yamaha DX7 Synthesizer

February 25, 2026 by Maya Posch 4 Comments

The Yamaha DX7 is one of the most iconic synthesizers that emerged in the early 1980s, and is still very popular today. That said, with even the newest of these having left the factory back in 1989, the average DX7 can use a bit of tender love and care. In particular the battered DX7 that [Drygol] recently got handed to ‘just fix the PSU voltage switch’. As it turned out, this poor DX7 had a few more issues than just a busted voltage selector.

Just a hint of cosmetic damage on this Yamaha DX7. (Credit: Drygol) — Just a hint of cosmetic damage on this Yamaha DX7.

In addition to missing slider caps and a vanished key, the paint of the case also had clearly lost a fight with various hard surfaces in addition to a thick coating of unidentifiable dust and grime inside the synthesizer. Feeling a pang of sympathy, [Drygol] thus decided to give the old girl a complete restoration.

After taking the synthesizer apart for a good scrub-down, the parts were assessed for further damage. This turned out to include the plastic stubs on some keys to hold a spring for which a replacement was modelled and 3D printed, along with replacements for the missing slider caps.

Next the case was painted, with a brand new Yamaha DX7 vinyl logo rather than trying to fix up the old paint and logo. With the outside fixed up, the broken and dodgy controls, audio jacks and potentiometers were addressed, followed by the busted onboard battery, leaving just the original voltage selector. This one got replaced by an IEC 60320 C13 jack, with the transformer hardwired for 230 VAC input, out of convenience grounds.

We’re always excited when [Drygol] sends in another restoration project — from a glowing Amiga 500 to vacuum-formed keycap covers, they’re always remarkable displays of ingenuity.

RP2040 Powers A MIDI-Controlled Soundboard

February 19, 2026 by Zoe Skyforest 6 Comments

When you’re livestreaming, it can be tempting to fire off all kinds of wacky sound effects like you’re a morning radio DJ back in the heady days of 1995. If that’s who you want to be, you might like this soundboard project from [Biker Glen].

The build is based around an RP2040 microcontroller. It’s paired with an I2S digital-to-analog converter for sound output, which in turn feeds a small amplifier hooked up to a speaker or a line output. The RP2040 is programmed to respond to MIDI commands by playing various sounds in response, which are loaded off a microSD card. It’s able to act as a USB MIDI host, which allows it to work seamlessly with all sorts of off-the-shelf MIDI controllers like the MIDI Fighter or the Novation Launchpad.

It’s an interesting hardware solution to a problem that you could probably also solve with software on your streaming machine, especially if you’ve already got a USB MIDI controller. However, there’s something to be said for lightening the load when your streaming computer is already doing lots of hard work to truck video up to the cloud already. Files are on Github if you’re eager to replicate the build.

Soundboards are just fun, which is why we’ve featured them before. Meanwhile, if you’re whipping up your own streaming accessories at home, be sure to let us know on the tipsline!

Inside A Dutch Street Organ: The Art Of Mechanical Music-Making

February 18, 2026 by Donald Papp 17 Comments

[James]’ Mechanical Organ of Dutch origin has been around longer than he has, but thanks to being rebuilt over the years and lovingly cared for, it delivers its unique performances just as well as it did back in the day. Even better, we’re treated to a good look at how it works.

The organ produces music by playing notes on embedded instruments, which are themselves operated by air pressure, with note arrangements read off what amounts to a very long punch card. [James] gives a great tour of this fantastic machine, so check it out in the video embedded below along with a couple of its performances.

Continue reading “Inside A Dutch Street Organ: The Art Of Mechanical Music-Making” →

Upgrading The E-mu Audity 20 Years After Factory Support Ended

February 8, 2026 by Zoe Skyforest 18 Comments

If you purchased an E-mu Audity 2000 ROMpler back in 1998, you almost certainly got a rig with the 1.00 firmware. It was fine, if a little limited, particularly where upgradability was concerned. E-mu would later offer firmware upgrades over MIDI with the 2.00 firmware, but to get the 2.00 firmware, you needed to ship the box back to E-mu. Or you did… until now.

Realizing that E-mu is long gone and they weren’t going to handle any further firmware upgrades, [Ray Bellis] set about finding another way to help aggrieved operators with gear stuck on v1.00. [Ray] had managed to lay hands on a Audity 2000 service manual as well as the official 2.00 upgrade kit in an estate sale, and set about reverse engineering it to help the community. It turned out that upgrading from 1.00 to 2.00 required the use of a special boot ROM and a flash device containing the upgraded firmware image. Booting from the special ROM required the use of a jumper, and when engaged, the ROM would copy the updated image to the device itself.

[Ray] didn’t want to duplicate the standard upgrade device, as that seemed a little difficult what with parts availability in 2026. Instead, he crafted his own ROM that, with compression, contained the necessary firmware upgrade image and could all be stuffed inside a single 512 KB chip. All you need to do is flash the custom upgrade ROM to an AM29F040B PLCC32 NOR flash chip, pop it in the empty PLCC32 socket on the mainboard, and away you go. This will get you a machine upgraded to the final v2.01 firmware delivered by E-mu before its demise.

It’s a finicky bit of work, but it’s a great way to get new functionality out of an old Audity 2000. We’ve featured similar work before regarding aging Yamaha synths, too. If you’ve got your own backdoor methods for giving older music hardware a new lease on life, don’t hesitate to notify the tipsline.

Cheap Smart Ring Becomes MIDI Controller

January 31, 2026 by Zoe Skyforest 3 Comments

The Colmi R02 is one of the cheapest smart rings on the market. It costs about $20, and is remarkably easy to hack. [Floyd Steinberg] took advantage of this to turn it into a rather unique MIDI controller.

What makes the Colmi R02 somewhat unique is that the manufacturer did not try to lock out users from uploading their own firmware. You don’t even really need to “hack” it, since there is no code signing or encryption. You can just whip up your own firmware to make it do whatever you want.

To that end, [Floyd] set up the ring to act as a device for musical expression. When connected to a computer over Bluetooth, data from the ring’s accelerometer is converted into MIDI CC commands via a simple web app. The app allows the MIDI messages to be configured so they can control whatever parameter is desired. [Floyd] demonstrates the ring by using it to control filter cutoff frequencies on an outboard synthesizer, with great effect.

You could theoretically just strap an accelerometer to your hand with a microcontroller and achieve similar operation. However, the magic of this is that it costs only $20 and it’s already in a form factor that’s optimized for wearing on your finger. It’s hard to beat that.

Files are on GitHub for those eager to experiment. We’ve previously featured some hacks of this particular smart ring, too, with [Aaron Christophel’s] efforts directly inspiring this work.

Continue reading “Cheap Smart Ring Becomes MIDI Controller” →

Companion MIDI Pedal Helps Roland Groovebox Along

January 30, 2026 by Zoe Skyforest 1 Comment

The Roland SP-404 Mk2 is a popular groovebox that can deliver a great beat if you know how to use it. If you’re seeking greater control than is available out of the box, though, you might like to try a custom pedal built by [Romain Dereu].

The concept is simple enough—[Romain] whipped up a bespoke MIDI device to specifically control various features of the SP-404. It’s based on an Arduino Nano, though it could also be built with an Arduino Uno if so desired. The microcontroller sends the requisite MIDI messages out via its serial UART. The microcontroller is built into a pedal-style enclosure with a big toggle switch and a foot switch. This enables the triggering of various pads on the SP-404, with modes selected via the toggle.

It’s a simple build that opens up new possibilities when playing with the SP-404. If you’ve ever wanted a custom device to spit out some specific MIDI commands to control the synths or drum machines in your performance rig, this project is a great example of how easy this is to achieve. Meanwhile, if you’re whipping your own custom MIDI gear at home, we always love to see it land on our tipsline!