Cocktail Of Chemicals Makes This Blueprint Camera Unique

When you’re looking at blueprints today, chances are pretty good that what you’re seeing is anything but blue. Most building plans, diagrams of civil engineering projects, and even design documents for consumer products never even make it to paper, let alone get rendered in old-fashioned blue-and-white like large-format prints used to produced. And we think that’s a bit of a shame.

Luckily, [Brian Haidet] longs for those days as well, so much so that he built this large-format cyanotype camera to create photographs the old-fashioned way. Naturally, this is one of those projects where expectations must be properly scaled before starting; after all, there’s a reason we don’t go around taking pictures with paper soaked in a brew of toxic chemicals. Undaunted by the chemistry, [Brian] began his journey with simple contact prints, with Sharpie-marked transparency film masking the photosensitive paper, made from potassium ferricyanide, ammonium dichromate, and ammonium iron (III) oxalate, from the UV rays of the sun. The reaction creates the deep, rich pigment Prussian Blue, contrasting nicely with the white paper once the unexposed solution is washed away.

[Brian] wanted to go beyond simple contact prints, though, and the ridiculously large camera seen in the video below is the result. It’s just a more-or-less-lightproof box with a lens on one end and a sheet of sensitized paper at the other. The effective ISO of the “film” is incredibly slow, leading to problematically long exposure times. Coupled with the distortion caused by the lens, the images are — well, let’s just say unique. They’ve got a ghostly quality for sure, and there’s a lot to be said for that Prussian Blue color.

We’ve seen cyanotype chemistry used with UV lasers before, and large-format cameras using the collodion process. And we wonder if [Brian]’s long-exposure process might be better suited to solargraphy.

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Coffee Stirrers Act As Lens For This Digital Straw Camera

What happens when you mix over 23,000 coffee stirrers and a Raspberry Pi camera together? Probably nothing except for a mess, unless you very specifically pack the plastic straws and orient the camera just right. In that case, you get this very cool lenless digital straw camera that takes artfully ghostly images.

Image of Yoda photographed through many straws

Actually, lensless is a bit of a reach for [Adrian Hanft]’s creation. While the camera he’s using to grab the image has a lens, the objective, for lack of a better term, is just a tightly packed bundle of straws. We’ve seen this approach to photography before, but there the camera used film placed at the back of the straw bundles to capture the pixelated image.

Here, a ground glass screen stands in for the film; a long lightproof box behind that provide a place to mount a camera to capture the images. Cleverly, [Adrian] built the camera mount from Lego, allowing cameras and lenses to be quickly swapped out. A Nintendo gamepad controller talks to custom software running on a Raspberry Pi and allows the photographer to control exposure and scroll through pictures using a smartphone as a display. There’s a short build video below, for those who can’t get enough of straw-packing techniques.

As with the film version of this camera, we just love the look of the photographs that come from this — the texture of the straw honeycomb and the defocused subject make for a striking effect.

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3D Printed Camera Crane For The Workshop

When you make a living building stuff and documenting the process camera setups take up a lot of time, breaking expensive equipment is an occupational hazard. [Ivan Miranda] knows this all too well, so he built a fully-featured camera crane to save his time and camera equipment. Video after the break.

The basic design is a vertical mast with a pivoting camera mounted to the end. The aluminum mast telescopes for increased vertical adjustability, and rides on a plywood base with caster wheels. The aluminum pivoting arm is counterweighed to offset the camera head, and a parallel bar mechanism allows the camera to hold a constant vertical angle with the ground. Thanks to the explosion of home gyms during the pandemic, gym weights were hard to find, so [Ivan] used an ammo can filled with sand and screws instead. A smaller sliding counterweight on top of the arm allows for fine-tuning. [Ivan] also wanted to be able to do horizontal sliding shots, so he added a pulley system that can be engaged with a clutch mechanism to keep a constant horizontal angle with the camera. Most of the fittings and brackets are 3D printed, some of them no doubt on his giant 3D printer.

We can certainly see this crane meeting its design objectives, and we can’t help but want one ourselves. [Alexandre Chappel] also built a camera crane a while back which utilized a completely different arm mechanism. As cool as these are, they still pale in comparison to [mingul]’s workshop-sized 8-axis CNC camera crane. Continue reading “3D Printed Camera Crane For The Workshop”

A Hot-Swappable Battery Grip Keeps The Camera Rolling

There’s nothing worse than being in the middle of an important shot, only to have the camera’s batteries die on you. The losses can be very real, so it’s best to avoid them entirely. In an effort to do so, [funkster] built himself a battery grip for his Canon EOS M.

The hack is based around the venerable 18650 battery, packing 3.6V of lithium-ion goodness into a compact metal can. [funkster]’s build has slots for two of these cells, powering the camera off of one and keeping the other in reserve. The cells are monitored by a STM32 microcontroller, which switches from one battery to another as they run out or are removed. This allows batteries to be swapped while the camera is on – a highly useful feature. There’s even an OLED display to keep an eye on the state of charge of each cell.

The manner in which power is connected to the camera is rather amusing. An original Canon battery that slides inside the camera was gutted and turned into a simple adapter for the battery port. The battery grip, which wraps around the camera body, connects to this via pin headers that pass through a hole drilled in the camera’s case. It’s a permanent mod, but one [funkster] is happy with for the added usability – especially as doing it this way still provides easy access to the SD card slot.

Keeping a camera juiced on the go can be a headache without the right gear. [funkster] demonstrates that if you can’t buy it, you can always build it yourself. If your problem isn’t battery power, but your camera is overheating, you can of course fix that too. Video after the break.

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Large Format Lego Camera Is A Bit Near-Sighted

Photography doesn’t have to be expensive, something that’s especially true in the realm of film photography, where the imperfections of the medium can be half the appeal. There are many DIY plans and kits available for analog cameras, but [bhiga143] had couple spare components and a pile of small, colorful bricks lying around, so he decided to build a functional 4×5″ film camera out of Lego.

Details are light for this build, but with a little knowledge about camera structure we can guess at what’s going on inside. Simplicity makes for robust design, and what we have here is in effect a box with a lens on one side and photographic film on the other. The center section of the front, which actually supports the lens, is capable of sliding in and out to adjust focus. On the far side (not pictured) is a slot just wide enough to insert a standard film holder.

The camera really is a hack. [bhiga143] stayed true to the “Lego” part of Lego camera, so there is no glue, no black paper lining, and no frills. The tripod is whatever stack of books lay underneath it. The lens is, quote, “barely functional”. There are light leaks galore, and it can’t focus beyond about 3 feet (1 meter). But every one of those points just makes us love it more. Every nugget of imperfection is a few words added to the story each picture tells. And we honestly can’t wait to see more pictures.

Other Lego cameras we’ve seen have been smaller and less colorful, but using a simple pinhole lens can reduce the overall cost. Of course, you’re not limited to Lego if you want to build your own pinhole camera. Although, the ubiquitous plastic bricks can also be useful in later stages of the film photography process.

Camera Zero Looks Cool, Runs Cool

Security cameras are a commodity item these days, but that doesn’t mean [edgett’s] design using a Pi Zero, an Arducam, an LED ring, and active cooling isn’t worth a look. This is a great example of how integrating some off-the-shelf modules and 3D printing can create very professional-looking results. There’s also a trackball interface so you can control the camera. The software, written in Python, is available on GitHub.

The trackball doesn’t move the camera, but it does manage a menu system that lets you capture a photo or video, set the optical parameters like exposure, shutter, and ISO, and launch Camera Remote to offer a Web-based interface instead of the trackball.

If you add infrared illumination, you can swap out the camera for an IR version and have a nice-looking night vision camera, too. The camera is reasonably compact. Not including the lens and the tripod, the camera measures 100 by 44 by 44 mm. So under two inches square and about 4 inches long.

We worried a little about gluing the LED ring down, but then again our phones are all glued together these days, so maybe we should stop fretting. One thing we didn’t see on either site, though, was a picture taken with the camera itself. However, the 12-megapixel camera and quality lens should do a great job. We’ve even seen that particular camera module work with a much smaller computer recently.

Image Sensors Demystified By [IMSAI Guy]

The February 1975 issue of Popular Electronics had what was — at the time — an amazing project. The Cyclops, a digital camera with a 32 by 32 pixel resolution with 4 bits per pixel. It was hard to imagine then that we would now all carry around high-resolution color cameras that were also phones, network terminals, and so many other things. But how much do you know about how those cameras really work? If you want to know more, check out [IMSAI Guy’s] recent video on how image sensors work.

The video doesn’t cover any practical projects or circuits, but it has a good explanation of what goes on in modern digital cameras. If you don’t know what digital cameras have in common with an octopus, you might want to watch.

If you want to see what the state of the art in 1975 was, have a look at this post. The image sensor in that camera didn’t have much in common with the ones we use today, but you have to admit it is clever. Of course, 1975 was also the year Kodak developed a digital camera and failed to understand what to do with it. Like the Cyclops, it had little in common with our modern smartphone cameras, but you have to start somewhere.