The Nintendo DS homebrew scene is heading into a heavily musical interlude with a few new apps. This is good news for anyone who liked Protein DScratch but wanted more options and functionality. More information after the break.
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Dance Floor Power Generation
With concerns about the environment at an all-time high, do we roll up our sleeves and fix the situation or set our fears aside and dance the night away? [Andrew Charalambous], a nightclub owner in from Britain, doesn’t think we should have to choose, so he installed a dance floor that harnesses power from dancers into one of his clubs.
The dance floor uses piezoelectrics to collect the power: as clubgoers dance, electricity-producing crystals under the floor are compressed, producing a small current. The current is collect by embedded batteries, which in turn provide the power to lights, audio systems, and other parts of the club that consume electricity.
It’s certainly an interesting idea, but we’d like to know just how much power these floors are able to generate. Is this a gimmick or a genuinely practical solution? [Charalambous]’s club has adopted the somewhat hokey policy of forcing patrons to sign a pledge to be climate-conscious and do what they can to help the Earth, but that’s a small price to pay to earn green karma and have fun at the same time.
[via io9]
Robot Clarinet
Australian research group NICTA in association with the University of New South Wales won the 2008 Artemis Orchestra Competition with their robot clarinet player. The competition challenges participants to design embedded systems that can play unmodified instruments. NICTA took first prize with their roboclarinet, due mainly to the complexity of the robot’s “mouth.” It uses two servo motors to act as a surrogate tongue and lips, vibrating the reed of the clarinet in a way consistent with human playing. The keys of the clarinet are pushed by a series of brass plungers. All of the robot’s functions are controlled by a computer running Linux. If great sound or novel technology are not enough for you, then the project is at least worth a look for the robot’s attractive, slightly steampunk-esque look. Watch it in action after the break.
World’s Oldest Computer Music Unveiled
Fans of music made with obsolete technology are in for a treat: recordings of a Ferranti Mark 1 computer playing Baa Baa Black Sheep and In the Mood were recently released, and they are thought to be the oldest recordings of computer generated music in existence.
The Ferranti Mark 1 is a commercial version of Manchester University’s SSEM computer (aka Baby), which preceded several more well known computers like UNIVAC and EDVAC. It was one of the first computers that didn’t require a great deal of hardware rewiring to perform different tasks, making it ideal for this sort of purpose. It is not known whether the program was written to play these songs only or for more diverse composition and playback, but the author, [Chris Strachey] was known to be a friend of the legendary [Alan Turing]. The recording was released as part of the Manchester SSEM’s 60th anniversary celebration.
Game Boy Foot Controller Demo
[youtube=http://www.youtube.com/watch?v=lQdqudTzyBs&hl=en&rel=0&color1=0x3a3a3a&color2=0x999999]
This is a video of [Joey Mariano] from animal style demoing his Game Boy pedal board. He added a D15 port to the back of the Game Boy, which is wired to each of the 8 buttons. The port is connected to a breakout box for 8 piano sustain pedals. The box also provides power to the Game Boy. The Game Boy is running the Nanoloop step sequencer. If you’re wondering about the guitar sound, he’s probably using an 8-Bit Fuzz pedal.
[via GetLoFi]
Multiband Nixie VU Meter
This VU meter project by [Daniel Naito] is a great piece of Russian electrocouture. It’s made up of 14 Nixie tubes that display seven frequency bands for the two audio channels. He found this similar project, but wanted to keep the cost low by avoiding such exotic ICs. First, the two input channels are amplified and then split using seven bandpass filters covering 60, 150, 400, 1000, 2500, 6000, and 15000Hz. Then, the AC audio is converted to DC. The final stage converts the logarithmic scale to a linear output. Besides the semirare Nixie tubes, the majority of the parts are just cheap opamps and comparators. The post is an excellent read and you can see it in action in the video below.
UPDATE: Yep, it’s a repost. I’m awesome like that. The True RMS Plasma Vu-meter seems to be new to us though.
Singing Tesla Coils
The video above is ArcAttack! playing the classic “Popcorn” through their signature Tesla coils. Solid state Tesla coils (SSTC) can generate sound using what [Ed Ward] calls pulse repetition frequency (PRF) modulation. The heat generated by the plasma flame causes rapid expansion of the surrounding air and a resulting soundwave. An SSTC can be operated at just about any frequency, so you just need to build a controller to handle it. The task is made more difficult because very few electronics are stable in such an intense EM field. [Ed] constructed a small Faraday cage for his microcontroller and used optical interconnects to deliver the signals to the Tesla coils.
[via Laughing Squid]
