Converting A Polaroid SX70 Camera To Use 600 Film

These days, it’s possible to buy a number of different Polaroid instant cameras new off the shelf. That’s largely thanks to the retro resurgence that has buoyed interest in everything from vinyl records to analog synthesizers. However, if you’re truly old-school, you might still be rocking a vintage Polaroid SX-70 camera. Thankfully, there’s a way to convert these old rigs to work properly with the more popular modern 600 film.

The interesting thing about the SX-70 camera design is that its shutter speed and aperture setting are essentially linked together as the aperture and shutter assembly are combined into one unit with a variable tear-drop shaped opening. Thus, the timing of the shutter opening and closing and the extent to which it opens are what determines exposure and aperture.

Thankfully, [Jake Bright] has learned a lot about these unique cameras and exactly how this complex system operates. He shares his tips on firstly restoring the camera to factory-grade operation, and then the methods in which they may be converted to work with modern film. Fundamentally, it’s about changing capacitors or resistors to change the shutter/aperture timing. However, do it blindly and you’ll have little success. You first need to understand the camera’s mechanics, pneumatics, and its “Electric Eye” control system before you can get things dialed in just so.

We’ve seldom seen such a great deep dive into a camera outside of full-fat engineering documentation. [Jake] should be commended on his deep understanding and command of these fine instant cameras from yesteryear. May the Polaroid picture never die. Video after the break. Continue reading “Converting A Polaroid SX70 Camera To Use 600 Film”

Polaroid Develops Its Pictures Remotely

For those who didn’t experience it, it’s difficult to overstate the cultural impact of the Polaroid camera. In an era where instant gratification is ubiquitous, it’s easy to forget that there was a time when capturing a photograph meant waiting for film to be developed or relying on the meticulous art of darkroom processing. Before the era of digital photography, there was nothing as close to instant as the Polaroid. [Max] is attempting to re-capture that feeling with a modified Polaroid which instantly develops its pictures in a remote picture frame.

The build is based on a real, albeit non-functional, Polaroid Land Camera. Instead of restoring it, a Raspberry Pi with a camera module is placed inside the camera body and set up to capture pictures. The camera needs to connect to a Wi-Fi network before it can send its pictures out, though, and it does this automatically when taking a picture of a QR code. When a picture is snapped, it sends it out over the Internet to wherever the picture frame is located, which has another Raspberry Pi inside connected to an e-ink screen. Once a picture is taken on the camera it immediately shows up in the picture frame.

To help preserve the spirit of the original Polaroid, at no point is an image saved permanently. Once it is sent to the frame, it is deleted from the camera, and the next picture taken overwrites the last. And, for those who are only familiar with grayscale e-ink displays as the integral parts of e-readers, there have been limited options for color displays for a while now, as we saw in this similar build which was painstakingly built into a normal-looking picture frame as part of an attempted family prank.

Continue reading “Polaroid Develops Its Pictures Remotely”

A Vintage Polaroid Camera Goes Manual

There once was a time when all but the most basic of fixed focus and aperture cameras gave the photographer full control over both shutter speed and f-stop. This allowed plenty of opportunity to tinker but was confusing and fiddly for non-experts, so by the 1960s and ’70s many cameras gained automatic control of those functions using the then quite newly-developed solid state electronics. Here in 2023 though, the experts are back and want control. [Jim Skelton] has a vintage Polaroid pack film camera he’s using with photographic paper as the film, and wanted a manual exposure control.

Where a modern camera would have a sensor in the main lens light path and a microcontroller to optimize the shot, back then they had to make do with a CdS cell sensing ambient light, and a simple analog circuit. He considered adding a microcontroller to do the job, but realized that it would be much simpler to replace the CdS cell with a potentiometer or a resistor array. A 12-position switch with some carefully chosen resistor values was added, and placed in the camera’s original battery compartment. The final mod brought out the resistors and switch to a plug-in dongle allowing easy switching between auto and switched modes. Result – a variable shutter speed Polaroid pack camera!

Sadly the film for the older Polaroid cameras remains out of production, though the Impossible Project in the Netherlands — now the heirs to the Polaroid name — brought back some later versions and have been manufacturing them since 2010. Hackers haven’t been deterred though and have produced conversions using Fuji Instax film and camera components, as with this Polaroid portrait camera, and [Jim]’s own two-camera-hybrid conversion.

Veteran Polaroid Camera Lives Again, With Film Conversion

Browsing the thrift stores will net an amazing array of old cameras for dirt cheap prices, meaning that a film enthusiast can have plenty of fun without wasting money they could spend on the film itself. Unfortunately many of the more interesting cameras are those which use film long out of production, leaving the photographer with a need to improvise using a more modern film that’s still in production.

[Nicholas Morganti] has just such a camera, a Polaroid Big Shot, a 1970s instant camera designed for portrait work, for which the Polaroid 100 film packs are sadly a distant memory. Leave it on the shelf? Not likely, he’s adapted it to work with Fuji Instax 210, a readily available and cheap instant film.

Polaroid 100 and Instax 210 are almost the same size, but are not close enough for a direct fit. An Instax cartridge can be persuaded to fit into the Big Shot, but it’s a tight fit that puts strain on the aged Polaroid hinges. Even then the Polaroid rollers and photo ejection system are very different from those in the Fuji, so it involved a workflow in which the cartridge had to be unloaded in a darkroom between shots and processed through a real Fuji camera for the final picture.

His eventual solution takes a less camera-straining tack, still requiring a darkroom but taking an individual unexposed frame from an Instax pack and placing it in the Big Shot on an adapter plate. The result is a usable if a little cumbersome workflow for vintage Polaroid pictures, something plenty of instant photography enthusiasts will be thankful for. If you’re one of them, you might like to read our look at the process.

Will We Ever Shake The Polaroid Picture?

Today, most of us carry supercomputers in our pockets that happen to also take instantly-viewable pictures.This is something that even the dumbest phones do, meaning that we can reasonably draw the conclusion that photographic capability has become a basic feature of everyday carry, a necessity of 21st century life.

Despite the unwashed masses of just-plain-bad photographs clouding the digital landscape, photography itself remains as important as ever so we can retain and disseminate information as history unfolds. In a sense, the more instant, the better — unless it comes at the cost of image quality. The invention of photography is on par with the printing press or with language itself in that all three allow us to communicate within our own time as well as preserve The Way Things Were in frozen silence. And no invention made vivid preservation more convenient than the instant camera.

Continue reading “Will We Ever Shake The Polaroid Picture?”

Old Polaroid Gets A Pi And A Printer

There’s nothing like a little diversion project to clear the cobwebs — something to carry one through the summer doldrums and charge you up for the rest of the hacking year. At least that’s what we think was up with [Sam Zeloof]’s printing Polaroid retro-conversion project.

Normally occupied with the business of learning how to make semiconductors in his garage, or more recently working on his undergraduate degree in electrical engineering, [Sam], like many of us, found himself with time to spare this summer. In search of a simple, fun project that wouldn’t glaze over the eyes of people when he showed it off, he settled on a printing party camera. The guts are pretty standard fare: a Raspberry Pi and Pi cam, coupled with a thermal receipt printer for instant hardcopy. The donor camera was a Polaroid Pronto from eBay, in good shape on the outside and mostly complete on the inside. A Dremel took care of the latter, freeing up space occupied by all the plastic bits that held the film cartridge and running gear of the film handling system.

The surgery made enough room to squeeze in the Pi Zero and a LiPo battery pack, along with a buck converter. Adding in the receipt printer and its drive board and mounting the Pi cam presented some challenges, but everything fit without breaking the original look and feel of the Polaroid. The camera now produces low-res hardcopy instantly using a dithering algorithm, and store high-resolution images on an SD card for later download. As a bonus, [Sam] included a simulated time and date stamp in the lower corner of the saved images, like those that used to show up on film.

[Sam]’s camera looks like a ton of fun. We’ve seen other Polaroid conversions, including a stunning SX-70 digital upgrade, but this one shines for its simplicity and instant hardcopy.

[via Tom’s Hardware]

3D Printer Revives Large Format Camera

With a quarter-century of more of consumer digital cameras behind us, it’s easy to forget that there was once another way to see your photos without waiting for them to be developed. Polaroid Land cameras and their special film could give the impatient photographer a print in about a minute, but sadly outside a single specialist producer, it is no longer a product that is generally available.  [The Amateur Engineer] sought an alternative for a large format camera, by adapting a back designed for Fuji Instax film instead.

Lomography, the retailer of fun plastic cameras, had produced an Instax back for one of their cameras, and to adapt it for a Tachihara large format camera required a custom 3D-printed frame. Being quite a large item it had to be printed in three pieces and stuck together with epoxy. Then a series of light leaks had to be chased down and closed up. The result is a working Instax back for the camera, which appears to deliver the photographic goods.

We’ve seen a few digital backs for larger cameras produced with scanners, but we rather like this linear CCD one.