A Vintage Polaroid Camera Goes Manual

There once was a time when all but the most basic of fixed focus and aperture cameras gave the photographer full control over both shutter speed and f-stop. This allowed plenty of opportunity to tinker but was confusing and fiddly for non-experts, so by the 1960s and ’70s many cameras gained automatic control of those functions using the then quite newly-developed solid state electronics. Here in 2023 though, the experts are back and want control. [Jim Skelton] has a vintage Polaroid pack film camera he’s using with photographic paper as the film, and wanted a manual exposure control.

Where a modern camera would have a sensor in the main lens light path and a microcontroller to optimize the shot, back then they had to make do with a CdS cell sensing ambient light, and a simple analog circuit. He considered adding a microcontroller to do the job, but realized that it would be much simpler to replace the CdS cell with a potentiometer or a resistor array. A 12-position switch with some carefully chosen resistor values was added, and placed in the camera’s original battery compartment. The final mod brought out the resistors and switch to a plug-in dongle allowing easy switching between auto and switched modes. Result – a variable shutter speed Polaroid pack camera!

Sadly the film for the older Polaroid cameras remains out of production, though the Impossible Project in the Netherlands — now the heirs to the Polaroid name — brought back some later versions and have been manufacturing them since 2010. Hackers haven’t been deterred though and have produced conversions using Fuji Instax film and camera components, as with this Polaroid portrait camera, and [Jim]’s own two-camera-hybrid conversion.

Veteran Polaroid Camera Lives Again, With Film Conversion

Browsing the thrift stores will net an amazing array of old cameras for dirt cheap prices, meaning that a film enthusiast can have plenty of fun without wasting money they could spend on the film itself. Unfortunately many of the more interesting cameras are those which use film long out of production, leaving the photographer with a need to improvise using a more modern film that’s still in production.

[Nicholas Morganti] has just such a camera, a Polaroid Big Shot, a 1970s instant camera designed for portrait work, for which the Polaroid 100 film packs are sadly a distant memory. Leave it on the shelf? Not likely, he’s adapted it to work with Fuji Instax 210, a readily available and cheap instant film.

Polaroid 100 and Instax 210 are almost the same size, but are not close enough for a direct fit. An Instax cartridge can be persuaded to fit into the Big Shot, but it’s a tight fit that puts strain on the aged Polaroid hinges. Even then the Polaroid rollers and photo ejection system are very different from those in the Fuji, so it involved a workflow in which the cartridge had to be unloaded in a darkroom between shots and processed through a real Fuji camera for the final picture.

His eventual solution takes a less camera-straining tack, still requiring a darkroom but taking an individual unexposed frame from an Instax pack and placing it in the Big Shot on an adapter plate. The result is a usable if a little cumbersome workflow for vintage Polaroid pictures, something plenty of instant photography enthusiasts will be thankful for. If you’re one of them, you might like to read our look at the process.

Will We Ever Shake The Polaroid Picture?

Today, most of us carry supercomputers in our pockets that happen to also take instantly-viewable pictures.This is something that even the dumbest phones do, meaning that we can reasonably draw the conclusion that photographic capability has become a basic feature of everyday carry, a necessity of 21st century life.

Despite the unwashed masses of just-plain-bad photographs clouding the digital landscape, photography itself remains as important as ever so we can retain and disseminate information as history unfolds. In a sense, the more instant, the better — unless it comes at the cost of image quality. The invention of photography is on par with the printing press or with language itself in that all three allow us to communicate within our own time as well as preserve The Way Things Were in frozen silence. And no invention made vivid preservation more convenient than the instant camera.

Continue reading “Will We Ever Shake The Polaroid Picture?”

Old Polaroid Gets A Pi And A Printer

There’s nothing like a little diversion project to clear the cobwebs — something to carry one through the summer doldrums and charge you up for the rest of the hacking year. At least that’s what we think was up with [Sam Zeloof]’s printing Polaroid retro-conversion project.

Normally occupied with the business of learning how to make semiconductors in his garage, or more recently working on his undergraduate degree in electrical engineering, [Sam], like many of us, found himself with time to spare this summer. In search of a simple, fun project that wouldn’t glaze over the eyes of people when he showed it off, he settled on a printing party camera. The guts are pretty standard fare: a Raspberry Pi and Pi cam, coupled with a thermal receipt printer for instant hardcopy. The donor camera was a Polaroid Pronto from eBay, in good shape on the outside and mostly complete on the inside. A Dremel took care of the latter, freeing up space occupied by all the plastic bits that held the film cartridge and running gear of the film handling system.

The surgery made enough room to squeeze in the Pi Zero and a LiPo battery pack, along with a buck converter. Adding in the receipt printer and its drive board and mounting the Pi cam presented some challenges, but everything fit without breaking the original look and feel of the Polaroid. The camera now produces low-res hardcopy instantly using a dithering algorithm, and store high-resolution images on an SD card for later download. As a bonus, [Sam] included a simulated time and date stamp in the lower corner of the saved images, like those that used to show up on film.

[Sam]’s camera looks like a ton of fun. We’ve seen other Polaroid conversions, including a stunning SX-70 digital upgrade, but this one shines for its simplicity and instant hardcopy.

[via Tom’s Hardware]

3D Printer Revives Large Format Camera

With a quarter-century of more of consumer digital cameras behind us, it’s easy to forget that there was once another way to see your photos without waiting for them to be developed. Polaroid Land cameras and their special film could give the impatient photographer a print in about a minute, but sadly outside a single specialist producer, it is no longer a product that is generally available.  [The Amateur Engineer] sought an alternative for a large format camera, by adapting a back designed for Fuji Instax film instead.

Lomography, the retailer of fun plastic cameras, had produced an Instax back for one of their cameras, and to adapt it for a Tachihara large format camera required a custom 3D-printed frame. Being quite a large item it had to be printed in three pieces and stuck together with epoxy. Then a series of light leaks had to be chased down and closed up. The result is a working Instax back for the camera, which appears to deliver the photographic goods.

We’ve seen a few digital backs for larger cameras produced with scanners, but we rather like this linear CCD one.

The Digital Polaroid SX-70

What do you do if you own an iconic and unusual camera from decades past? Do you love it and cherish it, buy small quantities of its expensive remanufactured film and take arty photographs? Or do you rip it apart and remake it as a modern-day digital camera in a retro enclosure? If you’re [Joshua Gross], you do the latter.

The Polaroid SX-70 is an iconic emblem of 1970s consumer technology chic. A true design classic, it’s a single-lens reflex design using a Polaroid instant film cartridge, and its party trick is that it’s a folding camera which collapses down to roughly the size of a pack of 1970s cigars. It was an expensive luxury camera when it was launched in 1972, and today it commands high prices as a collector’s item.

[Joshua]’s build is therefore likely to cause weeping and wailing and gnashing of teeth among vintage camera enthusiasts, but what exactly has he done? In the first instance, he’s performed a teardown of the SX-70 which should be of interest to many readers in itself. He’s removed the mirror and lens, mounted a Raspberry Pi camera behind the lens mount, and a small LCD monitor where the mirror would be.

A new plastic lens in the original lens housing completes the optics, and the electronics come courtesy of a Pi Zero, battery, and USB hub in the space where the Polaroid film cartridge would otherwise be. Some new graphics and a fresh leather cover complete the  build, giving what we’d say is a very tidy electronic Polaroid. On the software side there is a filter to correct for fisheye distortion, and the final photos have a slightly Lomographic quality from the plastic lens.

We like what he’s created with his SX-70 even if we can’t help wincing that he did it to an SX-70 in the first place. Maybe it’s less controversial when someone gives the Pi treatment to a more mundane Polaroid camera.

Swedish Front Plus Japanese Back Makes For Useful Hybrid Camera

Professional or amateur, doing things the hard way doesn’t always make for better results. Take photography as an example. Once upon a time, the success or failure of what happened during the instant that the camera’s shutter was open was only known hours or days later after processing the film. Ruin the shot with bad exposure or suboptimal composition? Too bad. Miss a once-in-a-lifetime moment as a result? Ouch.

Once instant photography came along, pros were quick to adopt it as a quick and dirty way to check everything before committing the shot to higher-quality film. Camera manufacturers made special instant film cartridges that could be swapped for roll film, and charged through the teeth for them. Unwilling to shell out big bucks, [Isaac Blankensmith] hacked his own instant film back for his Hasselblad medium-format camera. The unlucky donor camera was a Fujifilm Instax, a camera that uses film packs similar to those used by Polaroid and Kodak instant cameras from the 70s and 80s. Several of these cameras were dissected – carefully; those flash capacitors pack a wallop – and stripped down to the essential film-handling bits. An adapter was fabricated from laser-cut acrylic to mount the film back to the Hasselblad, with care taken to match the original focal plane. The shots are surprisingly good; despite a minor light leak from the adapter, they’re fine for the purpose. The best part: the whole build took just 48 hours from conception to first shots.

Speaking of Polaroid, we’ve featured quite a few hacks of Edwin Land’s venerable cameras over the year. From replacing the film with a printer to an upgrade to 35-mm film, instant cameras in general and Polaroids in particular seem to have quite a following among hackers.

Thanks for tipping us off, [macsimski].