Raspberry Pi Crammed Into Old Film Camera

If you wanted an expensive film camera when you were a kid, you are in luck. Used film SLRs are super cheap now that everyone wants digital cameras. Of course, in reality, you want a digital camera, too. So do what [befinitiv] did. Make a film cartridge out of a Raspberry Pi that can convert your camera to digital. (Video, embedded below.)

In theory, this sounds like a genius idea. The practical aspect isn’t perfect, though. For one thing, the small image sensor used means that the camera is zoomed in quite a bit. Also, the shutter button isn’t integrated, so the shutter is open all the time. You may think that doesn’t matter, but don’t forget that the way an SLR works means if the shutter is open, there’s no viewfinder.

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Quick And Dirty Digital Conversion For Analog SLR

The unarguable benefits of digital photography has rendered the analog SLR obsolete for most purposes. This means that a wide selection of cameras and lenses are available on the second hand market for pennies on the dollar, making them ripe targets for hacking. [drtonis] decided to experiment with a quick and easy digital conversion to an old Canon A-1, and it’s got us excited about the possibilities.

Who needs Instagram filters? Just distort in-camera!

It’s a simple hack, but a fun one. The SLR is opened up, and the spring plate for holding the film is removed. A Raspberry Pi camera then has its original lens removed, and is placed inside the film compartment. It’s held in with electrical tape, upon a 3mm shim to space it correctly to work with the original optics.

[drtonis] notes that the build isn’t perfect, with some aberration likely caused by the reflective electrical tape in the film cavity. However, we think it’s a nice proof of concept that could go so much further. A Raspberry Pi Zero could be easily squeezed inside along with the camera, and everything glued in place to make things more robust. A specialist paint such as Stuart Semple’s Black 2.0 could also help cut down on light leaks inside. Plus, there’s plenty of small screens that can be used with the Raspberry Pi that would provide a useful preview function.

We’d love to see more conversions like this one. While it’s unlikely they’ll compete with commercial DSLRs on outright performance, everyone loves a little bit of charming distortion here and there, and all manner of fancy lenses can be had for cheap for analog platforms. We’ll be keeping a close eye on the tipline for further This fundevelopments – you know what to do!

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Expensive Sony Lens Repair Reveals Shims & Shifts

The photographic hire company Lensrentals had a $2k Sony FE 135mm f1.8 GM camera lens returned with a problem: it was having issues focusing. So, they decided to do the obvious thing and take it apart. It’s a fascinating insight into some of the engineering that goes into a high-end camera lens.

That is perhaps a rather scary thing to do, because this is a very new lens that doesn’t even have a service manual yet. That’s akin to rechipping a Ferrari when you’ve never even opened the hood before.

One of the interesting things inside is the presence of a number of shims that adjust the placement between the groups of lens elements. It seems that however good their manufacturing tolerances are, sometimes you just have to put a shim or two in there to align things.

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3D Printed Lens Gears For Pro-grade Focus Pulling

Key Grip, Gaffer, Best Boy – any of us who’ve sat through every last minute of a Marvel movie to get to the post-credits scene – mmm, schawarma! – have seen the obscure titles of folks involved in movie making. But “Focus Puller”? How hard can it be to focus a camera?

Turns out there’s a lot to the job, and in a many cases it makes sense to mechanize the task. Pro cinematic cameras have geared rings for just that reason, and now your DSLR lens can have them too with customized, 3D printed follow-focus gears.

Gear_Selection_01_full_render_preview_featuredUnwilling to permanently modify his DSLR camera lens and dissatisfied with after-market lens gearing solutions, [Jaymis Loveday] learned enough OpenSCAD to generate gears from 50mm to 100mm in diameter in 0.5mm increments for a snug friction fit. Teamed up with commercially available focus pulling equipment, these lens gears should really help [Jaymis] get professional results from consumer lenses. 

Unfortunately, [Jaymis] doesn’t include any video of the gears in action, but the demo footage shown below presumably has some shots that were enabled by his custom gears. And even if it doesn’t, there are some really cool shots in it worth watching.

And for the budding cinematographers out there without access to a 3D printer, there’s always this hardware store solution to focus pulling.

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Thumbnail that say The Hacklet

Hacklet #11- Cameras

11

We preempt this week’s Hacklet to bring you an important announcement.

Hackaday.io got some major upgrades this week. Have you checked out The Feed lately? The Feed has been tweaked, tuned, and optimized, to show you activity on your projects, and from the hackers and projects you follow.

We’ve also rolled out Lists! Lists give you quick links to some of .io’s most exciting projects. The lists are curated by Hackaday staff. We’re just getting started on this feature, so there are only a few categories so far. Expect to see more in the coming days.

Have a suggestion for a list category? Want to see a new feature?  Let us know!

Now back to your regularly scheduled Hacklet

There are plenty of cameras on Hackaday.io, from complex machine vision systems to pinhole cameras. We’re concentrating on the cameras whose primary mission is to create an image. It might be for art, for social documentation, or just a snapshot with friends.

pinstax[theschlem] starts us off with Pinstax, a 3D Printed Instant Pinhole Camera. [theschlem] is using a commercial instant film camera back (the back for a cheap Diana F+) and 3D printing his own pinhole and shutter. He’s run into some trouble as Fuji’s instant film is fast, like ISO 800 fast. 3 stops of neutral density have come to the rescue in the form of an ND8 filter. Pinstax’s pinhole is currently 0.30mm in diameter. That translates to just about f/167. Nice!

largeformat

Next up is [Jimmy C Alzen] and his Large Format Camera. Like many large format professional cameras, [Jimmy’s] camera is designed around a mechanically scanned linear sensor. In this case, a TAOS TSL1412S. An Arduino Due runs the show, converting the analog output from the sensor to digital values, stepping the motor, and displaying images in progress on an LCD. Similar to other mechanically scanned cameras, this is no speed demon. Images in full sunlight take 2 minutes. Low light images can take up to an hour to acquire.

democracy[Jason’s] Democracycam aims to use open source hardware to document protests – even if the camera is confiscated. A Raspberry Pi, Pi Cam module, and a 2.8″ LCD touchscreen make up the brunt of the hardware of the camera. Snapping an image saves it to the SD card, and uses forban to upload the images to any local peers. The code is in python, and easy to work with. [Jason] hopes to add a “panic mode” which causes the camera to constantly take and upload images – just in case the owner can’t.

digiholgaThe venerable Raspberry Pi also helps out in [Kimondo’s] Digital Holga 120d. [Kimondo’s] fit a Raspberry Pi model A, and a Pi camera, into a Holga 120D case. He used the Slice of pi prototype board to add a GPIO for the shutter release button, a 4 position mode switch, and an optocoupler for a remote release. [Kimondo] even added a filter ring so he can replicate all those instagram-terrific filters in hardware. All he needs is to add a LiPo battery cell or two, a voltage regulator, and a micro USB socket for a fully portable solution.

openreflex

Finally, we have [LeoM’s] OpenReflex rework. OpenReflex is an open source 3D printed Single Lens Reflex (SLR) 35mm film camera. Ok, not every part is 3D printed. You still need a lens, a ground glass screen, and some other assorted parts. OpenReflex avoids the use of a pentaprism by utilizing a top screen, similar to many classic twin lens reflex cameras. OpenReflex is pretty good now, but [Leo] is working to make it easier to build and use. We may just have to break out those rolls of Kodachrome we’ve been saving for a sunny day.

That’s it for this week’s Hacklet! Until next week keep that film rolling and those solid state image sensors acquiring. We’ll keep bringing you the best of Hackaday.io!

Adding A Digital Timer To A Cable Release Camera

slr-cable-release-timer

Here’s a completely non-invasive hack for a classic Minolta SLR camera. [Robby] wanted to add to the options available when it comes to remote shutter release. He ended up building a cable release add-on that mounts on the hot shoe.

He drew some of his inspiration from a similar project we saw back in March. He took the engineering example from that project which uses a small servo motor to actuate the cable release. But along the way added his own features.

The system centers around an ATtiny4313 microcontroller. It provides feedback using the character LCD on the back of the auxiliary flash body. That flash body also offers a battery compartment which provides power for the control circuitry as well as the servo motor. Right now it functions as a count-down timer, and also can hold the shutter a specified amount of time. But we could see this extended to work with external sensors to trigger at a set light level, when sensing motion, or from a remote control.

No More Blurry Pictures

Say goodbye to ruined images thanks to this add-on hardware. It measures the movement of the camera when a picture is taken and corrects the image to get rid of motion blur. Above you see a high-speed camera which is just there for testing and fine-tuning the algorithm that fixes the photos. Once they got it right, the setup that the camera is attached to only includes an Arduino board, Bluetooth modem, 3-axis accelerometer, gyroscope, and a trigger for the camera. You use the new hardware to snap each image and it takes care of triggering the SLR’s shutter in order to ensure that the inertial data and the image are synchronized correctly.

[Thanks Rob]