It says it right on the title of the video below: it was bound to happen eventually. It’s only natural that somebody would stick a 3D printer extruder on the business end of a CNC machine. The long-awaited convergence of additive and subtractive manufacturing is here.
OK, that may be overstating things a bit, but we think [Chris DePrisco] is on to something here. Given the considerable investment he’s made in his DIY CNC machine, an enormous vertical machining center that looks a little like a homebrew Bridgeport, it was a no-brainer to take advantage of the huge XYZ stage. Mounting the Titan Aero extruder to the quill required some custom parts; fair warning that the video below is heavy on machining, but it’s not the seven hours of video he streamed when he milled the heated aluminum bed. Skip ahead to about the six-minute mark if you want to see the first prints and how he optimized the setup.
As we watched [Chris]’ video, we were struck by the potential for adding 3D printing to CNC milling machines. What we’d like to see is a setup where the spindle and the extruder work together to build more complex parts. Or maybe a tool-changing CNC that can pick up a spindle, an extruder, and maybe even a laser or plasma cutter head. Now that would be a powerful machine!
Continue reading “Additive + Subtractive = One Powerful Machine”
For the last 15 years or so, software synths have slowly yet surely replaced those beatboxes, drum machines, and true synthesizers. It’s a loss for old hardware aficionados, but at least everyone with a MacBook is now a musician, amiright?
The Raspberry Pi and Pi2 already have more processing power than a desktop from ’99, so it’s no surprise that all of those classic synths, from a Moog. Yamaha DX, Casio CZ, Linn drum machine, Fairlight, and a mellotron, can all be stuffed into a Pi thanks to the work of [Phil Atkin] and his Raspberry Pi synthesizer.
[Phil]’s efforts to bring audio synthesis to the Pi fall under three techniques: subtractive synthesis, phase distortion synthesis, and sample-based synthesis, something that’s found in everything from Akai MPCs, MacBooks, and that one episode of The Cosby Show. [Phil] is combining all of these techniques into a piece of software that’s capable of running seamlessly on the Pi, giving anyone with a $35 computer a tool that would have been worth several thousand dollars in 1985.
The project is pretty far along, but the recent release of the Raspberry Pi 2 has thrown [Phil] for a loop. On one hand, the Pi 2 is much more capable than the original Pi in terms of hardware, and this lends itself to more sounds and a better GUI. On the other hand, there are millions of original Pi 1s out there that still make for exceptional synthesizers. Either way, [Phil]’s work is a great example of how far you can push the Pi with audio work.
Thanks [Wybren] for the tip. Videos below.
Continue reading “Piana – Musical Synthesis For The Raspberry Pi”