Why Wasn’t This Magnetic Cello Made In The 70’s?

[magnetovore] made himself an electronic cello. Instead of pulling a few cello samples off of an SD card, he did it the old school analog way. The finished build is really impressive and leaves us wondering why we haven’t seen anything like this before.

[magnetovore] uses a permanent magnet to play each ‘string’. A lot of details are in this post and [magnetovore]’s provisional patent (PDF warning). From what we can gather, each string is a resistive ribbon sensor connected to a voltage controlled oscillator. The output of the VCO is sent to a variable gain amplifier that is controlled by a coil of wire and the magnetic ‘bow’.

From the video (after the break), [magnetovore] already has an amazing reproduction of the cello sound. It’s a bit electronic on the lowest parts of the C string, but with a little bit of processing it could definitely pass for an acoustic instrument. We’re left wondering why we haven’t seen anything like this cello before. VCOs and VGAs were the bread and butter of the old Moogs and even the ancient ondes martenot. Ribbon controllers were being attached to electronic instruments back in the 50’s, so we’re really at a loss on why a magnetic cello is new to us. If any Hack A Day readers have seen anything like this before, leave a message in the comments.

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Synkie: The Modular Synth For Video

The folks at [anyma] have been working on an analog video processor called Synkie for a while now, and we’re amazed a project this awesome has passed us by for so long.

Like a Moog or Doepfer synth, the Synkie was developed with modularity in mind. So far, [anyma] has built modules to split and combine the sync and video signals, and modules to invert, add, subtract, mix, filter and amplify those signals. The end result of all this video processing produces an output that can look like a glitched Atari, art installation, and scrambled cable station all at the same time.

The Synkie’s output reminds us of the original Doctor Who title sequence, and actually this idea isn’t far off the mark – both use video feedback that will produce anything from a phantasmagoric ‘flying through space’ aesthetic to a fractal Droste effect visualization. We’re impressed with Synkie’s capabilities, but we’re astounded by the [anyma] crew’s ability to control a video signal in real time to get what they want.

Check out a video of the Synkie after the jump. There’s also more footage of the Synkie in action on the Synkie Vimeo channel.

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A 555 Synthesizer

Inspired by the memory of a childhood electronics kit, [Frank] decided to make a new 555 Synthesizer and enter it into the 555 contest. [Frank’s] remake is played with a stylus, and sports an attack and release envelope circuit, housed in a quick but effective acrylic case.

Using a single 555 timer, a hand full of capacitors, two transistors, and a healthy dose of resistors and potentiometers, the sound is quite impressive thanks to optional filtering, enveloping, and a lot of fine tuning. Full schematics, bill of materials, formulas, and board files are all available along with sources for some of the more specialized potentiometers.

Join us after the break for a ~13 minute long video, which is pretty cool, as it shows the device from prototype, and does some fast forward action though to the final product pictured above, though if you just want a demo of the 555 synth fast forward to 10:44

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Fun Slide Whistle Synth Toy

slide_synth

[Dino] recently sent us some info on his latest project, a 555 timer-based slider synthesizer. The synth was built to emulate the sound made by playing a slide whistle, and also as an entry into the 555 Design Contest, which is quickly coming to a close. If you’re not familiar with a slide whistle, just spend a few minutes on YouTube looking for clips of Sideshow Bob – it’s ok, we’ll wait.

The circuit is pretty simple, though the implementation is quite clever. While traditional slide whistles require the user to blow in one end, this electronic version operates using a LED and photo cell. When the main switch is closed, the 555 timer is activated, and a tone is produced. The pitch of the tone is controlled by the LED as it slides in and out of the tube. The more light that hits the photo cell, the higher the pitch, and vice versa.

Continue reading to see a quick demonstration of [Dino’s] slide synth, and be sure to check out his other 555 contest entry we featured a short while back.

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Alien Life Form Synth Toy

space_bug_in_a_bottle

We were sent [Dr. Offset’s] most recent project, a kid’s toy that is half sculpture/half noisemaker, but 100% cool. The device uses several 555 Timers and is his entry into the 555 Design Contest, which wraps up in just a few days. To really enjoy his creation, you need to suspend disbelief for a moment, and indulge the space fantasy he creates. In other words, let yourself be a kid again, if only for a few minutes.

What he has built is a containment unit for an alien life form found during an outer space exploratory mission. The creature has fused its organic bits with electronic components in order to survive in the stark, empty world it used to call home. The containment unit allows you to zap the “bug” with various frequencies to see how it reacts. The “bug” is light sensitive, so it always offers a varying experience, day or night.

It’s definitely one of the most artistically creative entries into the 555 Design Contest we have seen yet. Continue reading to see a thorough walkthrough and demonstration of his project.

[Thanks Rich Decibels]

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Punch Tape Musical Synth

synthanola

[Jeri Ellsworth] sent over a 555 design contest entry that struck her as particularly interesting. The Synthanola is a three-channel music synthesizer that accepts input from an old Heathkit paper tape reader. While this hack might seem overly retro, it’s actually an extremely appropriate use of technology, as the Heathkit H-10 and the 555 timer were both popular tech in the 70’s. This retro-focused synth uses fourteen 555 timers, twelve of which are dedicated to synthesizing audio. If this entry does not win the contest, it certainly must be a strong contender for most 555 timers used.

[Thrashbarg] gives a detailed explanation of the logic used to drive the music playback from the punch tape, as well as full circuit diagrams for his entry. So far he has encoded MP3s of Bach’s Invention and Fugue in D Minor to tape, with hopefully more to come. In order to truly appreciate his efforts, the Synthanola should be seen as well as heard. Stick around for a pair of videos of the synth in action.

If you’re interested in seeing more 555 contest entries, be sure to check out some of our previously featured projects.

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LaunchPad MIDI Synth

launchpad_midi_synth

[NatureTM] sent in a writeup for the MIDI synthesizer he recently built using a TI LaunchPad. The construction is pretty simple overall, consisting of little more than the MSP430, a handful of resistors, and an optoiosolater. Of course, a MIDI controller is required, but he already had that on hand.

Once the MIDI data is read from the optoisolator, his code takes care of the rest, adjusting the square wave sound generator to get the proper note. He does mention that since the synthesizer is monophonic, special care is taken to ensure that simultaneous notes are processed properly. You can route all of the sound into a single speaker, but he used the optoisolator to send the sound data to multiple LaunchPads instead, resulting in a fun little MIDI quintet.

He provides code and plenty of video on his site, but keep reading for a sneak peek of his synth in action.

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