The Rhysonic Wheel Automates Live Music

Making waves in the music world is getting harder. Almost anyone who has access to the internet also has access to a few guitars and maybe knows a drummer or can program a drum machine. With all that competition it can be difficult to stand out. Rather than go with a typical band setup or self-producing mediocre rap tracks, though, you could build your own unique musical instrument from scratch and use it to make your music, and your live performances, one-of-a-kind.

[Pete O’Connell]’s instrument is known as the Rhysonic Wheel, which he created over the course of a year in his garage. The device consists of several wheels, all driven at the same speed and with a common shaft. At different locations on each of the wheels, there are pieces of either metal or rubber attached to strings. The metal and rubber bits fling around and can strike various other instruments at specified intervals. [Pete O’Connell] uses them to hit a series of percussion instruments, a set of bells, and even to play a guitar later on in the performance.

While it looks somewhat dangerous, we think that it adds a level of excitement to an already talented musical performance. After all, in skilled hands, any number of things can be used to create an engaging and unparalleled musical performance with all kinds of sounds most of us have never heard before.

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MIDI Synthesizer From A Sega Genesis

[Aidan] is really into FM synthesis chips for creating audio, and one of the most interesting chips from that era is found on the Sega Genesis. Anyone involved in the console wars at that time certainly remembers the classic, unique sound that those video game systems were able to produce, so [Aidan] built a device using a sound chip from a Genesis to play any piece of music from any game. The second iteration of that project, though, is able to use those same sound files as a MIDI synthesizer.

The interesting aspect of these chips is how they use registers to change the audio output. Essentially, there is a complicated register map (one section of his write-up is simply called “Register Hell”) that can be called in order to access the various types of effects one would normally see on a synthesizer. It’s not straightforward at all, though, and got even more complicated once [Aidan] started adding MIDI functionality to it as well. Once he finished sifting through the Sega Genesis technical manuals and a bunch of registers, though, he had a unique synthesizer working that doesn’t sound like anything you’ve ever heard, unless you’ve ever played a Genesis.

If you’d like to check out his first project, the MegaBlaster, which plays the sound files of the old Genesis games directly, we featured that a while ago. Keep in mind though that his latest project isn’t just an updated MegaBlaster, though. He built this entire thing from the ground up.

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The Sampler That Fits In Your Pocket

The future of the music instrument industry lies in synthesizers, and nowhere is this more apparent than the suite of tiny, pocket-sized synths more than capable of making bleeps and bloops. You’ve got tiny Korgs and Pocket Operators, and the time is ripe for people to wake up to tiny, pocket-sized synths.

The latest in a wide, diverse range of pocketable synthesizers is the Bitty. It’s a pocket-sized drum machine that’s the closest we’ve seen to a pocketable MPC to date. It’s a Kickstarter project that’s already completely funded only a day into the campaign.

The core of the Bitty is built around the Arduino, and for good reason. The last few years have seen some incredible advances in Arduino audio libraries, and this is no exception. The Bitty is built around the Mozzi library that gives it actual oscillators and ready-made wavetables. The Bitty comes with ‘software packs’ that include the Theremin Bitty, Techno Bitty, Basement Bitty, Trap Bitty, Lofi Bitty Bitty, and Beach Bitty. All of these are different sounds and samples, turning this tiny device into an all-in-one sampling solution. Seriously: look at how many Pocket Operators there are, how much they sell for, and realize this is a device that can download new samples and sounds. There’s a market here.

The Arduino-compatible Bitty is available on Kickstarter right now, with the base reward starting at under $100, with delivery in February, 2020. You can check out the video demo below.

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Nintendo’s Cardboard Piano Becomes A Real Working Instrument

Nintendo’s LABO piano is a strange kind of instrument. Hewn out of cardboard and used in combination with some advanced software, it’s entirely passive, with all the sound generation and smarts coming from the Switch console which slots into the body. [Simon the Magpie] decided that this simply wouldn’t do, and set about turning the LABO piano into a real synthesizer (Youtube link, embedded below).

In order to pull off this feat, [Simon] sourced an OKAY synth kit– a basic monophonic synthesizer designed to fit inside a 3D printed case. Instead, here it’s built inside the LABO’s roomy cardboard housing. The keyboard is reinforced with duct tape and tweaked to accept those common and horrible red SPST buttons, and the front panel is fitted with control dials where the Switch would usually sit.

After some careful crafting, the piano is ready to rock. It’s not the most responsive instrument, with the flexible cardboard struggling to reliably trigger the installed buttons, but it does work. [Simon] performs a small instrumental piece over a drum track to demonstrate that you don’t need a Nintendo Switch to have fun with the LABO piano.

Expect to see similar builds on stage at chiptune shows in the next few years – at least until mold gets the better of them. There are other ways to hack the LABO piano, too. Video after the break.

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MIDI To CV The DIY Way

MIDI has been a remarkably popular interface since its inception way back in 1983. Based on existing serial interfaces, and with a broad enough set of features, it remains the defacto standard for communication between musical gear. However, older gear and many modular synths simply don’t grok digital data, instead using analog control voltages to get the job done. Never fear, though – you can convert from one to the other with the goMIDI2CV.

It’s a simple device, hewn from an ATTINY microcontroller. MIDI signals are received at TTL voltage levels, and converted to output voltages by the ATTINY via use of the PWM hardware. A lowpass filter is added to remove the high-frequency content from the output signal.  A 6N138 optocoupler completes the project, to comply with the MIDI standard and ensure the device is not subject to any dangerous voltages from the hardware plugged in.

It’s a simple way to control older non-MIDI compliant hardware, and might make an old modular rig just that much more useful in the studio of today. We’ve seen similar builds before, like this combined CV and Gate converter. 

Eurorack Gets A Wireless MIDI Connection

Modular synthesizers have been around since the early 1960s, delivering huge tonal possibilities from their impressive and imposing patchbays. In 1996, the Eurorack standard was launched, and has become the go-to choice for enthusiasts new to the world of modular synthesis. [Rich Heslip] is just one such enthusiast, and has brought Bluetooth MIDI to Eurorack with his Motivation Radio module.

[Rich]’s module is built around the ESP32, which provides plenty of processing power, along with all the necessary radio hardware to communicate over Bluetooth. The unit packs plenty of connectivity into an 8HP wide panel, with four gate inputs and outputs, four CV inputs and outputs, and serial MIDI in and out.

Thanks to its Bluetooth connection, Motivation Radio makes it easy to pass note and gate data into a Eurorack setup, and can be used with the wide variety of tablet and smartphone MIDI software on offer. If you’re eager to build your own, PCB and panel designs are available courtesy of [jakplugg] and [Rich] has shared the software on Github.

Of course, if you prefer MIDI over USB, [little-scale] has the build for you. Video after the break.

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Never Mind The Sheet Music, Here’s Spreadsheet Music

Nothing says Rockstar Musician Lifestyle like spreadsheet software. Okay, we might have mixed up the word order a bit in that sentence, but there’s always Python to add some truth to it. After all, if we look at the basic concept of MIDI sequencers, we essentially have a row of time-interval steps, and depending on the user interface, either virtual or actual columns of pitches or individual instruments. From a purely technical point of view, spreadsheets and the like would do just fine here.

Amused by that idea, [Maxime] wrote a Python sequencer that processes CSV files that works with both hardware and software MIDI synthesizers. Being Python, most of the details are implemented in external modules, which makes the code rather compact and easy to follow, considering it supports both drums and melody tracks in the most common scales. If you want to give it a try, all you need is the python-rtmidi and mido module, and you should be good to go.

However, if spreadsheets aren’t your thing, [Maxime] has also a browser-based sequencer project with integrated synthesizer ongoing, with a previous version of it also available on GitHub. And in case software simply doesn’t work out for you here, and you prefer a more hands-on experience, don’t worry, MIDI sequencers seem like an unfailing resource for inspiration — whether they’re built into an ancient cash register, are made entirely out of wood, or are built from just everything.

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