The Sampler That Fits In Your Pocket

The future of the music instrument industry lies in synthesizers, and nowhere is this more apparent than the suite of tiny, pocket-sized synths more than capable of making bleeps and bloops. You’ve got tiny Korgs and Pocket Operators, and the time is ripe for people to wake up to tiny, pocket-sized synths.

The latest in a wide, diverse range of pocketable synthesizers is the Bitty. It’s a pocket-sized drum machine that’s the closest we’ve seen to a pocketable MPC to date. It’s a Kickstarter project that’s already completely funded only a day into the campaign.

The core of the Bitty is built around the Arduino, and for good reason. The last few years have seen some incredible advances in Arduino audio libraries, and this is no exception. The Bitty is built around the Mozzi library that gives it actual oscillators and ready-made wavetables. The Bitty comes with ‘software packs’ that include the Theremin Bitty, Techno Bitty, Basement Bitty, Trap Bitty, Lofi Bitty Bitty, and Beach Bitty. All of these are different sounds and samples, turning this tiny device into an all-in-one sampling solution. Seriously: look at how many Pocket Operators there are, how much they sell for, and realize this is a device that can download new samples and sounds. There’s a market here.

The Arduino-compatible Bitty is available on Kickstarter right now, with the base reward starting at under $100, with delivery in February, 2020. You can check out the video demo below.

Continue reading “The Sampler That Fits In Your Pocket”

Nintendo’s Cardboard Piano Becomes A Real Working Instrument

Nintendo’s LABO piano is a strange kind of instrument. Hewn out of cardboard and used in combination with some advanced software, it’s entirely passive, with all the sound generation and smarts coming from the Switch console which slots into the body. [Simon the Magpie] decided that this simply wouldn’t do, and set about turning the LABO piano into a real synthesizer (Youtube link, embedded below).

In order to pull off this feat, [Simon] sourced an OKAY synth kit– a basic monophonic synthesizer designed to fit inside a 3D printed case. Instead, here it’s built inside the LABO’s roomy cardboard housing. The keyboard is reinforced with duct tape and tweaked to accept those common and horrible red SPST buttons, and the front panel is fitted with control dials where the Switch would usually sit.

After some careful crafting, the piano is ready to rock. It’s not the most responsive instrument, with the flexible cardboard struggling to reliably trigger the installed buttons, but it does work. [Simon] performs a small instrumental piece over a drum track to demonstrate that you don’t need a Nintendo Switch to have fun with the LABO piano.

Expect to see similar builds on stage at chiptune shows in the next few years – at least until mold gets the better of them. There are other ways to hack the LABO piano, too. Video after the break.

Continue reading “Nintendo’s Cardboard Piano Becomes A Real Working Instrument”

MIDI To CV The DIY Way

MIDI has been a remarkably popular interface since its inception way back in 1983. Based on existing serial interfaces, and with a broad enough set of features, it remains the defacto standard for communication between musical gear. However, older gear and many modular synths simply don’t grok digital data, instead using analog control voltages to get the job done. Never fear, though – you can convert from one to the other with the goMIDI2CV.

It’s a simple device, hewn from an ATTINY microcontroller. MIDI signals are received at TTL voltage levels, and converted to output voltages by the ATTINY via use of the PWM hardware. A lowpass filter is added to remove the high-frequency content from the output signal.  A 6N138 optocoupler completes the project, to comply with the MIDI standard and ensure the device is not subject to any dangerous voltages from the hardware plugged in.

It’s a simple way to control older non-MIDI compliant hardware, and might make an old modular rig just that much more useful in the studio of today. We’ve seen similar builds before, like this combined CV and Gate converter. 

Eurorack Gets A Wireless MIDI Connection

Modular synthesizers have been around since the early 1960s, delivering huge tonal possibilities from their impressive and imposing patchbays. In 1996, the Eurorack standard was launched, and has become the go-to choice for enthusiasts new to the world of modular synthesis. [Rich Heslip] is just one such enthusiast, and has brought Bluetooth MIDI to Eurorack with his Motivation Radio module.

[Rich]’s module is built around the ESP32, which provides plenty of processing power, along with all the necessary radio hardware to communicate over Bluetooth. The unit packs plenty of connectivity into an 8HP wide panel, with four gate inputs and outputs, four CV inputs and outputs, and serial MIDI in and out.

Thanks to its Bluetooth connection, Motivation Radio makes it easy to pass note and gate data into a Eurorack setup, and can be used with the wide variety of tablet and smartphone MIDI software on offer. If you’re eager to build your own, PCB and panel designs are available courtesy of [jakplugg] and [Rich] has shared the software on Github.

Of course, if you prefer MIDI over USB, [little-scale] has the build for you. Video after the break.

Continue reading “Eurorack Gets A Wireless MIDI Connection”

Never Mind The Sheet Music, Here’s Spreadsheet Music

Nothing says Rockstar Musician Lifestyle like spreadsheet software. Okay, we might have mixed up the word order a bit in that sentence, but there’s always Python to add some truth to it. After all, if we look at the basic concept of MIDI sequencers, we essentially have a row of time-interval steps, and depending on the user interface, either virtual or actual columns of pitches or individual instruments. From a purely technical point of view, spreadsheets and the like would do just fine here.

Amused by that idea, [Maxime] wrote a Python sequencer that processes CSV files that works with both hardware and software MIDI synthesizers. Being Python, most of the details are implemented in external modules, which makes the code rather compact and easy to follow, considering it supports both drums and melody tracks in the most common scales. If you want to give it a try, all you need is the python-rtmidi and mido module, and you should be good to go.

However, if spreadsheets aren’t your thing, [Maxime] has also a browser-based sequencer project with integrated synthesizer ongoing, with a previous version of it also available on GitHub. And in case software simply doesn’t work out for you here, and you prefer a more hands-on experience, don’t worry, MIDI sequencers seem like an unfailing resource for inspiration — whether they’re built into an ancient cash register, are made entirely out of wood, or are built from just everything.

Continue reading “Never Mind The Sheet Music, Here’s Spreadsheet Music”

Hackaday Links Column Banner

Hackaday Links: January 27, 2019

Once again, Uber found a company to build their ‘air taxis’. This time it’s Boeing. While there are no details on the Boeing bird, I’m going to propose again that Uber buy the Santa Monica airport as a hub for their air taxi program; SMO is going to be shut down anyway, and this is the funniest reality that can come from the idea of an ‘air taxi’ program.

According to ancient astronaut theorists, one of the bigger problems with full-time tech YouTubers (think Dave and Fran here) is the insistence that YouTube suggests conspiracy theory videos as a related video. If you do a video teardown on Apollo flight hardware, you’re going to fall into the same category as people who believe the moon is hollow, people who believe the moon landing was faked, and recently, flat-earthers. This is a ‘bad move’ by YouTube because the Venn diagram of people who want to watch conspiracy videos and people who want to watch teardowns is two circles. It makes community engineering hard, and you get a lot of idiots on YouTube comments. YouTube is now changing the recommendation algorithm. There are other reasons YouTube is doing this, specifically relating to videos that aren’t about weird electronics, but we’re not going to talk about that here, thx.

This week was Winter NAMM, the National Association of… music, something something. That means you can go to Anaheim and check out all the musical instrument related stuff that will be released this year. Think of it as CES, only you don’t get the flu and want to murder everyone, and it’s about guitars and synths instead of Alexas duct taped to Roombas. Here’s what it was like last year, with the tl;dr being a wall of cabs, Euroracks everywhere, and the best way to get started in the industry is to buy some old trademarks, not by actually designing something new. Speaking of, here are some Kay reissues.

So, what’s cool at NAMM this year? Let’s do guitars first. Gibson’s 2019 lineup is not dumb, a reversal of the previous twenty years; There’s a Les Paul Standard with humbuckers or P90s, and there’s a TV Junior. Fender? There’s an acoustasonic Tele that was terrible the first time around, and it’s decidedly not terrible. The Electric XII is back, finally, and it’s even cooler than the Electric Six wait never mind it has a 1 11/16th nut. There is no Tele Plus with a Honda Goldwing emblem, but we make do with what we can. The pyramids are upside-downBuy a dookie pedal.

How about some synths?  Behringer is cranking out another clone, this time an Oberheim OB-Xa. Word on the street is that a 303 is on the horizon, but the vocoder is out now. The Odyssey exists, and the SH-101 clone comes with a handle so you can keytar it.  Guitars with Raspberry Pis? Could it be? Yes, Lucern Custom Instruments is collaborating with Tracktion to put a synth in a guitar. There’s a touchscreen BioTek 2 synth installed below the bridge. It’s like something [Matt Bellamy] would play, but it’s got a Raspberry Pi.

Elektron has a new samplerOh my god, the only way to make money in the instrument industry is to buy up trademarks. Well, trademarks and signature amps and guitars. Speaking of, where’s the signature Vangelis synths?

The news that will have the biggest impact a decade from now is the announcement that MIDI 2.0 is getting ready for release. New features include auto-config with DAWs, extended resolution, and expressiveness (to stop the Western hegemony on electronic music), and backward compatibility with MIDI 1.0.

This isn’t explicitly NAMM-related, but Eurorack is now a thing and [Jan] is always coming up with some interesting synths-on-a-chip. This time, it’s a drum machine in a Eurorack format. Is it based on anything? Not really, although it would go well in any Detroit acid track. Check out the video.

Open Source Fader Bank Modulates Our Hearts

Here at Hackaday, we love knobs and buttons. So what could be better than one button? How about 16! No deep philosophy about the true nature of Making here; [infovore], [tehn], and [shellfritsch] put together a very slick, very adaptable bank of 16 analog faders for controlling music synthesis. If you don’t recognize those names it might help to mention that [tehn] is one of the folks behind monome, a company built on their iconic grid controller. Monome now produces a variety of lovingly crafted music creation tools.

Over the years we’ve written about some of the many clones and DIY versions of the monome grid controller, so it’s exciting to see an open source hardware release by the creators themselves!

The unambiguously named 16n follows in the footsteps of the monome grid in the sense that it’s not really for something specific. The grid is a musical instrument insofar as it can be connected to a computer (or a modular synth, etc) and used as a control input for another tool that creates sound. Likewise, the 16n is designed to be easily integrated into a music creation workflow. It can speak a variety of interfaces, like purely analog control voltage (it has one jack per fader), or i2c to connect to certain other monome devices like Ansible and Teletype. Under the hood, the 16n is actually a Teensy, so it’s fluent in MIDI over USB and nearly anything else you can imagine.

Continue reading “Open Source Fader Bank Modulates Our Hearts”