Retro Gadgets: Make Your Scope Dual Channel

We live in a time when having an oscilloscope is only a minor luxury. But for many decades, a good scope was a major expense, and almost no hobbyist had a brand new one unless it was of very poor quality. Scopes were big and heavy and, at the price most people were willing to pay, only had a single channel. Granted, having one channel is better than having nothing. But if the relative benefit of having a single channel scope is 10 points, the benefit of having two channels is easily at least 100 points. So what was a poor hacker to do when a dual-trace or higher scope cost too much? Why, hack, of course. There were many designs that would convert a single trace scope into a poor-quality multichannel scope. Heathkit made several of these over the years like the ID-22, the ID-101, and the ID-4101. They called them “electronic switches.” The S-2 and S-3 were even earlier models, but the idea wasn’t unique to Heathkit and had been around for some time.

For $25, you could change your scope to dual trace!

There were two common approaches. With alternative or alt mode, you could trigger a sync pulse and draw one trace. Then trigger again and draw the second trace with a fixed voltage offset. If you do this fast enough, it looks like there are two traces on the screen at one time. The other way is to rapidly switch between voltages during the sweep and use the scope’s Z input to blank the trace when it is between signals. This requires a Z input, of course, and a fast switching clock. This is sometimes called “chopper mode” or, simply, chop. This wasn’t just the realm of adapters, though. Even “real” analog scopes that did dual channels used the same methods, although generally with the benefit of being integrated with the scope’s electronics.

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RCA’s Clear Plastic TV Wowed Crowds In 1939

In the United States in 1939, television sets still had a long way to go before they pretty much sold themselves. Efforts to do just that are what led to RCA’s Lucite Phantom Telereceiver, which aimed to show people a new way to receive broadcast media.

Created for the 1939 World’s Fair, the TRK-12 Lucite Phantom Telereceiver introduced people to the concept of television. Production models were housed in contemporary wood cabinets, but the clear acrylic (itself also a relatively new thing) units allowed curious potential customers to gaze within, and see what was inside these devices.

One interesting feature is the vertically-mounted cathode ray tube, which reflects off a mirror in the top cover of the cabinet for viewing. This meant that much of the bulk of the TRK-12 could be vertical instead of horizontal. Important, because the TRK-12 was just over a meter tall and weighed 91 kilograms (or just over 200 lbs.)

Clearly a luxury item, the TRK-12 sold for $600 which was an eye-watering sum for the time. But it was a glimpse of the future, and as usual, the future is made available a few ticks early to those who can afford the cost.

Want to see one in person? You might be in luck, because an original resides at the MZTV Museum of Television in Toronto, Canada.

One-Size-Fits-All Wrench Points To A Nut Job

When [Hand Tool Rescue] came across a 1919 patent for a one size fits all wrench, he couldn’t help but recreate it. Described in the patent as “a new, original, ornamental design for a wrench”, the wrench had a slot for possibly every fastener that the inventor could think of. Not only did it have slots for several hexagonal fasteners, but many others for octagonal, square and even a pentagonal fastener.

[Hand Tool Rescue] reckons there are 47 slots for various sizes and types of fasteners, not counting the ones whose purpose he could not fathom. Just in case he missed any fastener sizes, the original designer decided to add an alligator wrench at the other end of the handle, potentially negating the need for any of the other slots. The tool even features a sharp edge along one of the sides, possibly for use as a scraper of some kind.

Why such a crazy design was patented, or what were the functions of some of its slots are questions that will likely remain unanswered. At best, we can all take guesses at solving the mystery of this tool. [Hand Tool Rescue] scales the original drawing such that one of the slots has a width of 1 inch, and then uses that as a template to recreate the wrench. He starts with a slab of 3/8th inch thick, grade 4140 steel, which has a high strength to weight ratio and can be case hardened after machining, making it suitable for this ornamental project.

He then embarks on his journey of excessive milling, drilling, filing, band sawing and shaping (using a slotting attachment), totaling about 11 hours worth of drudgery. Of course, one could argue that it would have been much easier, and accurate, to have used modern machining methods. And we are spoilt for choices here among laser cutting, water jet cutting or even EDM machining, any of which would have done the job faster, cleaner and more precisely. But we guess [Hand Tool Rescue] wanted to stick to traditional methods as would have been available in 1919 to an inventor who wanted to make a prototype of his awesome, all in one wrench.

If you can help explain the overall function of this wrench, or identify some of the more vague slots in it, then [Hand Tool Rescue] would be happy to get the feedback. And talking about less desirable wrenches, check out how this Sliding Wrench Leaves a Little to be Desired.

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See The ATARI GEM Desktop Running On A Portable Word Processor… Thing

Get ready for vintage computing aplenty in [David Given]’s project to port EmuTOS to the AlphaSmart Dana. He’s got it all on video, too. All 38 hours of it over 13 episodes!

The GEM desktop, as seen on the Atari ST line of computers.

[David]’s fork of EmuTOS is an open source version of the Atari TOS, which is itself the 68000-based OS for the Atari ST line of computers.

As for the AlphaSmart Dana, it is a roughly twenty-year-old portable word processor thing with pen input which runs a version of PalmOS. It’s a slightly oddball piece of hardware, but quite capable in its own way. A match obviously made in heaven? It is if you have [David]’s skill and drive!

To get EmuTOS working on the Dana, the first step was figuring out how to find and work with the Dana’s debug port, using it to get direct access to the CPU while bypassing the boot ROM. Turns out that the Dana’s 68000-compatible processor has a handy feature: by manipulating the right pin, one can remote-control the CPU (to a certain extent) via the UARTs. That’s the entry point for a whole lot of hacking that ultimately results in firing up the GEM desktop on the Dana, and being able to run (some) original Atari ST software. Probably the biggest issue is that the screen size isn’t a great match for what the OS expects, but it works.

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Old-School Video Switching Levels Up With Modern USB Control

Video effects and mixing are done digitally today, but it wasn’t always so. When analog ruled the video world, a big switch panel was key to effective results.

VIdeo like this was the result of combining different analog feeds with different effects. The better the hardware, the more was possible.

Devices like [Glen]’s Grass Valley Series 300 Crosspoint Switch Panel were an important part of that world. With tools like that, a human operator could set up a composited preview feed in true WYSIWYG style, and switch to live on cue. All done with relatively simple CMOS ICs and buttons. Lots and lots of buttons.

[Glen] reverse engineers the panel to show how it works, and most of the heavy lifting is done by the MC14051B analog multiplexer/demultiplexer, and the MC14532B 8-bit priority encoder. Once that’s figured out, the door is open to modernizing things a little by using a microcontroller to drive the device, turning it into a USB peripheral.

With a little design work, [Glen] builds a PCB around the EFM8UB2 8-bit microcontroller to act as a USB peripheral and control the switch panel, taking care of things like key scanning and lamp control. The last step: a GUI application for monitoring and controlling the panel over USB.

This isn’t [Glen]’s first time interfacing to vintage video mixing and switching, and as many of us know it’s sometimes tricky work to interface to existing hardware. We covered his earlier video switcher project using hardware that was not nearly as easy to work with as this one.

Power Up Vintage Electronics Less Unsafely With A Dim-Bulb Tester

Plugging in something like an antique radio to see if it works is a good way to have a bad time, because some old components don’t age well. For vintage electronics, inspection and repair are steps one and two. When it comes time to cautiously apply power, it’s best to use what’s called a dim-bulb tester and most hackers can probably put one together from scrap.

Being able to use one (or both) bulbs adds some flexibility, and the embedded power monitor is an inexpensive and handy addition.

These testers make it easier, and safer, to tell if there are any big problems with a device’s power supply. In its simplest form, a dim-bulb tester puts an incandescent lamp in series between a device — like an old radio — and the AC power from a wall socket. Thanks to this, if the device has a short circuit, the bulb will simply light up instead of causing any damage.

Ideally, one uses a bulb with a wattage rating that is roughly equal to the power consumption of the device being tested. If all is well, the bulb will glow very faintly and the device will work normally. A brightly glowing bulb would indicate excessive current draw. To allow some flexibility, [Doz]’s tester design allows using one or two 60 W incandescent bulbs in series, and even incorporates an inexpensive power monitor.

A dim-bulb tester isn’t an in-depth diagnostic tool but it is effective, simple, and allows for a safe startup even if there’s a serious problem like a short.  It helps protect valuable hardware from going up in smoke. In fact, the fundamental concept of limiting power to protect hardware in case of a fault has also been applied in the world of retrocomputing, where it helps protect otherwise irreplaceable hardware if something goes wrong.

A terminal window with a search for "Guineau Pig Olympics" is inset on a photo of an ortholinear keyboard attached by a yellow USB cable to a 70s aluminum and plastic Super 8 film editor/viewer. The device has a large screen on the right hand side, a silver grate on the left, and a tray at the bottom for slotting in film.

Super 8 Film Editor Reborn As A YouTube Terminal

We love hacks that give new life to old gadgets, and [edwardianpug]’s YouTube Terminal certainly fits the bill by putting new hardware inside a Super 8 film editor.

[edwardianpug] could have relegated this classy-looking piece of A/V history to a shelf for display, but instead she decided to refresh its components so it could display any YouTube video instead of just one strip of film at a time. The Boost-Box keeps the retrofuturistic theme going by using the terminal to search for and play videos via Ytfzf.

The original screen has been replaced by an 800×600 LCD, and the yellow USB cord gives a nice splash of color to connect the ortholinear keyboard to the device. Lest you think that this “ruined” a working piece of retro-tech, [edwardianpug] says that 20 minutes would get this device back to watching old movies.

Are you looking for more modern and retro mashups? Check out these Dice Towers Built In Beautiful Retro Cases, a Vacuum Tube and Microcontroller Ham Transmitter, or this Cyberdeck in a Retro Speaker.

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