Zach Archer: Live Coding 500 Watts For ToorCamp

ToorCamp is a five-day open air tech camping event held every two years somewhere around the northwest corner of Washington state. Think of it as something like Burning Man, except you can survive for three hours without water, there aren’t a whole bunch of scenesters and Instagram celebs flying in on private planes, and everyone there can actually build something. Oh, and ToorCamp has delivery drones that will send you creme brulee. These mini creme brulees were probably made with the hot air gun hanging off a soldering station. Don’t worry, you’re getting fresh air that’ll balance out the heavy metal poisoning.

For last year’s ToorCamp, the biggest welcome sign was a 40-foot-long illuminated ToorCamp sign. This was designed, built and coded by Zach Archer, and he was at the 2018 Hackaday Superconference to give us the details on how he made it and how it was coded.

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Blazing Fast Raspberry Pi Display Driver Will Melt Your Face then Teach You How

Reader [poipoi] recently wrote into our tip line to tell us about an “amazingly fast” Raspberry Pi display driver with a README file that “is an actual joy to read”. Of course, we had to see for ourselves. The fbcp-ili9341 repo, by [juj], seems to live up to the hype! The software itself appears impressive, and the README is detailed, well-structured, educational, and dare we say entertaining?

The driver’s main goal is to produce high frame rates — up to around 60 frames per second — over an SPI bus, and it runs on various Raspberry Pi devices including the 2, 3 and Zero W. Any video output that goes to the Pi’s HDMI port will be mirrored to a TFT display over the SPI bus. It works with many of the popular displays currently out there, including those that use the ILI9341, ILI9340, and HX8357D chipsets.

The techniques that let [juj] coax such frame rates out of a not-terribly-fast serial bus are explained in detail in the README’s How it Works section, but much of it boils down to the fact that it’s only sending changed pixels for each frame, instead of the full screen. This cuts out the transmission of about 50% of the pixels in each update when you’re playing a game like Quake, claims the author. There are other interesting performance tweaks as well, so be sure to check out the repo for all the details.

There’s a video comparing the performance of fbcp-ili9341 to mainline SPI drivers after the break.

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Retro Rebuild Recreates SGI Workstation Demos On The Go

When [Lawrence] showed us the Alice4 after Maker Faire Bay Area last weekend it wasn’t apparent how special the system was. The case is clean and white, adorned only with a big red button below a 7″ screen with a power switch around the back. When the switch is flicked the system boots to display a familiar animation and drops you at a menu. Poking around from here elicits a variety of self-contained graphics demos, some interactive. So this is a Raspberry Pi in a box playing videos, right? Not even close.

Often retro computing focuses on personal computer systems. When they were new the 8-bit graphics or intricate 2D sprites were state of the art, but now their appeal tends towards learning opportunities and the thrill of nostalgia. This may still be true of Alice4, the system [Brad, Lawrence, Mike, and Chris] put together to run Silicon Graphics (SGI) demos from the mid 1980’s but it’s not the whole story. [Lawrence] and [Brad] had both worked at SGI during its heyday and had fond memories of the graphics demos that shipped with those mammoth workstation. So they built Alice4 from the FPGA up to run those very same demos in real-time.

Thanks to Moore’s law, today’s embedded systems put yesterday’s powerhouses within reach. [Lawrence] and [Brad] found the old demo code in a ratty FTP server, and tailor-made Alice4’s software and hardware to run them natively. [Brad] wrote a libgl which implements the subset of the IrisGL API needed to support their selected set of demos. The libgl emits sets of triangles to the SDRAM where [Lawrence’s] HDL running on the onboard FPGA fetches them to interpolate color and depth and draw the result on-screen. Together they allow the $99 Altera Cyclone V development board at Alice4’s heart to run these state of the art demos in the palm of your hand.

Alice4 is open source and extensively documented. Peruse the archeology of reverse engineering the graphics API or the discussion of FIFO design in the FPGA. If those don’t sate your appetite check out a video of Alice4 in action after the break.

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Joe Kim: Where Technology and Art Collide

The rewards of being a writer for Hackaday are many, but aside from the obvious perks like the secret Hackaday handshake and admission to the private writer’s washroom, having the opportunity to write original content articles is probably the best part of the job. It gets even better, though, because after you submit an article, you’ll eventually get an email from Supplyframe Art Director Joe Kim with a Dropbox link to the original art he has created to accompany your piece. No matter where I am when that email comes in, I click on the link immediately, eager to see what Joe has come up with. And I’m never disappointed.

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Linux Graphics Programming

There was a time when embedded system developers didn’t need to worry about graphics. When you have a PIC processor and two-line LCD, there isn’t much to learn. But if you are deploying Linux-based systems today, graphics are a real possibility. There are many options for doing Linux graphics including Wayland, X11, and frame buffers. Confused? This tutorial can help. The sections on Wayland and Mir are under construction, but that’s probably not what you are going to be using on a typical hacker project for the foreseeable future, anyway.

Of course, even inside those broad categories, you have multiple choices. If you are doing X11, for example, you can go low-level or pick any of a number of high-level libraries.

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How An Amiga Graphics Business Ran In The 1990s

If you have ever used an eraser to correct a piece of pencil work, have you ever considered how much of an innovation it must have seemed when the first erasers were invented? It might seem odd to consider a centuries-old piece of stationery here on Hackaday, but there is a parallel in our own time. Digital image manipulation is such a part of everyday life these days as to have become run-of-the-mill for anyone with a mobile phone and the right app, but it’s easy to forget how recent an innovation it really is. Only a few decades ago your only chance of manipulating a photograph was to spend a lot of time in a darkroom with a photographic developer of exceptional skill, now children who have never known a world in which it wasn’t possible can manipulate their selfies with a few deft touches of the screen.

[Steve Greenfield] pointed us at a detailed description of the business he ran in the 1990s, offering digital and composite photography using an upgraded Amiga 3000.  It caught our attention as a snapshot of the state of digital image manipulation when these things still lay at the bleeding edge of what was possible.

His 3000 was highly customised from the stock machine. It featured a Phase 5 68060 accelerator board, a Cybervision 64 graphics card, a then-unimaginably-huge 128MB RAM, and an array of gigabyte-plus Fast SCSI drives.  To that he had attached a Polaroid SCSI digital camera with a then-impressive 800×600 pixel resolution. The Polaroid had no Amiga drivers, so he ran the Shapeshifter Mac emulator to capture images under the MacOS of the day. The fastest 68000-series Mac only had a 68040 which the early PowerPC Macs could only emulate, so he writes that his 68060-equipped Amiga ran the Mac software faster than any Mac at the time.

His stock-in-trade was attending sci-fi conventions and giving costumed attendees pictures with custom backgrounds, something of a doddle on such a souped-up Amiga. He writes of the shock of some Microsoft employees on discovering a 60MHz computer could run rings round their several-hundred-MHz Pentiums running Windows 95.

His business is long gone, but its website remains as a time capsule of the state of digital imagery two decades ago. The sample images are very much of their time, but for those used to today’s slicker presentation it’s worth remembering that all of this was very new indeed.

In a world dominated by a monoculture of Intel based desktop computers it’s interesting to look back to a time when there was a genuine array of choices and some of them could really compete. As a consumer at the start of the 1990s you could buy a PC or a Mac, but Commodore’s Amiga, Atari’s ST, and (if you were British) Acorn’s ARM-based Archimedes all offered alternatives with similar performance and their own special abilities. Each of those machines still has its diehard enthusiasts who will fill you in with a lengthy tale of what-if stories of greatness denied, but maybe such casualties are best viewed as an essential part of the evolutionary process. Perhaps the famous Amiga easter egg says it best, “We made Amiga …

Here at Hackaday we’ve covered quite a few Amiga topics over the years, including another look at the Amiga graphics world. It’s still a scene inspiring hardware hackers, for example with this FPGA-based Amiga GPU.

Amiga 3000 image: By [Joe Smith] [Public domain], via Wikimedia Commons.

Amazing Oscilloscope Graphics

From what we can understand, [ompuco] has built a 2D audio output on top of the Unity game engine, enabling him to output X and Y values from his stereo soundcard straight to an oscilloscope in XY mode. His code simply scans through all the vertexes in the scene and outputs the right voltages into the left and right audio streams. He’s using this to create some pretty incredible animations. Check out the video “additives” below for an example. (See if you can figure out what’s being “added”.)

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