How Good Is Your Aim First Thing In The Morning?

For the less than highly-driven individuals out there — and even some that are — sometimes, waking up is hard to do, and the temptation to smash the snooze button is difficult to resist. If you want to force your mind to immediately focus on waking up, this Nerf target alarm clock might get you up on time.

Not content to make a simple target, [Christopher Guichet] built an entire clock for the project. The crux of the sensor is a piezoelectric crystal which registers the dart impacts, and [Guichet]’s informative style explains how the sensor works with the help of an oscilloscope. A ring of 60 LEDs with the piezoelectric sensor form the clock face, all housed in a 3D printed enclosure. A rotary encoder is used to control the clock via an Arduino Uno, though a forthcoming video will delve into the code side of things; [Guichet] has hinted that he’ll share the files once the code has been tidied up a bit.

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Using Backscatter Radio For A Soil Sensor Network

With almost 8 billion souls to feed and a changing climate to deal with, there’s never been a better time to field a meaningful “Internet of Agriculture.” But the expansive fields that make industrial-scale agriculture feasible work against the deployment of sensors and actuators because of a lack of infrastructure to power and connect everything. So a low-power radio network for soil moisture sensors is certainly a welcome development.

We can think of a lot of ways that sensors could be powered in the field. Solar comes to mind, since good exposure to the sun is usually a prerequisite for any cropland. But in practice, solar has issues, the prime one being that the plants need the sun more, and will quickly shade out low-profile soil-based sensors.

That’s why [Spyros Daskalakis] eschewed PV for his capacitive soil moisture sensors in favor of a backscatter technique very similar to that used in both the Great Seal Bug and mundane RFID tags alike. The soil sensor switches half of an etched PCB bowtie antenna in and out of a circuit at a frequency proportional to soil moisture. A carrier signal from a separate transmitter is reflected off the alternately loaded and unloaded antenna, picking up subcarriers with a frequency proportional to soil moisture. [Spyros] explains more about the sensor design and his technique for handling multiple sensors in his paper.

We really like the principles [Spyros] leveraged here, and the simplicity of the system. We can’t help but wonder what sort of synergies there are between this project and the 2015 Hackaday Prize-winning Vinduino project.

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Making Laser Cutter Designs Work In A 3D Printer

The main mechanical tools in a hacker’s shop used to be a drill press and a lathe. Maybe a CNC mill, if you were lucky. Laser cutters are still a rare tool to find in a personal shop, but today’s hackers increasingly have access to 3D printers. What happens when you have a design for a laser cutter (2D parts) but only have access to a 3D printer? You punt.

[DIY3DTECH] has a two-part video on taking a 2D design (in an SVG file) and bringing it into TinkerCad. At that point, he assembles the part in software and creates a printable object. You can see the videos below.

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Record Players Explained For The Streaming Generation

How do you consume your music, these days? Aside from on the radio, that is. Do you play MP3 or other files on your phone and computer, or perhaps do you stream from an online service? If you’re really at the cutting edge though you’ll do none of those things, because you’ll be playing it on vinyl.

The legendary Technics SL1200 direct-drive turntable, as used by countless DJs. Dydric [CC BY-SA 2.5)], via Wikimedia Commons.
The legendary Technics SL1200 direct-drive turntable, as used by countless DJs. Photo by Dydric CC-BY-SA 2.5
A few years ago reporting on a resurgence of sales of vinyl records was something you would never have expected to see, but consumer tastes are unpredictable. Our red-trousered and extravagantly bearded hipster friends have rediscovered the glories of the format, and as a result it’s popping up everywhere. For those of us who are old enough to have genuinely been into the format before it was cool again, the sight of Sergeant Pepper and Led Zeppelin II on 12″ at outrageous prices on a stand at the local supermarket is a source of amusement. It’s good to see your first love back in vogue again, but is it really the £20($25) per album kind of good?

With the turntable having disappeared as an integral part of the typical hi-fi setup the new vinyl enthusiast is faced with a poor choice of equipment. Often the best available without spending serious money at an audiophile store is a USB device with the cheapest possible manufacture, from which the playback will be mediocre at best. We’ve lost the body of collective knowledge about what makes a good turntable to almost thirty years of CDs and MP3s, so perhaps it’s time for a quick primer.

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Amazon S3: Out Like A Light; On Like A Bathtub

You no doubt heard about the Amazon S3 outage that happened earlier this week. It was reported far and wide by media outlets who normally don’t delve into details of the technology supporting our connected world. It is an interesting thing to think that most people have heard about The Cloud but never AWS and certainly not S3.

We didn’t report on the outage, but we ate up the details of the aftermath. It’s an excellent look under the hood. We say kudos to Amazon for adding to the growing trend of companies sharing the gory details surrounding events like this so that we can all understand what caused this and how they plan to avoid it in the future.

Turns out the S3 team was working on a problem with some part of the billing system and to do so, needed to take a few servers down. An incorrect command used when taking those machines down ended up affecting a larger block than expected. So they went out like a light switch — but turning that switch back on wasn’t nearly as easy.

The servers that went down run various commands in the S3 API. With the explosive growth of the Simple Storage Service, this “reboot” hadn’t been tried in several years and took far longer than expected. Compounding this was a backlog of tasks that built up while they were bringing the API servers back online. Working through that backlog took time as well. The process was like waiting for a bathtub to fill up with water. It must have been an agonizing process for those involved, but certainly not as bad as the folks who had to restore GitLab service a few weeks back.

[via /r/programming]

Wimshurst Machines: High Voltage From The Gods

Wimshurst machine demo
Wimshurst machine demo

The Wimshurst machine is one of the oldest and best known electrostatic machines, consisting of its iconic two counter rotating disks and two Leyden jars. Most often you see someone hand cranking it, producing sparks, though we’ve seen it used for much more, including for powering a smoke precipitator for cleaning up smoke and even for powering a laser.

It works through an interesting sequence of events. Most explanations attempt to cram it all into one picture, requiring some major mental gymnastics to visualize. This often means people give up, resigned to assume these work through some mythical mechanics that defy a mortal’s ability to understand.

So instead, let’s do a step-by-step explanation.

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Glitchy Synthesizer Meets Honeycomb LED Matrix

Don’t watch [Jason Hotchkiss]’s video if flashing lights or bleepy-bloopy synthesizer noises give you seizures. Do watch, however, if you’re interested in a big honeycomb-shaped LED matrix being driven at audio frequencies through a dedicated square-wave synthesizer that’s built in.

The LED panel in question is housed in a snazzy laser-cut, honeycomb-shaped bezel: a nice change from the standard square in our opinion. The lights are 1/2 watt (whoa!) whites, and the rows and columns are driven by transistor drivers that are in turn controlled by shift registers. We’re not entirely sure how the matrix is driven — we’d love to see a circuit diagram — but it looks like it’s some kind of strange, non-scanning mode where all of the column and row drives are on at once. Whatever, it’s art.

And it’s driven by logic chips making audio-frequency square waves. Two of these are fed into an LFSR and into an R-2R DAC and then into the shift registers. The output is chaos, but the audio and the visuals do seem to influence each other. It’s an audio-visual embodiment of some of my wildest Logic Noise fantasies. Pretty cool. Enjoy the video.

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