phyphox

Smartphone Sensors Unlocked: Turn Your Phone Into A Physics Lab

These days, most of us have a smartphone. They are so commonplace that we rarely stop to consider how amazing they truly are. The open-source project Phyphox has provided easy access to your phone’s sensors for over a decade. We featured it years ago, and the Phyphox team continues to update this versatile application.

Phyphox is designed to use your phone as a sensor for physics experiments, offering a list of prebuilt experiments created by others that you can try yourself. But that’s not all—this app provides access to the many sensors built into your phone. Unlike many applications that access these sensors, Phyphox is open-source, with all its code available on its GitHub page.

The available sensors depend on your smartphone, but you can typically access readings from accelerometers, GPS, gyroscopes, magnetometers, barometers, microphones, cameras, and more. The app includes clever prebuilt experiments, like measuring an elevator’s speed using your phone’s barometer or determining a color’s HSV value with the camera. Beyond phone sensors, the Phyphox team has added support for Arduino BLE devices, enabling you to collect and graph telemetry from your Arduino projects in a centralized hub.

Thanks [Alfius] for sharing this versatile application that unlocks a myriad of uses for your phone’s sensors. You can use a phone for so many things. Really.

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The Saga Of Hacking A Bambu X1 Carbon

Bambu Labs make indisputably excellent printers. However, that excellence comes at the cost of freedom. After a firmware release earlier this year, Bambu printers could only work with Bambu’s own slicer. For [Proper Printing], this was unacceptable, so printer modification was in order. 

First on the plate was the pesky Bambu Labs nozzle. They are a pain to replace, and specialty sizes like 1.8mm are nonexistent. To remedy this flaw, a Bambu Labs compatible heat sink, an E3D V6 ring heater, and a heat break assembly are required. The ring heater was needed for clearance with the stock Bambu shroud. With the help of a 3D-printed jig, fresh holes were cut and tapped into the heat sink to make room for the E3D heat break. Some crimping to salvaged connectors and a bit of filing on the heat sink for wire routing, and Bob’s your uncle!

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Hackaday Links: September 7, 2025

Two weeks ago, it was holographic cops. This week, it’s humanoid robot doctors. Or is it? We’re pretty sure it’s not, as MediBot, supposedly a $10,000 medical robot from Tesla, appears to be completely made up. Aside from the one story we came across, we can’t find any other references to it, which we think would make quite a splash in the media if it were legit. The article also has a notable lack of links and no quotes at all, even the kind that reporters obviously pull from press releases to make it seem like they actually interviewed someone.

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Maurice Brings Immersive Audio Recording To The Masses

Immersive audio is the new hotness in the recording world. Once upon a time, mono was good enough. Then someone realized humans have two ears, and everyone wanted stereo. For most of us, that’s where it stopped, but audio connoisseurs kept going into increasingly baroque surround-sound setups — ending in Immersive Audio, audio that is meant to fully reproduce the three-dimensional soundscape of the world around us. [DJJules] is one of those audio connoisseurs, and to share the joy of immersive audio recording with the rest of us, he’s developed Maurice, a compact, low-cost immersive microphone.

Maurice is technically speaking, a symmetrical ORTF3D microphone array. OTRF is not a descriptive acronym; it stands for Office de Radiodiffusion Télévision Française, the fine people who developed this type of microphone for stereo use. The typical stereo ORTF setup requires two cardioid microphones and angles them 110 degrees apart at a distance of 17 cm. Maurice arrays four such pairs, all oriented vertically and facing 90 degrees from one another for fully immersive, 8-channel sound. All of those microphones are thus arrayed to capture sound omnidirectionally, and give good separation between the channels for later reproduction. The mountings are all 3D printed, and [DJJules] kindly provides STLs.

This is the speaker setup you need to get full use of Maurice’s recordings. Now let’s see Paul Allen’s speakers.

Recording eight audio channels simultaneously is not trivial for the uninitiated, but fortunately, [DJJules] includes a how-to in his post. We particularly like his tip to use resistor color coding to identify the XLR cables for different microphone channels. Playback, too, requires special setup and processing. [DJJules] talks about listening on his 7.1.4 stereo setup, which you can find in a companion post. That’s a lot of speakers, as you might imagine.

There are high-end headphones that claim to reproduce an immersive sound field as well, but we can’t help but wonder if you’d miss the “true” experience without head tracking. Even with regular department-store headphones, the demo recordings linked via the Instructable sound great, but that probably just reflects the quality of the individual microphones.

Audio can be a make-or-break addition to VR experiences, so that would seem to be an ideal use case for this sort of technology. Maurice isn’t the only way to get there; we previously focused on [DJJules]’s ambisonic microphone, which is another way to reproduce a soundscape. What do you think, is this “immersive audio” the new frontier of Hi-Fi, or do we call it a stereo for a reason? Discuss in the comments!

Retrotechtacular: Exploring The Moon On Surveyor 1

Aside from a few stand-out programs — looking at you, Star Trek — by the late 1960s, TV had already become the “vast wasteland” predicted almost a decade earlier by Newton Minnow. But for the technically inclined, the period offered no end of engaging content in the form of wall-to-wall coverage of anything and everything to do with the run-up to the Apollo moon landings. It was the best thing on TV, and even the endless press conferences beat watching a rerun of Gilligan’s Island.

At the time, most of the attention landed on the manned missions, with the photogenic and courageous astronauts of the Mercury, Gemini, and Apollo programs very much in the limelight. But for our money, it was the unmanned missions where the real heroics were on display, starring the less-photogenic but arguably vastly more important engineers and scientists who made it all possible. It probably didn’t do much for the general public, but it sure inspired a generation of future scientists and engineers.

With that in mind, we were pleased to see this Surveyor 1 documentary from Retro Space HD pop up in our feed the other day. It appears to be a compilation of news coverage and documentaries about the mission, which took place in the summer of 1966 and became the first lunar lander to set down softly on the Moon’s surface. The rationale of the mission boiled down to one simple fact: we had no idea what the properties of the lunar surface were. The Surveyor program was designed to take the lay of the land, and Surveyor 1 in particular was tasked with exploring the mechanical properties of the lunar regolith, primarily to make sure that the Apollo astronauts wouldn’t be swallowed whole when they eventually made the trip President Kennedy had mandated back in 1961.

The video below really captures the spirit of these early missions, a time when there were far more unknowns than knowns, and disaster always seemed to be right around the corner. Even the launch system for Surveyor, the Atlas-Centaur booster, was a wild card, having only recently emerged from an accelerated testing program that was rife with spectacular failures. The other thing the film captures well is the spacecraft’s nail-biting descent and landing, attended not only by the short-sleeved and skinny-tied engineers but by a large number of obvious civilians, including a few lucky children. They were all there to witness history and see the first grainy but glorious pictures from the Moon, captured by a craft that seemed to have only just barely gotten there in one piece.

The film is loaded with vintage tech gems, of course, along with classic examples of the animations used at the time to illustrate the abstract concepts of spaceflight to the general public. These sequences really bring back the excitement of the time, at least for those of us whose imaginations were captured by the space program and the deeds of these nervous men and women.

NASA wants to return to the moon. They also want you to help. Turns out making a good landing on the moon is harder than you might think.

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Image Recognition On 0.35 Watts

Much of the expense of developing AI models, and much of the recent backlash to said models, stems from the massive amount of power they tend to consume. If you’re willing to sacrifice some ability and accuracy, however, you can get ever-more-decent results from minimal hardware – a tradeoff taken by the Grove Vision AI board, which runs image recognition in near-real time on only 0.35 Watts.

The heart of the board is a WiseEye processor, which combines two ARM Cortex M55 CPUs and an Ethos U55 NPU, which handles AI acceleration. The board connects to a camera module and a host device, such as another microcontroller or a more powerful computer. When the host device sends the signal, the Grove board takes a picture, runs image recognition on it, and sends the results back to the host computer. A library makes signaling over I2C convenient, but in this example [Jaryd] used a UART.

To let it run on such low-power hardware, the image recognition model needs some limits; it can run YOLO8, but it can only recognize one object, runs at a reduced resolution of 192×192, and has to be quantized down to INT8. Within those limits, though, the performance is impressive: 20-30 fps, good accuracy, and as [Jaryd] points out, less power consumption than a single key on a typical RGB-backlit keyboard. If you want another model, there are quite a few available, though apparently of varying quality. If all else fails, you can always train your own.

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Theremin-Style MIDI Controller Does It With Lasers

Strictly speaking, a Theremin uses a pair of antennae that act as capacitors in a specific R/C circuit. Looking at [aritrakdebnath2003]’s MIDI THEREMIN, we see it works differently, but it does play in the manner of the exotic radio instrument, so we suppose it can use the name.

The MIDI THEREMIN is purely a MIDI controller. It sends note data to a computer or synthesizer, and from there, you can get whatever sound at whatever volume you desire. The device’s brain is an Arduino Uno, and MIDI-out for the Arduino has been a solved problem for a long while now.

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