Digital Paint Mixing Has Been Greatly Improved With 1930s Math

You might not have noticed if you’re not a digital artist, but most painting and image apps still get color mixing wrong. As we all learned in kindergarten, blue paint and yellow paint makes green paint. Try doing that in Photoshop, and you’ll get something altogether different—a vague, uninspiring brownish-grey. It’s the same story in just about every graphics package out there.

As it turns out, there’s a good reason the big art apps haven’t tackled this—because it’s really hard! However, a team of researchers at Czech Technical University has finally cracked this long-standing problem. The result of their hard work is Mixbox, a digital model for pigment-based color mixing. Once again, creative application of mathematics has netted aesthetically beautiful results!

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Big Chemistry: Catalysts

I was fascinated by the idea of jet packs when I was a kid. They were sci-fi magic, and the idea that you could strap into an oversized backpack wrapped in tinfoil and fly around was very enticing. Better still was when I learned that these things weren’t powered by complicated rockets but by plain hydrogen peroxide, which violently decomposes into water and oxygen when it comes in contact with a metal like silver or platinum. Of course I ran right to the medicine cabinet to fetch a bottle of peroxide to drip on a spoon from my mother’s good silverware set. Needless to say, I was sorely disappointed by the results.

My little impromptu experiment went wrong in many ways, not least because the old bottle of peroxide I used probably had little of the reactive compound left in it. Given enough time, the decomposition of peroxide will happen all by itself. To be useful in a jet pack, this reaction has to proceed much, much faster, which was what the silver was for. The silver (or rather, a coating of samarium nitrate on the silver) acted as a catalyst that vastly increased the rate of peroxide decomposition, enough to produce jets of steam and oxygen with enough thrust to propel the wearer into the air. Using 90% pure peroxide would have helped too.

As it is for jet packs, so it is with industrial chemistry. Bulk chemical processes can rarely be left to their own devices, as some reactions proceed so slowly that they’d be commercially infeasible. Catalysts are the key to the chemistry we need to keep the world running, and reactors full of them are a major feature of many of the processes of Big Chemistry.

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Contrails Are A Hot Topic, But What Is To Be Done?

Most of us first spot them as children—the white lines in the blue sky that are the telltale sign of a flight overhead. Contrails are an instant visual reminder of air travel, and a source of much controversy in recent decades. Put aside the overblown conspiracies, though, and there are some genuine scientific concerns to explore.

See, those white streaks planes leave in the sky aren’t just eye-catching. It seems they may also be having a notable impact on our climate. Recent research shows their warming effect is comparable to the impact of aviation’s CO2 emissions. The question is then simple—how do we stop these icy lines from heating our precious Earth?

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Mining And Refining: The Halogens

I was looking at the periodic table of the elements the other day, as one does, when my eye fell upon the right-hand side of the chart. Right next to the noble gases at the extreme edge of the table is a column of elements with similar and interesting properties: the halogens. Almost all of these reactive elements are pretty familiar, especially chlorine, which most of us eat by the gram every day in the form of table salt. As the neighborhoods of the periodic table go, Group 17 is pretty familiar territory.

But for some reason, one member of this group caught my attention: iodine. I realized I had no idea where we get iodine, which led to the realization that apart from chlorine, I really didn’t know where any of the halogens came from. And as usual, that meant I needed to dig in and learn a little bit about the mining and refining of the halogens. At least most of them; as interesting as they may be, we’ll be skipping the naturally occurring but rare and highly radioactive halogen astatine, as well as the synthetic halogen tennessine, which lives just below it in the group.

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Time-of-Flight Sensors: How Do They Work?

With the right conditions, this tiny sensor can measure 12 meters

If you need to measure a distance, it is tempting to reach for the ubiquitous ultrasonic module like an HC-SR04. These work well, and they are reasonably easy to use. However, they aren’t without their problems. So maybe try an IR time of flight sensor. These also work well, are reasonably easy to use, and have a different set of problems. I recently had a project where I needed such a sensor, and I picked up a TF-MiniS, which is a popular IR distance sensor. They aren’t very expensive, and they work serial or I2C. So how did it do?

The unit itself is tiny and has good specifications. You can fit the 42 x 15 x 16 mm module anywhere. It only weighs about five grams — as the manufacturer points out, less than two ping-pong balls. It needs 5 V but communicates using 3.3 V, so integration isn’t much of a problem.

At first glance, the range is impressive. You can read things as close as 10 cm and as far away as 12 m. I found this was a bit optimistic, though. Although the product sometimes gets the name of LiDAR, it doesn’t use a laser. It just uses an IR LED and some fancy optics.

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The Many Leaning Towers Of Santos, Brazil

If you’ve ever gazed at the shoreline of Santos, Brazil, and felt like something was tugging at your inner eye level, you’re not alone. In fact, you’ve spotted one of the world’s most bizarre architectural phenomena.

Santos is an interesting contradiction—it’s a sunny coastal city with pristine beaches that also plays host to a bustling port. What draws the eye, however, is the skyline—it’s decidedly askew. This isn’t a Photoshop job or some avant-garde urban planning experiment, either. It’s a consequence of engineering hubris, poor planning, and geology just doing its thing.

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Front panel of a GPO Brooklyn with cassette player (Credit: VSchagow, Wikimedia)

Physical Media Is Dead, Long Live Physical Media

Much has been written about the demise of physical media. Long considered the measure of technological progress in audiovisual and computing fields, the 2000s saw this metric seemingly rendered obsolete by the rise of online audiovisual and software distribution services. This has brought us to a period in time where the very idea of buying a new music album, a movie or a piece of software in a physical, or even online, retail store has  become largely impossible amidst the rise of digital-only media.

Even so, not all is well in this digital-only paradise, as the problems with having no physical copy of the item which you purportedly purchased are becoming increasingly more evident. From increases in monthly service costs, to items being removed or altered without your consent, as well as concerns over privacy and an inability to resell or lend an album or game to a buddy, there are many reasons why having the performance or software on a piece of off-line, physical media is once again increasing in appeal.

Even if the demise of physical data storage was mostly a trick to extract monthly payments from one’s customer base, what are the chances of this process truly reverting, and to what kind of physical media formats exactly?

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