Retrotechtacular: Putting Pictures On The Wire In The 1930s

Remember fax machines? They used to be all the rage, and to be honest it was pretty cool to be able to send images back and forth over telephone lines. By the early 2000s, pretty much everyone had some kind of fax capability, whether thanks to a dedicated fax machine, a fax modem, or an all-in-one printer. But then along came the smartphone that allowed you to snap a picture of a document and send it by email or text, and along with the decrease in landline subscriptions, facsimile has pretty much become a technological dead end.

But long before fax machines became commonplace, there was a period during which sending images by wire was a very big deal indeed. So much so that General Motors produced “Spot News,” a short film to demonstrate how newspapers leveraged telephone technology to send photographs from the field. The film is very much of the “March of Progress” genre, and seems to be something that would have been included along with the newsreels and Looney Tunes between the double feature films. It shows a fictional newsroom in The Big City, where a cub reporter gets a hot tip about an airplane stunt about to be attempted out in the sticks. The editor doesn’t want to miss out on a scoop, so he sends a photographer and a reporter to the remote location to cover the stunt, along with a technology-packed photographic field car. Continue reading “Retrotechtacular: Putting Pictures On The Wire In The 1930s”

Retrotechtacular: Voice Controlled Typewriter Science Project In 1958

Hackaday readers might know [Victor Scheinman] as the pioneer who built some of the first practical robot arms. But what was a kid like that doing in high school? Thanks to a film about the 1958 New York City Science Fair, we know he was building a voice-activated typewriter. Don’t believe it? Watch it yourself below, thanks to [David Hoffman].

Ok, we know. Voice typing is no big deal today, and, frankly, [Victor’s] attempt isn’t going to amaze anyone today. But think about it. It was 1958! All those boat anchor ham radios behind him aren’t antiques. That’s what radios looked like in 1958. Plus, the kid is 16 years old. We’d say he did pretty darn good!

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Retrotechtacular: Solder Like Its 1944!

When we first saw this 1944 US Office of Education film about hand soldering, we figured it might still have some good information. Well, perhaps it does, but the 1944 soldering was with a giant iron, and the work looked more like metal bricks than anything we’ve soldered lately. Of course, the physics is all the same, but some of the terminology, like “sweating in” isn’t anything we’ve heard before, although we have heard of sweat soldering.

They do show some electronic soldering on components, including some interesting-looking coils. But the irons look more like a bad science fiction movie’s idea of a lightsaber. The solder is equally huge, of course.

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Retrotechtacular: Military Graphics In The 1960s

While you might think the military doesn’t have a sense of humor with names. Take the AN/MSQ-19 “automated tactical operations central” for example. (Video, embedded below.) But then, when you find out that the truck-sized computer at the heart of it was MOBIDIC — yes, that’s pronounced Moby Dick — you know someone had a good chuckle somewhere. The video below was a promotional video from the early 1960s, and although it shows the unit in operation, it was most likely a mockup and not fully functional.

The MOBIDIC program ran from 1960-1964 and cost a whopping $25 million in 1960-era money. In 1964, testing revealed the system was too unwieldy, requiring at least five tractor-trailers, eight generators, portable buildings, and several large trucks to move around.

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Retrotechtacular: Critical Code Reading, 70s Style

Anyone who has ever made a living writing code has probably had some version of the following drilled into their head: “Always write your code so the next person can understand it.” Every single coder has then gone on to do exactly the opposite, using cryptic variables and bizarre structures that nobody else could possibly follow. And every single coder has also forgotten the next part of that saying — “Because the next person could be you” — and gone on to curse out an often anonymous predecessor when equally inscrutable code is thrust upon them to maintain. Cognitive dissonance be damned!

It’s a tale as old as time, or at least as old as programming has existed as a profession. And by 1975, poorly written code was enough of a problem that an outfit called Edutronics put together the animated gem Critical Program Reading: Structuring an Unstructured Program. It’s apparently Part 1 of a larger series on structured programming techniques, and comes to us by way of [Alec Watson], host of Technology Connections on YouTube, by way of his second channel, the delightfully named Technology Connextras.

The film’s three minimally animated characters, each of whom could have been the villain in an episode of Scooby Doo, are tasked by a stern-sounding narrator to analyze a fragment of pseudocode that’s written in a concoction of COBOL, PL/1, and a bunch of other languages. The code is a hot mess, but our heroes muddle through it line by awful line, making it more readable by guessing at more descriptive variable names, adding structured elements, and making logical changes to improve the program’s flow. The example code is highly contrived, to be sure, but the business logic becomes much clearer as our team refactors the code and makes it far more approachable.

For as much as languages have changed since the 1970s, and with all the progress we’ve made in software engineering, the lessons presented in this film are still surprisingly relevant. We loved a lot of the little nuggets dropped along the way, like “Consistency aids understanding,” and “Use symbols in a natural way.” But we will take exception with the statement “Wrong means poor structure” — we’ve written seen plenty of properly structured code that didn’t work worth a damn. We also enjoyed the attempt at socially engineering a less toxic work environment: “Use tact in personal criticisms.” If only they could learn that lesson over at Stack Overflow.

It’s not clear where [Alec] found this 16-mm film — we’d sure like to hear that story — but it’s a beauty and we’re glad he took the time to digitize it. We’re consistently amazed at his ability to make even the most mundane aspects of technology endlessly fascinating, and while this film may be a bit off from his normal fare, it’s still a great find. Continue reading “Retrotechtacular: Critical Code Reading, 70s Style”

Retrotechtacular: Gibson Factory Tour, 1967-Style

If nothing else good came out of 2020, we can say that we at least have “Instrument of the People” — some 1967-era footage of Gibson Guitars’ “craftory”, which was discovered sometime in the fall of 2020. It appears a bit boring at first — a suit slowly approaches the camera on a dimly-lit factory floor and you half-expect an ‘oh, I didn’t see you there’ type of introduction, but no. When he reaches the foreground, he finds a candy apple-red Gibson semi-hollow body guitar waiting for him. After giving the thing a quick once over, he assesses the straightness of the neck and then begins shredding on it, fingerpicking style.

If you like this or any type of guitar music, then hang on to your headstock, because it lilts nonstop throughout this 20-minute tour as we see a parade of nameless, and often headless, players showing their stuff on various styles of Gibson both electric and acoustic.

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Retrotechtacular: A 1960s Look At The 21st Century Home

If you only watch the first 60 seconds of 1967’s “At Home, 2001,” you’ll be forgiven for thinking that the film is riddled with missed predictions. And to be sure, the cold open is rife with them, from disposable paper furniture to seashell-shaped houses that look like they’re extruded from concrete. Really, the only clear winner from that first tranche of predictions is the rise of the microwave oven, which given the expense of magnetrons in 1967 and the complexity of the electronics needed to drive them was a non-obvious development.

But pushing beyond that opening to the meat of this film reveals a fair number of domestic trends that actually did manage to come true, at least partially, and if not by 2001 then shortly thereafter. The film is an educational piece hosted by iconic American newsman Walter Cronkite, who lends his gravitas to the proceedings. The film opens with “Uncle Walter” sonorously pontificating on the unsustainability of the “ticky tacky” spawl of the suburbs and how the situation simply must change.

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