Interactive Musical Art Installation Mixes Vintage, Modern, Lasers, And…Bubbles? Bubbles.

August 21, 2021 by Ryan Flowers 3 Comments

Acorn BBC Master. Apple IIe. Ampex 270 Terminal. Vectrex game console. You’d be hard pressed to find a more diverse hardware collection in the average hacker’s lab. When you add seven Raspberry Pi’s, five CRT monitors, an analog oscilloscope and an LED wall to the mix, one starts to wonder at the menagerie of current and retro hardware. What kind of connoisseur would have such a miscellaneous collection? That’s when you spot smoke and fog machines sitting next to an RGB Laser.

Finally, you learn that all of this disparate paraphernalia is networked together. It is then that you realize that you’re not just dealing with a multi-talented hacker- you’re dealing with a meticulous maestro who’s spent lockdown finishing a project he started nearly twenty years ago!

AUVERN comes alive in a show of light and sound whenever someone enters its view.

The machine is called AUVERN and it’s the product of the creative mind of [Owen]. Taking advantage of advances in technology (and copious amounts of free time), [Owen] laboriously put his collection of older rigs to work.

A Python script uses a Kinect sensor’s input to control a Mac Mini running Digital Audio Workstation software. The operator’s location, poses and movements are used to alter the music, lights, and multimedia experience as a whole. MIDI, Ethernet, and serial communications tie the hardware together through Raspberry Pi’s, vintage MIDI interfaces, and more. Watch the video below the break for the technical explanation, but don’t miss the videos on [Owen]’s website for a mesmerizing demonstration of AUVERN in full swing.

AUVERN makes use of the Vectrex32 upgrade which we have previously covered, and we are unavoidably reminded of another pandemic inspired bubble machine. Don’t forget to send us your hacks, projects, and creations through the Tip Line!

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Are Hackers Being Let Down In Education?

July 23, 2021 by Jenny List 62 Comments

In my work for Hackaday over the years I have been privileged to interact with some of the most creative people I have ever met, I have travelled far more than I ever did when I toiled unseen in an office in Oxford, and I have been lucky enough to hang out in our community’s spaces, camps, and dives across Europe.

Among the huge diversity of skills and ideas though, it’s striking how many of us share similar experiences and histories that have caused us to find our people in rooms full of tools and 3D printers. One of these things I found surprising because I thought I was the only one; I never fit in with the other kids at school, I found much of the teaching incomprehensible and had to figure things out for myself. As an exercise recently I did a straw poll among some of my friends, and found that a significant majority had a similar experience. Clearly something must have gone badly wrong in the way we were being taught that so many of us could have been let down by our schooling, and maybe to understand the needs of our community it’s time to understand why.

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MIDI Mouse Makes Marvelous Music

July 18, 2021 by Adam Zeloof 5 Comments

It’s an old misconception that digital musicians just use a mouse and keyboard for their art. This is often far from the truth, as many computer music artists have a wide variety of keyboards/synths, MIDI controllers, and “analog” instruments that all get used in their creative process. But what if one of those instruments was just a mouse?

Well, that must have been what was going through [kzra]’s mind when he turned an old ps/2 roller ball mouse into an electronic instrument. Born out of a love for music and a hate for waste, the mouse is a fully functional MIDI controller. Note pitch is mapped to the x-coordinate of the pointer, and volume (known as velocity, in MIDI-speak) is mapped to the y-coordinate. The scroll wheel can be used as a mod wheel, user-configurable but most often used to vary the note’s pitch. The mouse buttons are used to play notes, and can behave slightly differently depending on the mode the instrument is set to.

Not satisfied with simply outputting MIDI notes, [kzra] also designed an intuitive user interface to go along with the mouse. A nice little OLED displays the mode, volume, note, and mouse coordinates, and an 8×8 LED matrix also indicates the note and volume. It’s a fantastic and versatile little instrument, and you’ve gotta check out the video after the break to see it for yourself. We’ve seen some awesome retro-tech MIDI controllers before, and this fits right in.

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Analog Style VU Meter With Arduino And OLED Display

July 14, 2021 by Tom Nardi 20 Comments

Looking for a digital recreation of the classic analog volume unit (VU) meter? If you’ve got an Arduino, a few passive components, and a SSD1306 OLED, then [mircemk] might have the answer for you. As you can see in the video below, his code turns a handful of cheap parts into an attractive and functional audio display.

The project’s Hackaday.IO page explains that the idea is based on the work of [stevenart], with code adapted for the SSD1306 display and some tweaks made to the circuit. While [mircemk] says the code could be modified for stereo as long as the two displays don’t have conflicting I2C addresses, he decided to simply duplicate the whole setup for each channel to keep things simple. With as cheap as some of these parts are nowadays, it’s hard to blame him.

[mircemk] has provided source code for a couple different styles of VU indicators, the colors of which can easily be inverted depending on your tastes. He also clarifies that the jerky motion of the virtual “needle” seen in the video is due to the camera; in real-life it sweeps smoothly like the genuine article.

Much like the project that aimed to recreate authentic “steam gauges” with e-paper displays, this as an excellent technique to file away for use in the future. Compared to authentic analog gauges, these digital recreations are quicker and faster to implement, plus going this route prevents any antique hardware from going on the chopping block.

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Dial-a-SID Is A Glorious Chiptune Jukebox

July 8, 2021 by Lewin Day 8 Comments

Old-school rotary telephones aren’t particularly useful for their original intended purpose in this day and age, but they’re great fun to hack into new projects. [Linus Åkesson] has done just that, with his Dial-a-SID jukebox build. (Video, embedded below.)

The build installs a Raspberry Pi 3 inside the body of the telephone, running a SID chip emulator and loaded up with the High Voltage SID Collection. The Pi inside outputs sound to an external stereo system for playing chiptunes at a party.

The real party piece, however, is that the handset can be lifted and the telephone dialled in order to listen to and select tracks for the playlist. Tracks can be selected by individual codes, by composer, or even by year. In the event the playlist grows empty, the default behaviour can be set to keep playing random tracks in the meantime.

With over 2000 hours of SID music inside, it’s unlikely the Dial-a-SID will run out of tunes anytime soon. We’d love to see a similar interface used for a jukebox hooked up to a modern streaming service, too. If you build one, let us know! Alternatively, consider hooking up your rotary phone to your smartphone. Video after the break.

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MIT’s Knitted Keyboard Is Quite A Flexible MIDI Controller

June 30, 2021 by Kristina Panos 7 Comments

There are only so many ways to make noise on standard instruments such as acoustic pianos. Their rigidity and inputs just don’t allow for a super-wide range of expression. On the other hand, if you knit your interface together, the possibilities are nearly endless. MIT’s new and improved knitted keyboard is an instrument like none other — it responds to touch, pressure, and continuous proximity, meaning that you can play it like a keyboard, a theremin, and something that is somewhere in between the two. Because it’s a MIDI interface, it can ultimately sound like any instrument you’ve got available in software.

The silver keys of this five-octave interface are made of conductive yarn, and the blue background is regular polyester yarn. Underneath that is a conductive knit layer to complete the key circuits, and a piezo-resistive knit layer that responds to pressure and stretch. It runs on a Teensy 4.0 and uses five MPR121 proximity/touch controllers, one per octave.

The really exciting thing about this keyboard is its musical (and physical) versatility. As you might expect, the keyboard takes discrete inputs from keystrokes, but it also takes continuous input from hovering and waving via the proximity sensors, and goes even further by taking physical input from squeezing, pulling, stretching, and twisting the conductive yarns that make up the keys. This means it takes aftertouch (pressure applied after initial contact) into account — something that isn’t possible with most regular instruments. And since this keyboard is mostly yarn and fabric, you can roll it up and take it anywhere, or wrap it around your neck for a varied soundscape.

If you’re looking for more detail, check out the paper for the previous version (PDF), which also used thermochromic yarn to show different colors for various modes of play using a heating element. With the new version, [Irmandy Wicaksono] and team sought to improve the sensing modalities, knitted aesthetics, and the overall tactility of the keyboard. We love both versions! Be sure to check it out after the break.

Want to play around with capacitive touch sensors without leaving the house for parts? Make your own from paper and aluminum foil.

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Teardown: Franz Crystal Metronome

June 22, 2021 by Tom Nardi 16 Comments

I wish I could tell you that there’s some complex decision tree at play when I select a piece of hardware to take apart for this series, but ultimately it boils down two just two factors: either the gadget was something I was personally interested in, or it was cheap. An ideal candidate would check both boxes, but that’s not always the case. This time around however, I can confidently say our subject doesn’t fall into either category.

Now don’t get me wrong, at first glance I found the Franz Crystal Metronome to be intriguing in its own way. With that vintage look, how could you not? But I’m about as far from a musician as one can get, so you’d hardly find a metronome on my wish list. As for the cost, a check on eBay seems to show there’s something of a following for these old school Franz models, with ones in good condition going for $50 to $80. Admittedly not breaking the bank, but still more than I’d like to pay for something that usually ends up as a pile of parts.

That being the case, why are you currently reading about it on Hackaday? Because it exploits something of a loophole in the selection process: it doesn’t work, and somebody gave it to me to try and figure out why. So without further ado let’s find out what literally makes a Franz Crystal Metronome tick, and see if we can’t get it doing so gain.

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