Vintage hi-fi gear can be very attractive, particularly compared to modern stuff. However, when this stuff starts getting into its third or fourth decade after production, things start to wear out. Chief among them—the little incandescent bulbs that light up the dials with such a beautiful glow. [Piffpaffpoltrie] was suffering just this problem on an old Technics amp, and decided to go for a more modern upgrade.
Continue reading “Vintage Audio Amp Gets LED Lighting Upgrade”
The widely quoted carrot factoid that the vegetable’s orange colour is the result of patriotic Dutch farmers breeding them that way may be an urban myth, but it’s certainly true that they can pass an audio signal in a time of need. [Julian Krause] follows up on a Reddit meme of a carrot being used to join two phono plugs, and appears to find the organic interconnect to be of good quality.
We had to admit a second look at a calendar to be sure that it’s not April 1st, but while his manner is slightly tongue in cheek it seems he’s really characterising the audio performance of a carrot. What he finds is a bit of attenuation, some bass cut, and an intrusion of RF interference pickup, but surprisingly, not a bad distortion figure.
Of course, we’re guessing the real point of the exercise is to poke fun at the world of excessive hi-fi equipment, something we’ve been only too glad to have a go at ourselves from time to time. But if the tests are to be taken at face value it seems that in a pinch, a carrot will do as a means to hook together line level audio cables, no doubt lending a sweet and crunchy overtone to the result. The video is below the break, for your entertainment.
If you want to play with radar — and who could blame you — you can pretty easily get your hands on something like the automotive radar sensors used for collision avoidance and lane detection. But the “R” in radar still stands for “Radio,” and RF projects are always fraught, especially at microwave frequencies. What’s the radar enthusiast to do?
While it’s not radar, subbing in ultrasonic sensors is how [Dzl] built this sonar imaging system using a lot of radar principles. Initial experiments centered around the ubiquitous dual-transducer ultrasonic modules used in all sorts of ranging and detection project, with some slight modifications to tap into the received audio signal rather than just using the digital output of the sensor. An ESP32 and a 24-bit ADC were used to capture the echo signal, and a series of filters were implemented in code to clean up the audio and quantify the returns. [Dzl] also added a downsampling routine to bring the transmitted pings and resultant echoes down in the human-audible range; they sound more like honks than pings, but it’s still pretty cool.
To make the simple range sensor more radar-like, [Dzl] needed to narrow the beamwidth of the sensor and make the whole thing steerable. That required a switch to an automotive backup sensor, which uses a single transducer, and a 3D printed parabolic dish reflector that looks very much like a satellite TV dish. With this assembly stuck on a stepper motor to swivel it back and forth, [Dzl] was able to get pretty good images showing clear reflections of objects in the lab.
If you want to start seeing with sound, [Dzl]’s write-up has all the details you’ll need. If real radar is still your thing, though, we’ve got something for that too.
Thanks to [Vanessa] for the tip.
In the last two articles, I talked about two systems relying on audio notifications. The first one is the Alt-Tab annihilator system – a system making use of my window monitoring code to angrily beep at me when I’m getting distracted. The other is the crash prevention system – a small script that helps me avoid an annoying failure mode where I run out of energy before getting myself comfortable for it.
I’ve been appreciating these two systems quite a bit – not only are they at my fingertips, they’re also pretty effective. To this day, I currently use these two systems to help me stay focused as I hack on my own projects or write articles, and they are definitely a mainstay in my self-hacking arsenal.
There is a particular thing I’ve noticed – audio notifications help a fair bit in a way that phone or desktop notifications never would, and, now I have a framework to produce them – in a way that calls for a purpose-tailored device. It’s just wireless headphones, Pi-powered, connected through WiFi, and a library to produce sounds on my computer, but it turns out I can squeeze out a lot out of this simple combination.
Here’s a pocketable device I’ve developed, using off-the-shelf hardware – an audio receiver/transmitter with extra IO, paired to my laptop. And, here’s how I make use of this device’s capabilities to the fullest.
In the “producing sound out of a Pi” article, I’ve mentioned USB-C 3.5mm soundcards. You can use them with a USB-C host port, and you don’t even need any sort of resistors for that – the soundcard doesn’t try and detect state of the CC pin, and why would it, anyway? Get VBUS, GND, D+, and D-, and you got yourself an audio card with high quality output.
A conventional tube amplifier has a circuit whose fundamentals were well in place around a hundred years ago, so there are few surprises to be found in building one today. Nevertheless, building one is still a challenge, as [Mike Freda shows us with a stereo amplifier in the video below the break.
The tubes in question are the 12AU7 double triode and 6L6 tetrode, in this case brand new PSVANE parts from China. The design is a very conventional single-ended class A circuit, with both side of the double triode being used for extra gain driving the tetrode. The output uses a tapped transformer with the tap going to the other grid in the tertode, something we dimly remember as being an “ultra-linear” circuit.
There’s an element of workshop entertainment in the video, but aside from that we think it’s the process of characterising the amp and getting its voltages right which is the take-away here. It’s not something many of us do these days, so despite the apparent simplicity of the circuit it’s worth a look.
These modern tubes come from a variety of different sources, we’ve attempted to track them down in the past.
Sound chips from back in the day were capable of much more than a few beeps and boops, and [InazumaDenki] proves it in a video recreating recognizable real-world sounds with the AY-3-8910, a chip that was in everything from arcade games to home computers. Results are a bit mixed but it’s surprising how versatile a vintage sound chip that first came out in the late 70s is capable of, with the right configuration.
Chips like the AY-3-8910 work at a low level, and rely on being driven with the right inputs to generate something useful. It can generate up to three independent square-wave tones, but with the right approach and setup that’s enough to get outputs of varying recognizability for a pedestrian signal, bird call, jackhammer, and referee’s whistle.
To recreate a sound [InazumaDenki] begins by analyzing a recording with a spectrogram, which is a visual representation of frequency changes over time. Because real-world sounds consist of more than just one frequency (and the AY-3-8910 can only do three at once), this is how [InazumaDenki] chooses what frequencies to play, and when. The limitations make it an imperfect reproduction, but as you can hear for yourself, it can certainly be enough to do the job.
How does one go about actually programming the AY-3-8910? Happily there’s a handy Arduino AY3891x library by [Andreas Taylor] that makes it about as simple as can be to explore this part’s capabilities for yourself.
If you think retro-styled sound synthesis might fit into your next project, keep in mind that just about any modern microcontrollers has more than enough capability to do things like 80s-style speech synthesis entirely in software.
Continue reading “Hear A Vintage Sound Chip Mimic The Real World”
While the death of Apple’s Lightning Connector can’t come soon enough, swapping the ports on their products as “category-defining innovations” seems a bit of a stretch. [Ken Pillonel] has designed a set of streamlined, repairable, USB-C adapters for the AirPods, AirPods Pro, and AirPods Max that show Apple what innovation really means.
If you’ve followed [Pillonel]’s work in the past, you’ll know he’s as a big a fan of repairability as we are here, so this isn’t just a cheap knockoff dongle that’ll be in the trash as fast as your counterfeit wireless earbuds. In the video below, he walks us through his quest start-to-finish to design something compact that gives you all the joys of USB-C without the pain of buying a whole new set of headphones.
We like the iteration on the connector, showing that flexible circuits can do some amazing things, but are still subject to failure at extreme angles. Using a combination of 3D printing, a cool robot sandblasting machine, a pick-and-place, and some old fashioned hand soldering, [Pillonel] treats us to a polished final product that’s put together with actual screws and not adhesive. His designs are all open source, so you can DIY, or he sells finished copies in his shop if you want to give one to your less-than-techy relatives.
[Pillonel] may seem familiar as he’s the guy who added USB-C to the iPhone before Apple and redesigned the AirPods Pro case for repairability. Apple is getting better about repair in some of its devices, for sure, but unsurprisingly, hackers do it better.
