Undertaken as an art project to show people what can be done with recycled materials, [Micaella Pedros]’ project isn’t a hack per se. She started with bottles collected around London and experimented with ways to use them in furniture. The plastic used in soda and water bottles, polyethylene terephthalate (PET), turns out to shrink quite a bit when heated. Rings cut from bottles act much like large pieces of heat-shrink tubing, but with more longitudinal shrinkage and much more rigidity. That makes for a great structural component, and [Micaella] explored several ways to leverage the material to join wood. Notches and ridges help the plastic grip smoother pieces of wood, and of course the correct size bottle needs to be used. But the joints are remarkably strong – witness the classic leaning-back-in-a-chair test in the video below.
Its aesthetic value aside, this is a good technique to file away for more practical applications. Of course, there are plenty of ways to recycle soda bottles, including turning them into cordage or even using them as light-pipes to brighten a dark room.
Hackaday is primarily a place for electronics hackers, but that’s not to say that we don’t see a fair number of projects where woodworking plays a key role. Magic mirror builds come to mind, as do restorations of antique radios, arcade machines built into coffee tables, and small cases for all manner of electronic and mechanical gadgets. In some of these projects, the woodworking really shines and makes the finished project pop. In others — well, let’s just say that some woodwork looks good from far, but is far from good.
Computer animation is a task both delicate and tedious, requiring the manipulation of a computer model into a series of poses over time saved as keyframes, further refined by adjusting how the computer interpolates between each frame. You need a rig (a kind of digital skeleton) to accurately control that model, and researcher [Alec Jacobson] and his team have developed a hands-on alternative to pushing pixels around.
The skeletal systems of computer animated characters consists of kinematic chains—joints that sprout from a root node out to the smallest extremity. Manipulating those joints usually requires the addition of easy-to-select control curves, which simplify the way joints rotate down the chain. Control curves do some behind-the-curtain math that allows the animator to move a character by grabbing a natural end-node, such as a hand or a foot. Lifting a character’s foot to place it on chair requires manipulating one control curve: grab foot control, move foot. Without these curves, an animator’s work is usually tripled: she has to first rotate the joint where the leg meets the hip, sticking the leg straight out, then rotate the knee back down, then rotate the ankle. A nightmare.
[Alec] and his team’s unique alternative is a system of interchangeable, 3D-printed mechanical pieces used to drive an on-screen character. The effect is that of digital puppetry, but with an eye toward precision. Their device consists of a central controller, joints, splitters, extensions, and endcaps. Joints connected to the controller appear in the 3D environment in real-time as they are assembled, and differences between the real-world rig and the model’s proportions can be adjusted in the software or through plastic extension pieces.
The plastic joints spin in all 3 directions (X,Y,Z), and record measurements via embedded Hall sensors and permanent magnets. Check out the accompanying article here (PDF) for specifics on the articulation device, then hang around after the break for a demonstration video.