A small, colorful synth built for a 3-year-old. It has five pots, four sliders, and a tiny screen.

Baby’s First Synth Was Daddy’s First Project

We absolutely adore inspired labor-of-love tales such as this one. [Alastair] wanted to build a synth for his daughter’s third birthday in spite of having no prior hardware knowledge. It became the perfect excuse to learn about CAD, microcontrollers, PCB design, and of course, 3D printing.

So, why a synth for a toddler? Aside from plain old ‘why not?’, the story goes that she received a Montessori busy-type board which she seemed to enjoy, and it reminded [Alastair] of the control surface of a synth. He wondered how hard it could be to build something similar that made sound and didn’t require constant button presses.

[Alastair] began his journey by dusting off a 15-year-old Arduino Inventors Kit. The initial goal was to get potentiometer readings and map them to 12 discrete values, and then emit MIDI messages. This was easy enough, and it was time to move to a synth module and an Elegoo Nano.

The full adventure is definitely worth the read. Be sure to check out the pink version in action after the break. You really don’t wanna miss the lil’ panda bear. Trust us.

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A Casio Toy Synth Is Ready To ROCK!

There is likely to be more than one of you who has eyed up a child’s toy synthesizer in a second hand store, and considered making something more impressive with it. In many cases these instruments are underwhelming, having a very small subset of functions based into their black-epoxy-blob microcontrollers.

[Make Something] found a Casio toy synth that has a few more functions than the average model, and with the addition of some extra effects electronics and a beautifully made case, turned it into an altogether more interesting instrument.

Most of the video has an element of workshop porn about it, as he makes a very nice Moog-style console case for it, a task made easier by an impressive array of CNC tools. The electronics are slightly more interesting, being a selection of cheap guitar pedals gutted and combined with a cheap tube preamp board. The result is a machine capable of some far more interesting sounds

We think many Hackaday readers would be able to repeat these functions from scratch without the pedals, and while the case is a thing of beauty it’s likely a decent job could be done with a little less finesse on more commonplace tools. Perhaps it’s worth giving those toy synths a second look, because they really can be had for pennies if you look hard enough. Perhaps it’s an easier option than a previous toy musical upgrade.

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Round And Round With A Tape Delay Synth

Over the years we’ve been entertained by an array of musical projects from [Look Mum No Computer], and his latest is no exception. It’s a tape delay, loop generator, and synth all in one. Confused? That’s what you get if you position a load of tape heads around a rotating disk with magnetic tape on its perimeter.

Taking a circular piece of inch-thick Perspex, he wraps a length of one inch tape round its perimeter. This is placed as though it were a turntable on a stepper motor with variable speed, and the tape heads are positioned around its edge. Each read head feeds its own preamp which in turn drives a mixer array, and there’s also a record head and an erase head. If you’ve ever played with tape loops you’ll immediately understand the potential for feedback and sequence generation to make interesting sounds. There’s a lot of nuance to the build, in designing the mount for the motor to stop the enclosure flexing, in using a gearbox for increased torque, and in balancing the disk.

The result is as much an effect as it is an instrument in its own right, particularly in its prototype phase when the read head was movable. We’re treated to a demo/performance, and we look forward to perhaps seeing this in person at some point. There’s a future video promised in which a fix should come for a click caused by the erase circuitry, and he’ll make a more compact enclosure for it. Continue reading “Round And Round With A Tape Delay Synth”

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Hackaday Links: August 24, 2025

“Emergency Law Enforcement Officer Hologram program activated. Please state the nature of your criminal or civil emergency.” Taking a cue from Star Trek: Voyager, the Seoul Metropolitan Police Agency is testing a holographic police officer, with surprisingly — dare we say, suspiciously? — positive results. The virtual officer makes an appearance every two minutes in the evening hours in a public park, presumably one with a history of criminal activity. The projection is accompanied by a stern warning that the area is being monitored with cameras, and that should anything untoward transpire, meat-based officers, presumably wearing something other than the dapper but impractical full-dress uniform the hologram sports, will be dispatched to deal with the issue.

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Listening To Ethernet Via Eurorack

Ethernet is how we often network computers together, particularly when they’re too important to leave on a fussy WiFi connection. Have you ever thought about listening to Ethernet signals, though? Well, you totally could, with the NSA selector from [wenzellabs].

The NSA selector is a Eurorack module, designed for use as part of a larger modular synthesizer. There are lots of fun jokes and references on the PCB, but the front panel really shows you what this module is all about. It’s got a pair of RJ45 jacks, ready to receive your Ethernet cables through which data is flowing. They’re paired with a single audio output jack. “Any bit on the network will be sent to the audio output,” [wenzellabs] explains.

The device operates in a relatively simple fashion. Network traffic from one jack is forwarded to the other, unmodified. However, it’s also spat out to a simple digital-to-analog converter and turned into audio. This thing doesn’t play digital audio formats or anything like that—it just turns raw Ethernet signalling into audible noise.

Raw signal noises might not sound very appealing, but let’s be real here. If you liked nice sounds, you wouldn’t be into Eurorack. Skip to 25:46 in the video below if you just want to hear the final product.

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Designing An FM Drum Synth From Scratch

How it started: a simple repair job on a Roland drum machine. How it ended: a scratch-built FM drum synth module that’s completely analog, and completely cool.

[Moritz Klein]’s journey down the analog drum machine rabbit hole started with a Roland TR-909, a hybrid drum machine from the mid-80s that combined sampled sounds with analog synthesis. The unit [Moritz] picked up was having trouble with the decay on the kick drum, so he spread out the gloriously detailed schematic and got to work. He breadboarded a few sections of the kick drum circuit to aid troubleshooting, but one thing led to another and he was soon in new territory.

The video below is on the longish side, with the first third or so dedicated to recreating the circuits used to create the 909’s iconic sound, slightly modifying some of them to simplify construction. Like the schematic that started the whole thing, this section of the video is jam-packed with goodness, too much to detail here. But a few of the gems that caught our eye were the voltage-controlled amplifier (VCA) circuit that seems to make appearances in multiple places in the circuit, and the dead-simple wave-shaper circuit, which takes some of the harmonics out of the triangle wave oscillator’s output with just a couple of diodes and some resistors.

Once the 909’s kick and toms section had been breadboarded, [Moritz] turned his attention to adding something Roland hadn’t included: frequency modulation. He did this by adding a second, lower-frequency voltage-controlled oscillator (VCO) and using that to modulate the drum section. That resulted in a weird, metallic sound that can be tuned to imitate anything from a steel drum to a bell. He also added a hi-hat and cymbal section by mixing the square wave outputs on the VCOs through a funky XOR gate made from discrete components and a high-pass filter.

There’s a lot of information packed into this video, and by breaking everything down into small, simple blocks, [Moritz] makes it easy to understand analog synths and the circuits behind them.

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Reviving A Maplin 4600 DIY Synthesizer From The 1970s

A piece of musical history is the Maplin 4600, a DIY electronic music synthesizer from the 1970s. The design was published in an Australian electronics magazine and sold as a DIY kit, and [LOOK MUM NO COMPUTER] got his hands on an original Maplin 4600 that he refurbishes and puts through its paces.

Inserting conductive pegs is how the operator connects different inputs and outputs.

The Maplin 4600 is a (mostly) analog device with a slightly intimidating-looking layout. It features multiple oscillators, mixers, envelope generators, filters, and a complex-looking patch bay on the right hand side that is reminiscent of a breadboard. By inserting conductive pins, one can make connections between various inputs and outputs.

Internally the different features and circuits are mostly unconnected from one another by default, so the patch board is how the instrument is “programmed” and the connections made can be quite complex. The 4600 is one of a few synthesizer designs by [Trevor Marshall], who has some additional details about on his website.

The video (embedded below) is a complete walk-through of the unit, including its history, quirks, and design features. If you’d like to skip directly to a hands-on demonstrating how it works, that begins around the 10:15 mark.

Synthesizers have a rich DIY history and it’s fascinating to see an in-depth look at this one. And hey, if you like your synths complex and intimidating, do yourself a favor and check out the Starship One.

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