[Sebastian Holzapfel] has designed an audio frontend (eurorack-pmod) for FPGA-based audio applications, which is designed to fit into a standard Eurorack enclosure. The project, released under CERN Open-Hardware License V2, is designed in KiCAD using the AK4619VN four-channel audio codec by Asahi Kasei microdevices. (And guess what folks, there’s plenty of those in stock!) Continue reading “An Open Hardware Eurorack Compatible Audio FPGA Front End”
There are plenty of analog and digital synthesis modules available in Eurorack format. But how about one that actually does physical percussion while capturing the output at the same time? The VU Perc Relay module does just that.
The concept is simple. Eurorack control voltages are fed to a VU meter, which swings about and makes noise when the needle hits a copper strip. This strip is connected to a piezo element which captures the sound. There’s also a relay that gets triggered under such conditions, with that sound also captured by a piezo element. Thus, the input control voltages create real percussion noises with the VU meter and relay, and then capture them for output to the rest of the rack.
Having actual physical sound devices in a compact Eurorack module is neat. The fact that it’s transparent is even cooler, as it lets you see the percussion in action. Notably, the physical nature of this module means you’ll want to place some bubble wrap or other isolating material under your rack when performing on stage with a PA. Otherwise, you risk getting feedback through the piezos.
We see plenty of good Eurorack gear around these parts, like this useful wireless MIDI connection. Video after the break.
If you’re one of those people who got into building electronics for the purpose of making music, then this Raspberry Pi RP2040-based audio DSP project by [DatanoiseTV] might be of interest. Provided is a FreeRTOS template application for creating Eurorack compatible synthesizers, effects processors, and similar DSP-based audio widgets.
The hardware platform has the usual Eurorack connectivity, including MIDI in, Control Voltages (CV) and the usual 5V-compatible triggers. An audio output is provided to send the audio out to the system mixer or any other analog modules. Additionally, connections are provided for a rotary encoder, a few push buttons, and an OLED display to allow construction of a rudimentary user interface on the module, if that is required.
The application template is generic enough, however the project is intended to be used with the Vult DSP transcompiler. Vult is a high-level programming language designed to enable easy creation of audio synthesizers and similar, producing C++ code as an output of the compilation process. This is then wrapped up with the RTOS goodies (although you don’t actually need them) to drop onto the RP2040 in the usual way, via the handy USB-C port. So, if you’re looking to get into DSP-based Eurorack modules for your homebrew synth rack, this might be a good place to start.
Just like the RP2040 isn’t the most obvious choice for a DSP application, neither is the ESP32 for that matter, but who cares? many modern micros are more than capable of audio DSP these days, with or without the dedicated functionality.
When designing even a reasonably simple 3D-printable part, you need to account for all the supports it will require to print well. Strategic offsetting, chamfering, and filleting are firmly in our toolkits. Over time we’ve learned to dial our settings in so that, hopefully, we don’t have to fumble around with a xacto knife after the bed has cooled down. On Twitter, Chris shows off his foldable 3D print experiments (nitter) that work around the support problem by printing the part as a single piece able to fold into a block as soon as you pop it off the bed.
The main components of this trick seem to be the shape of the place where the print will fold, and the alignment of bottom layer lines perpendicular to the direction of the fold lines. [Chris] shows a cross-section of his FreeCad design, sharing the dimensions he has found to work best.
Of course, this is Twitter, so other hackers are making suggestions to improve the design — like this sketch of a captive wedge likely to improve alignment. As for layer line direction alignment, [Chris] admits to winging it by rotating the part in the slicer until the layer lines are oriented just right. People have been experimenting with this for some time now, and tricks like these are always a welcome addition to our toolkits. You might be wondering – what kinds of projects are such hinges useful for?
The example Chris provides is a Eurorack rail segment — due to the kind of overhangs required, you’d be inclined to print it vertically, taking a hit to the print time and introducing structural weaknesses. With this trick, you absolutely don’t have to! You can also go way further and 3D print a single-piece foldable Raspberry Pi Zero case, available on Printables, with only two extra endcaps somewhat required to hold it together.
Foldable 3D prints aren’t new, though we typically see them done with print-in-place hinges that are technically separate pieces. This trick is a radical solution to avoiding supports and any piece separation altogether. In laser cutting, we’ve known about similar techniques for a while, called a “living hinge”, but we generally haven’t extended this technique into 3D printing, save for a few manufacturing-grade techniques. Hinges like these aren’t generally meant to bend many times before they break. It’s possible to work around that, too — last time we talked about this, it was an extensive journey that combined plastic and fabric to produce incredibly small 3D printed robots!
We thank [Chaos] for sharing this with us!
In Arthur C. Clarke’s 1972 story “Dial F for Frankenstein”, the worlds first global network of phone exchanges was created by satellite link, and events happened that caused the characters in the story to wonder if the interconnected mesh of machinery had somehow become sentient. And that’s what we wondered when we saw this latest virtual CPU construction built by GitHub user [katef] and made from a virtual analog synthesizer software called VCV Rack.
Analogous to a Redstone computer in Minecraft, there’s no physical hardware involved. But instead of making crazy synth sounds for a music project, [katef] has built a functioning CPU complete with an Arithmetic Logic Unit, an adder, and other various things you’ll find in a real CPU such as registers and a clock.
While no mention is made of whether the construct is sentient, [katef] fully documented the build on their GitHub page, and so go check that out for animated pictures, links to more information, and more. It’s quite impressive, if not just a little bonkers. But most good hacks are, right?
We love unique CPU builds, and you might get a kick out of this one made from- that’s right- 555 timers. Thanks to [Myself] on the Hackaday Discord server for the tip, and be sure to send in your favorite outrageous projects to the Hackaday tip line!
Music making and DJing have both become arts predominantly pursued in a computer, as the mighty USB interface has subsumed audio, MIDI, and even DJ turntable interface controllers. There was a time though when an indispensable part of any aspiring performer’s equipment would have been an analog mixer, a device for buffering and combining multiple analog audio signals into a single whole. A mixer is still a useful device though, and [Sam Kent] has produced a very nice one that takes the form of a set of Eurorack modules made from PCB material. There are two types of modules, the main channel module which you can think of as the master module, and a series of isolator modules that handle the individual inputs.
Mixer preferences are as individual as each user, so for example where we’d expect sliders he’s used rotary potentiometers, and for us placing the master channel on the left-hand side is unfamiliar. But that’s the beauty of a modular design, there’s nothing to stop anyone building one of these to simply configure it as they wish. We notice that for a mixer described as for DJs there’s no RIAA preamp for the turntable fans, but it’s not impossible to fix with an off-board preamp. Otherwise, we like it and have a sudden hankering for it to be 1992 again with a pair of Technics SL1200s and a room full of people.
Designing a mixer, even a simple one, isn’t easy. Our own [Lewin Day] wrote a retrospective of his experiences with one.
Modular synthesizers, with their profusion of knobs and switches and their seemingly insatiable appetite for patch cables, are wonderful examples of over-complexity — the best kind of complexity, in our view. Play with a synthesizer long enough and you start thinking that any kind of sound is possible, limited only by your imagination in hooking up the various oscillators, filters, and envelope generators. And the aforementioned patch cables, of course, which are always in short supply.
Luckily, though, patch cables and the modules they connect can be virtualized, and in his 2020 Remoticon workshop, Jonathan Foote showed us all the ways VCV Rack can emulate modular synthesizers right on your computer’s desktop. The workshop focused on VCV Rack, where Eurorack-style synthesizer modules are graphically presented in a configurable rack and patched together just like physical synth modules would be.