Arduino Drums Bring The Noise, No MIDI Required

When looking through existing Arduino drum kit projects, [joekutz] noticed that most of them just used the microcontroller as an input for an existing MIDI device. That’s fine if you’re just looking to build your own hardware interface, but he wondered if it would be possible to forgo the MIDI device completely and actually generate the audio internally.

To be sure, this is a lot to ask of an 8-bit microcontroller, which is probably why nobody does it this way. But [joekutz] wasn’t giving up without a fight. One of the trickiest aspects was storing the samples: the 8-bit, 11.025 KHz mono WAV files ultimately had to be converted into C data arrays with a custom Python script.

Unfortunately, since the samples are essentially part of the drum’s source code, he says distributing the firmware is something of a problem. Though it sounds as though there might be a solution to this soon for those who want to play along at home.

But don’t get the impression that this project is just software. Check out the custom impact sensors lovingly crafted from popsicle sticks and metal cut from soda cans, which have been mated with sections cut out of old DVD-Rs. Actually getting the beats out of the Arduino required the addition of a R2R DAC circuit and a TDA2822 amplifier. In the video after the break, you can hear the results for yourself.

[joekutz] is no stranger to homebrew electronic instruments. When we last heard from him, he was turning a very pink keyboard into his own personal circuit bending playground.

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Hackaday Links: May 24, 2020

We’re saddened to learn of the passing of Gershon Kingsley in December 2019 at the age of 97. The composer and electronic music pioneer was not exactly a household name, but the things he did with the Moog synthesizer, especially the surprise hit “Pop Corn”, which he wrote in 1969, are sure to be familiar. The song has been covered dozens of times, in the process of which the spelling of the name changed to “Popcorn.” We’re most familiar with the 1972 cover by Hot Butter, an earworm from our youth that doesn’t hide the Moog as deeply in the backing instruments as Kingsley did in the original. Or, perhaps you prefer the cover done by a robotic glockenspiel, because robotic glockenspiel.

A few months back, we covered the audacious plan to recover the radio gear from the Titanic. At the time, the potential salvors, Atlanta-based RMS Titanic, Inc., were seeking permission to cut into the submerged remains of the Titanic‘s Marconi room to remove as much of the wireless gear as possible. A federal judge granted permission for the salvage operation last Friday, giving the company the green light to prepare an expedition for this summer. The US government, through the National Oceanic and Atmospheric Administration and the National Park Service, argued strenuously to leave the wreck be and treat it as a tomb for the 1,527 victims. For our part, we had a great discussion about the merits in the comments section of the previous article. Now that it’s a done deal, we’d love to hear what you have to say about this again.

Although life appears to be slowly returning to what passes for normal, that doesn’t mean you might not still have some cycles to spare, especially when the time spent can bolster your skillset. And so if you’re looking to adding FPGAs to your resume, check out this remote lab on FPGA vision systems offered by Bonn-Rhein-Sieg University. The setup allows you to watch lectures, download code examples, and build them on your local computer, and then upload the resulting binaries to real hardware running on the lab’s servers in Germany. It sounds like a great way to get access to FPGA hardware that you’d otherwise have a hard time laying hands on. Or, you know, you could have just come to the 2019 Hackaday Superconference.

Speaking of skill-builders, oscilloscope owners who want to sharpen their skills could do worse than to listen to the advice of a real scope jockey like Allen Wolke. He recently posted a helpful video listing the five most common reasons for your scope giving “wrong” voltage readings. Spoiler alert: the instrument is probably doing exactly what you told it to do. As a scope newbie, we found the insights very helpful, and we can imagine even seasoned users could make simple mistakes like using the wrong probe attenuation or forgetting that scope response isn’t flat across its bandwidth.

Safety tip for the gearheads among us: your jack stands might be unsafe to use. Harbor Freight, the stalwart purveyor of cheap tools, has issued a recall of two different models of its jack stands. It seems that the pawls can kick out under the right conditions, sending the supported load crashing to the ground. This qualifies as a Very Bad Day for anyone unlucky enough to be working underneath when it happens. Defective jack stands can be returned to Harbor Freight for store credit, so check your garage and be safe out there in the shop.

And finally, because everyone loves a good flame war, Ars Technica has come up with a pronunciation guide for common tech terms. We have to admit that most of these are not surprising; few among the technology literate would mispronounce “Linux” or “sudo”. We will admit to a non-fanboy level of ignorance on whether the “X” in “iOS X” was a Roman numeral or not, but learning that the “iOS” part is correctly pronounced as three syllables, not two was a bit shocking. It’s all an exercise in pedantry that reminds us of a mildly heated discussion we had around the secret Hackaday writers’ bunker and whether “a LED” or “an LED” is the correct style. If the Internet was made for anything, it was stuff like this.

The Fart Box, A Synthesizer Not Quite Like Others

[lookmumnocomputer] enjoys creating synthesizers, and early last year he created one called The Fart Box. It is an entirely analog synthesizer with which, according to its creator, it is difficult to make anything that doesn’t sound gassy. It’s not quite like any other synthesizer, and while it is capable of acting like a regular analog synth it is never very far from cranking out farty sounds.

One may think this is just a gimmick, but it can actually be quite musical. There’s a good demonstration at the 7:09 mark in the video of what it can do. Entirely hand-made, it’s definitely a labor of love. There’s a bill of materials and a wiring diagram (of a sort) for anyone who is interested in such details, but it looks like it was a limited run only. [lookmumnocomputer]’s whole video is embedded below, and he demonstrates its ability to act more like a “normal” synthesizer around 8:30.

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Hackaday Podcast 055: The Most Cyberpunk Synthesizer, Data In Your Cells, Bubbly In Your Printer, And The Dystopian Peepshow

Hackaday editors Mike Szczys and Elliot Williams discuss the many great hacks of the past week. Just in case you missed the fact that we’re living in the cyberpunk future, you can now pop off your prosthetic hand and jack directly into a synthesizer. The robot headed for Mars has a flying drone in its belly. Now they’re putting foaming agent in filament to make it light and flexible. And did you ever wonder why those pinouts were so jumbled?

Take a look at the links below if you want to follow along, and as always tell us what you think about this episode in the comments!

Take a look at the links below if you want to follow along, and as always, tell us what you think about this episode in the comments!

Direct download (60 MB or so.)

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Hacked Prosthesis Leads To Mind-Controlled Electronic Music

As amazing as prosthetic limbs have become, and as life-changing as they can be for the wearer, they’re still far from perfect. Prosthetic hands, for instance, often lack the precise control needed for fine tasks. That’s a problem forĀ [Bertolt Meyer], an electronic musician with a passion for synthesizers with tiny knobs, a problem he solved by hacking his prosthetic arm to control synthesizers with his mind. (Video, embedded below.)

If that sounds overwrought, it’s not; [Bertolt]’s lower arm prosthesis is electromyographically (EMG) controlled through electrodes placed on the skin of his residual limb. In normal use, he can control the servos inside the hand simply by thinking about moving muscles. After experimenting a bit with an old hand, he discovered that the amplifiers in the prosthesis could produce a proportional control signal based on his inputs, and with a little help from synthesizer manufacturer KOMA Electronik, he came up with a circuit that can replace his hand and generate multiple control voltage channels. Plugged into any of the CV jacks on his Eurorack modular synths, he now has direct mind control of his music.

We have to say this is a pretty slick hack, and hats off to [Bertolt] for being willing to do the experiments and for enlisting the right expertise to get the job done. Interested in the potential for EMG control? Of course there’s a dev board for that, and [Bil Herd]’s EMG signal processing primer should prove helpful as well.

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Synthfonio Makes Music Easy Like Sunday Morning

This one goes out to anyone who loves music and feels it in their soul, but doesn’t necessarily understand it in their head. No instrument should stand in the way of expression, but it seems like they all do (except for maybe the kazoo).

[FrancoMolina]’s hybrid synth-MIDI controller is a shortcut between the desire to play music and actually doing it. Essentially, you press one of the buttons along Synthfonio’s neck to set the scale, and play the actual notes by pressing limit switches in the controller mounted on the body. If you’re feeling blue, you can shift to minor scales by pressing the relative minor note’s neck button at the same time as the root note, e.g. A+C=Am. Want to change octaves? Just slide the entire controller up or down for a total of three.

All of these switches are muxed to two Arduinos — an MKR1010 for USB MIDI control, and a bare ‘328 to provide the baked-in synth sounds. Power comes from a stepped-up 18650 that can be charged with an insanely cheap board from that one site. [Franco] has all the code and files available, so go have fun making music without being turned off by a bunch of theory. Push that button there to check out the demo.

If ‘portable’ means pocket-sized to you, then let this mini woodwind MIDI controller take your breath away.

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One Chip Does It All In This MacGuyver Synth

When you think of simple synths, what components come to mind? All you really need to make one is an oscillator, an amplifier, and some kind of input such that you can play different notes. Our favorite go-to for churning out square waves is probably the 40106 IC, which has six inverting Schmitt triggers, and then usually a 386 to amplify the output.

But it’s possible to go even simpler than that, and school is in session with [Jule] giving the lesson. [Jule]’s little analog synth uses a single IC for both the oscillator and the amplifier — a TL072 op-amp. The rest is made of purely discrete components.

[Jule] says those momentary switches are sub-par, and will add a vibrato effect if properly wiggled while pressed. To us, the buttons looks pretty nice, and much easier to jam out with than the ones with 1/8″ diameter actuators. Plus, whenever you press multiple buttons, the additive resistance unlocks the synth’s inner R2D2 voice. We really see no downsides here.

By default, this is an eight-button synth tuned to C major. But there’s a surprise — you can plug different capacitors into a piece of header and change the octave on the fly. Check it out after the break.

Making pitch-correct frequencies requires weird resistor values, which we can usually satisfy with two resistors in series. But wait, what’s up with resistor values, anyway? And why do they have a color code?

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