Oh, for the old days when sailing the seas of piracy was as simple as hooking a couple of VCRs together with a dubbing cable. Sure, the video quality degraded with each generation, but it was so bad to start out with that not paying $25 for a copy of “Ghostbusters” was a value proposition. But then came The Man with all his “rules” and “laws” about not stealing, and suddenly tapes weren’t so easy to copy.
If you’ve ever wondered how copy protection worked in pre-digital media, wonder no more. [Technology Connections] has done a nice primer on one of the main copy protection scheme from the VHS days. It was dubbed “Analog Protection System” or “Analog Copy Protection” by Macrovision, the company that developed it. Ironically, Macrovision the company later morphed into the TiVo Corporation.
The idea for Macrovision copy protection was to leverage the difference between what a TV would accept as a valid analog signal and what the VCR could handle. It used the vertical blanking interval (VBI) in the analog signal, the time during which the electron beam returns to the top of the frame. Normally the VBI has signals that the VCR uses to set its recording levels, but Macrovision figured out that sending extra signals in the VBI fooled the VCR’s automatic gain controls into varying the brightness of the recorded scenes. They also messed with the vertical synchronization, and the effect was to make dubbed tapes unwatchable, even by 1985 standards.
Copy protection was pretty effective, and pretty clever given the constraints. With Digital Rights Management, it’s easier to put limits on almost anything — coffee makers, arcade games, and even kitty litter all sport copy protection these days. It almost makes us nostalgic for the 80s.
Continue reading “Rolling Old School With Copy Protection From The 1980s”
The news has been full of reports that the last company manufacturing consumer VCRs will cease making them this year. I think most of us are surprised that the event is only happening now. After all, these days, video recording is likely to be on a hard drive, a USB stick, or on a server somewhere. Even recording to DVDs seems a bit quaint these days.
Back before there were web sites, people had to get information from magazines like Popular Electronics, Radio Electronics, and a few others. In the late 1960s and early 1970s, it was common to see these magazines predict that this would be the year of the home video recording system. For example, in 1971, [Lou Garner] wrote: “…they [Sony] hope will put home videotape playing in the same living room as conventional high-fidelity sound systems.” You should know that the video cassette he was talking about was 8 inches wide by 5 inches deep (a big larger than a VHS tape) and contained 3/4 inch magnetic tape (VHS used 1/2 inch tape). The 32-pound player had a retail price of about $350 (about $2,000 in today’s dollars; remember gas was $0.36 a gallon and eggs were $0.53 a dozen). It would be several years before VHS and Betamax would duke it out for home supremacy.
Continue reading “Retrotechtacular: Home Video Recording”
Behold the Bodystick, an instrument built and demonstrated by [Erich Lesovsky]. It’s a bit like a string bass but instead of strings there is a strip of VHS tape. Apparently not all VHS tape will work, but if you have the right kind you can run voltage through it and then change the resistance with a touch of your finger. It seems that the hand not touching the tape needs to be touching a conductive pad, completing the circuit. The resulting resistance changes the oscillator values on a CD40106 CMOS chip. This project is a bit out there (just like [Erich’s] Mega-Tape-O-Phone), and in keeping with its peculiarity is the demo video after the break. Enjoy!
Continue reading “Using Videotape Tape As A Controller”