Chromecast devices have become popular in homes around the world in the last few years. They make it easy to cast audio or video from a smartphone or laptop, to a set of speakers or a display connected to the same network. [Akos] wanted to control the volume on these devices with a single, simple piece of equipment, rather than always reaching for a smartphone. Thus was built the CastVolumeKnob.
The project began by using Wireshark to capture data sent by the pychromecast library. Once [Akos] understood the messaging format, this was implemented in MicroPython on an ESP8266. A rotary encoder is used as a volume knob, and a Neopixel ring is used for visual feedback as to the device being controlled and the current volume level.
Further work was done to improve usability, with an ATtiny85 microcontroller being used to monitor the encoder for button presses before waking up the ESP8266, greatly reducing power consumption. The device is also rechargeable, thanks to an 18650 lithium polymer battery, and charger and boost converter boards. It’s all wrapped up in a sleek 3D printed case, with a translucent bezel for the LEDs and a swanky machined aluminium knob as the cherry on top.
It’s a homemade device that nonetheless would be stylish and unobtrusive in the living room environment. We imagine it proves very useful when important phone calls come in and it’s necessary to cut the stereo down to a more appropriate volume.
For another take, check out this USB volume knob with a nice weighty feel, courtesy of lead shot.
When [krich] switched keyboards he lost his volume control. So he decided to hack one together out of an Arduino, an old floppy disc case, and a Hover Labs Hover board (not the Back to the Future kind). You can see the result in the videos below.
Continue reading “Making A Gesture”
If you buy expensive computer speakers, they often have a volume knob you can mount somewhere on your desk so you aren’t dependent on the onboard volume control. [Kris S] decided to build his own version of the remote volume control. Not surprisingly, it uses an Arduino-compatible Digispark board and a rotary controller. The Digispark (that [Kris S] bought for $2) is compatible with the Adafruit Trinket. This is key because the Trinket libraries are what make it easy to send media keys over the USB (using the HID interface) to control the volume.
Really, though, the best part of the build is the good looking knob made out of a pill bottle (see the video below). The micro Digispark is small enough to fit in the lid of the pill bottle, and some wax and pellets add some heft to the volume control. Continue reading “USB Volume Control”
A regular Hack A Day reader sent in a tip about an LM386 stero amplifier with digital volume control. The resulting build is very professional and could easily be adapted into a slick iPod dock build.
We’ve seen a few LM386-based amplifiers over the years including one that fits inside a 9V battery, but this is the first implementation of digitally controlled volume we’ve seen. The volume control of this amp uses the DS1868 dual digital pot IC in place of the usual 10K pot providing 256 steps between zero and full volume. The DS1868 is controlled by a PIC μC with a 3-wire serial connection, although this could be implemented on any microcontroller.
Although the code provided with this build outputs volume as a linear function, it would be trivial to implement a logarithmic volume output. Because the ear perceives loudness on a logarithmic scale, this would be a great way to adjust audio volume and provide a more fine-grained control. Of course this could be implemented with a logarithmic pot, but where’s the fun in that?
Check out a video of the amp after the break.
Continue reading “Stereo Amplifier With Digital Volume Control”
[jefffolly] published some straight forward plans for a passive volume control. It uses a resistive ladder built across the contacts of 12W rotary switches. Each resistor provides a 5dB difference, and he recommends using 0.1% tolerance resistors to maintain accuracy. The use of discrete resistors instead of volume pots means that the output is much more predictable. All of the RCA sockets were connected using oxygen-free copper wire.