Tensegrity construction with Adafruit led strands

The Jell-O Glow Tensegrity Toy You Didn’t Know You Needed

If you’re looking to add a pop of glowing whimsy to your workspace, check out this vibrant jiggly desk toy by [thzinc], who couldn’t resist the allure of Adafruit’s NOODS LED strands. [thzinc]’s fascination with both glowing LEDs and levitating tensegrity designs led to an innovative attempt to defy gravity once again.

The construction’s genius is all about the balance of tension across the flexible LED strands, with three red ‘arms’ and a blue ‘hanger’ arm supporting the central hub. [thzinc]’s early designs faced print failures, but by cleverly reorienting print angles and refining channel designs, he achieved a modular, sturdy structure. Assembly involved careful soldering, tension adjustments, and even a bit of temporary tape magic to perfect the wobbling equilibrium.

But, the result is one to applaud. A delightful, wobbly desk toy with a kind of a Jell-O vibe that dances to your desk’s vibrations while glowing like a mini neon sign. We’ve covered tensegrity constructions in the past, so with a little digging through our archives you’ll be able to find some unique variations to build your own. Be sure to read [thzinc]’s build story before you start. Feel free to combine the best out there, and see what you can bring to the table!

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Patching Up Failing Hearts With Engineered Muscle Tissue

As the most important muscle in our body, any serious issues with our heart are considered critical and reason for replacement with a donor heart. Unfortunately donor hearts are rather rare, making alternatives absolutely necessary, or at the very least a way to coax the old heart along for longer. A new method here seems to be literally patching up a patient’s heart with healthy heart tissue, per the first human study results by [Ahmad-Fawad Jebran] et al. as published in Nature (as well as a partially paywalled accompanying article).

Currently, simple artificial hearts are a popular bridging method, which provide a patient with effectively a supporting pump. This new method is more refined, in that it uses induced pluripotent stem cells (iPS) from an existing hiPSC cell line (TC1133) which are then coaxed into forming cardiomyocytes and stromal cells, effectively engineered heart muscle (EHM). After first testing this procedure on rhesus macaque monkeys, a human trial was started involving a 46-year old woman with heart failure after a heart attack a few years prior.

During an operation in 2021, 10 patches of EHMs containing about 400 million cells each were grafted onto the failing heart. When this patient received a donor heart three months later, the removed old heart was examined and the newly grafted sections found to be healthy, including the development of blood vessels.

Although currently purely intended to be a way to keep people alive until they can get a donor heart, this research opens the tantalizing possibility of repairing a patient’s heart using their own cells, which would be significantly easier than growing (or bioprinting) an entire heart from scratch, while providing the benefit of such tissue patches grown from one’s own iPS cells not evoking an immune response and thus mitigating the need for life-long immune system suppressant drugs.

Featured image: Explanted heart obtained 3 months after EHM implantation, showing the healthy grafts. (Credit: Jebran et al., 2025, Nature)

Copper Candle Burns Forever… Just Add Fuel

[Zen Garden Oasis] wanted to heat and light a space using a candle. But candles aren’t always convenient since they burn down and, eventually, you must replace them. So he built copper candles using a common copper pipe and an old glass jar. Of course, the candle still takes fuel that you have to replace, but the candle itself doesn’t burn down.

The basic idea is that the copper tube holds a high-temperature carbon wick that stays saturated with fuel. The fuel burns, but the wick material doesn’t. The copper part is actually concentric with a 3/4-inch pipe mostly enclosing a 1/2-inch pipe.

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Comparing Adhesives For Gluing PETG Prints

Testing every kind of glue with PETG, including wood glue. (Credit: Cosel, YouTube)
Testing every kind of glue with PETG, including wood glue. (Credit: Cosel, YouTube)

PETG is a pretty great material to print 3D models with, but one issue with it is that gluing it can be a bit of a pain. In a recent video by [Cosel] (German language, with English auto-dub) he notes that he found that with many adhesives the adhesion between PETG parts would tend to fail over time, so he set out to do a large test with just about any adhesive he could get his hands on. This included everything from epoxy to wood glue and various adhesives for plastics

TL;DR: Some superglues seem to weaken PETG, and a construction polyurethane glue is the absolute winner.

For the test, two flat surfaces were printed in PETG for each test, glued together and allowed to fully dry over multiple days. After about a week each sample was put into a rig that tried to pull the two surfaces apart while measuring the force required to do so.

With e.g. two-part epoxy and super glue the parts would break rather than the glue layer, while with others the glue layer would give way first. All of these results are noted in the above graphic that has the force listed in Newton. The special notes and symbols stand for strong smell (‘Geruch’), the PETG itself breaking (‘Substrat gebrochen’) and high variability (‘hohe Streuung’) between the multiple samples tested per adhesive.

Interesting is that multiple superglues (‘Sekundenkleber’) show different results, while MMA (Methyl Methacrylate) and similar score the highest. The Bostik P580 is a polyurethane construction adhesive, usually used for gluing just about anything to anything in interior and exterior applications, so perhaps its high score isn’t so surprising. Trailing at the end are the wood glue in last place, with the UHU general adhesive also scoring rather poorly.

Clearly there are many options for gluing PETG parts, but some are definitely more sturdy than others.

Thanks to [Risu no Kairu] for the tip.

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Retrotechtacular: The Tyranny Of Large Numbers

Although much diminished now, the public switched telephone network was one of the largest machines ever constructed. To make good on its promise of instant communication across town or around the world, the network had to reach into every home and business, snake along poles to thousands of central offices, and hum through the ether on microwave links. In its heyday it was almost unfathomably complex, with calls potentially passing through thousands of electronic components, any of which failing could present anything from a minor annoyance to a matter of life or death.

The brief but very interesting film below deals with “The Tyranny of Large Numbers.” Produced sometime in the 1960s by Western Electric, the manufacturing arm of the Bell System, it takes a detailed look at the problems caused by scaling up systems. As an example, it focuses on the humble carbon film resistor, a component used by the millions in various pieces of telco gear. Getting the manufacturing of these simple but critical components right apparently took a lot of effort. Initially made by hand, a tedious and error-prone process briefly covered in the film, Western Electric looked for ways to scale up production significantly while simultaneously increasing quality.

While the equipment used by the Western engineers to automate the production of resistors, especially the Librascope LGP-30 computer that’s running the show, may look quaint, there’s a lot about the process that’s still used to this day. Vibratory bowl feeders for the ceramic cores, carbon deposition by hot methane, and an early version of a SCARA arm to sputter gold terminals on the core could all be used to produce precision resistors today. Even cutting the helical groove to trim the resistance is similar, although today it’s done with a laser instead of a grinding wheel. There are differences, of course; we doubt current resistor manufacturers look for leaks in the outer coating by submerging them in water and watching for bubbles, but that’s how they did it in the 60s.

The productivity results were impressive. Just replacing the silver paint used for terminal cups with sputtered gold terminals cut 16 hours of curing time out of the process. The overall throughput increased to 1,200 pieces per hour, an impressive number for such high-reliability precision components, some of which we’d wager were still in service well into the early 2000s. Most of them are likely long gone, but the shadows cast by these automated manufacturing processes stretch into our time, and probably far beyond.

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Digital Paint Mixing Has Been Greatly Improved With 1930s Math

You might not have noticed if you’re not a digital artist, but most painting and image apps still get color mixing wrong. As we all learned in kindergarten, blue paint and yellow paint makes green paint. Try doing that in Photoshop, and you’ll get something altogether different—a vague, uninspiring brownish-grey. It’s the same story in just about every graphics package out there.

As it turns out, there’s a good reason the big art apps haven’t tackled this—because it’s really hard! However, a team of researchers at Czech Technical University has finally cracked this long-standing problem. The result of their hard work is Mixbox, a digital model for pigment-based color mixing. Once again, creative application of mathematics has netted aesthetically beautiful results!

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A 1962 Test Gear Teardown

Although it sounds like some Star Trek McGuffin, a Q-Meter is a piece of test gear that measures the Q factor of a tuned circuit. [Thomas] got a Boonton meter from 1962 that wasn’t in very good shape, but it was a fun teardown, as you can see in the video below. The meter had signs of a prior modification or repair, but still a nice peek into some vintage gear.

The meter could measure up to 260 MHz (or megacycles in 1962 parlance) and had some unusual features, including an oddly wired AC transformer and a “voltage stabilizer” to ensure a constant AC voltage at the input. We have to admit, we miss the days when our test equipment had gears inside. Then again, we don’t miss the tubes and the high-voltage stuff. Because of the high frequency, the unit even has an oddball acorn tube that you rarely see.

You may notice the meter has a mirror in a strip on the face. This is a common feature of high-precision analog meter movements. The idea is that you move your head until the needle hides its own reflection in the mirror to avoid parallax errors in your reading.

This isn’t the first Q meter we’ve seen; in fact, one was pretty similar but a bit older. While you can get a lot of new gear cheap these days, there’s still something to be said for vintage test equipment.

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