Color Mixing Spray Paint On The Fly

March 1, 2026 by Zoe Skyforest 40 Comments

One of the problems with being a graffiti artist is that you have to carry around a different spray can for each color you intend to use. [Sandesh Manik] decided to solve this problem by building a rig that can produce a wider range of colors by mixing the paint from several cans at once.

The project is called Spectrum. It uses four off-the-shelf spray paint cans—colored red, blue, yellow, and white—and mixes them to create a wider range of colors. All four cans are hooked up to a single output nozzle via a nest of tubing and a four-to-one tube manifold. Key to controlling the flow of paint is a custom device which [Sandesh] calls the “rotary pinch valve,” with one fitted to the feed line coming from each spray can. These valves use a motor-driven lever to pinch a plastic tube shut, allowing them to control the paint flow. This design keeps the mechanism and paint completely separate, which was important to stop paint from fouling the valves in short order. It also prevents backflow, which keeps the paint going towards the outlet and prevents ugly messes. By quickly actuating the valve, the paint flow from each can is modulated to mix various colors as desired.

The mixing valves are under the command of an Arduino Nano. The microcontroller reads a series of knobs to select the amount of each component color to mix, and displays relevant information on a screen. Then, when a push button is pressed, the valves are actuated to spit out the right amount of each paint from the atomizer nozzle. [Sandesh] went so far as to include an advanced “gradient” mode, where a force-sensitive button allows the device to transition smoothly from one color to another depending on how hard the button is pushed.

It’s a neat concept which we’d love to see explored further, perhaps with a more traditional selection of CMYK paints rather than the more unusual red, yellow, blue, and white. We’ve also seen some fun spray paint projects before, like this neat wall-mount plotter.

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Digital Paint Mixing Has Been Greatly Improved With 1930s Math

January 30, 2025 by Zoe Skyforest 41 Comments

You might not have noticed if you’re not a digital artist, but most painting and image apps still get color mixing wrong. As we all learned in kindergarten, blue paint and yellow paint makes green paint. Try doing that in Photoshop, and you’ll get something altogether different—a vague, uninspiring brownish-grey. It’s the same story in just about every graphics package out there.

As it turns out, there’s a good reason the big art apps haven’t tackled this—because it’s really hard! However, a team of researchers at Czech Technical University has finally cracked this long-standing problem. The result of their hard work is Mixbox, a digital model for pigment-based color mixing. Once again, creative application of mathematics has netted aesthetically beautiful results!

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How The Lost Mystery Pigment ‘Maya Blue’ Got Recreated

December 14, 2024 by Donald Papp 16 Comments

A distinct blue pigment reminiscent of turquoise or a clear sky was used by the ancient Maya to paint pottery, sculptures, clothing, murals, jewelry, and even human sacrifices. What makes it so interesting is not only its rich palette — ranging from bright turquoise to a dark greenish blue — but also its remarkable durability. Only a small number of blue pigments were created by ancient civilizations, and even among those Maya blue is unique. The secret of its creation was thought to be lost, until ceramicist and artist [Luis May Ku] rediscovered it.

Maya blue is not just a dye, nor a ground-up mineral like lapis lazuli. It is an unusual and highly durable organic-inorganic hybrid; the result of a complex chemical process that involves two colorants. Here is how it is made: Indigotin is a dye extracted from ch’oj, the Mayan name for a specific indigenous indigo plant. That extract is combined with a very specific type of clay. Heating the mixture in an oven both stabilizes it produces a second colorant: dehydroindigo. Together, this creates Maya blue.

The road to rediscovery was not a simple one. While the chemical makeup and particulars of Maya blue had been known for decades, the nuts and bolts of actually making it, not to mention sourcing the correct materials, and determining the correct techniques, was a long road. [May] made progress by piecing together invaluable ancestral knowledge and finally cracked the code after a lot of time and effort and experimentation. He remembers the moment of watching a batch shift in color from a soft blue to a vibrant turquoise, and knew he had finally done it.

Before synthetic blue pigments arrived on the scene after the industrial revolution, blue was rare and highly valuable in Europe. The Spanish exploitation of the New World included controlling Maya blue until synthetic blue colorants arrived on the scene, after which Maya blue faded from common knowledge. [May]’s rediscovered formula marks the first time the world has seen genuine Maya blue made using its original formula and methods in almost two hundred years.

Maya blue is a technological wonder of the ancient world, and its rediscovery demonstrates the resilience and scientific value of ancestral knowledge as well as the ingenuity of those dedicated to reviving lost arts.

We’re reminded that paints and coatings have long been fertile ground for experimentation, and as an example we’ve seen the success people had in re-creating an ultra-white paint that actually has a passive cooling effect.

Black 4.0 Is The New Ultrablack

October 31, 2023 by Zoe Skyforest 105 Comments

Vantablack is a special coating material, moreso than a paint. It’s well-known as one of the blackest possible coatings around, capable of absorbing almost all visible light in its nanotube complex structure. However, it’s complicated to apply, delicate, and not readily available, especially to those in the art world.

It was these drawbacks that led Stuart Semple to create his own incredibly black paint. Over the years, he’s refined the formula and improved its performance, steadily building a greater product available to all. His latest effort is Black 4.0, and it’s promising to be the black paint to dominate all others.

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That Ultra-White Paint That Helps Cool Surfaces? Make Your Own!

July 22, 2023 by Donald Papp 54 Comments

It started with [KB9ENS] looking into paints or coatings for passive or radiative cooling, and in the process he decided to DIY his own. Not only is it perfectly accessible to a home experimenter, his initial results look like they have some promise, as well.

[KB9ENS] read about a type of ultra-white paint formulation that not only reflects heat, but is able to radiate it into space, cooling the painted surface to below ambient temperature. This is intriguing because while commercial paints can insulate and reflect heat, they cannot make a surface cooler than its surroundings.

Anecdotally speaking, this painted battery section of a solar recharger gets too hot to touch in full sunlight. But when painted over, it was merely warm.

What really got [KB9ENS] thinking was that at its core, the passively-cooling paint in the research is essentially a whole lot of different particle sizes of barium sulfate (BaSO₄) mixed into an acrylic binder. These two ingredients are remarkably accessible. A half-pound of BaSO₄ from a pottery supply shop was only a few dollars, and a plain acrylic base is easily obtained from almost any paint or art supplier.

[KB9ENS] decided to mix up a crude batch of BaSO₄ paint, apply it to some things, and see how well it compared to other paints and coatings. He wetted the BaSO₄ with some isopropyl alcohol to help it mix into the base, and made a few different concentrations. A 60% concentration by volume seemed to give the best overall results.

There’s no indication of whether any lower-than-ambient cooling is happening, but according to a non-contact thermometer even this homemade mixture does a better job of keeping sunlight from heating things up compared to similarly-applied commercial paints (although it fared only slightly better than titanium dioxide-based white paint in the initial test.)

[KB9ENS] also painted the battery section of a solar recharger with his homemade paint and noted that while under normal circumstances — that is to say, in full sunlight — that section becomes too hot to touch, with the paint coating it was merely warm.

Actual passive cooling can do more than just keep something less warm than it would be otherwise. We’ve seen it recently used to passively and continuously generate power thanks to its ability to create a constant temperature differential, day and night.

Thermochromic Treatment Keeps Solderless Breadboards Smokeless

July 8, 2023 by Dan Maloney 17 Comments

There’s a point in a component’s thermal regime that’s between normal operation and overloaded to the point of obvious failure. That’s a dangerous region, because the component isn’t quite hot enough to release the Magic Smoke, but hot enough to singe any finger you poke around with the see if everything’s running right. So if you’re looking to keep your fingerprints unmodified, but you don’t want to invest in a thermal camera, you might want to let this thermochromic breadboard point the way to overloaded components.

We’re not sure where this tip came from, but judging by the look of the website it was sometime in the late 90s. We’re also not sure who’s behind this little hack, so we’ll just credit [improwis]. The idea is pretty simple — white acrylic paint is mixed with thermochromic pigment, and the mixture is carefully painted onto the plastic surface of a standard-issue solderless breadboard. Care is taken to apply thin coats, lest the paint gets into the contacts and really muck things up. Once the paint is dry you’re ready to build your circuit. We have to admit we’re surprised at how sensitive the paint is; judging by the pictures, the heat coming off a 1/4-watt resistor dissipating 350 mW is plenty, even when the body of the resistor is well above the surface of the breadboard. We’d imagine the paint would point out not only hot components but probably the breadboard contacts too, if things got really toasty.

This seems like such a great application of thermochromism, one that’s a bit more useful than clocks and Pi Day celebrations. If you’re going to try this yourself, you’ll have to track down your own supply of thermochromic pigment, though — the link in the article is long dead. That’s not a problem, though, as Amazon sells scads of the stuff, seemingly aimed mainly at nail salons. The more you know.

a modern car dipped into a chemical bath for electrodeposition adding a phosphate layer

Watching Paint Dry For Over 100 Years

July 2, 2023 by Michael Shaub 19 Comments

A Model T Ford customer could famously get their car “in any color he wants, so long as it’s black.” Thus begins [edconway]’s recounting of the incremental improvements in car paint and its surprising role in mass production, marketing, and longevity of automobiles.

In it, we learn that the aforementioned black paint from Ford had so much asphalt in it that black was the only color that would work. Not to go down a This Is Spinal Tap rabbit hole, but there were several kinds of black on those Model Ts. Over 30 of them were used for various purposes. The paints also dried in different ways. While the assembly only took 12 hours, the paint drying time took days, even weeks backing up production and begging for innovation. [edconway] then fast-forwards to an era of “conspicuous consumption and ‘planned obsolescence’” with DuPont’s invention of Duco that brought color to the world of automobiles.

See the article for the real story of advances in paint technology and drying time. Paint application technology has also steadily improved over the years, so we recommend diving in to get the century’s long story.