If we cast our minds back a few decades, almost all computers were a beige colour. “Beige box” even became a phrase for a generic PC, such was their ubiquity. Long before PCs though there were other beige computers, and probably one of the first to land on the desks of enthusiasts rather than professionals was the Apple ][. But exactly what beige colour was it? It’s a question that interested [Ben Zotto], and his quest led him through a fascinating exploration of a colour most of us consider to be boring.
We’re used to older beige computers becoming yellow with time, as the effect of light and age causes the fire retardants in their plastic to release bromine. But the earlier Apple products haven’t done this, because their beige came not from the plastic but from a paint. [Ben] was lucky enough to find a small pot of touch-up paint from Apple that was made available to dealers, so notwithstanding any slight pigment changes from its age, he set off in pursuit of its origin.
Along the way to identifying a modern Pantone shade (Pantone 14–0105 TPG, for the curious) he treats us to a cross-section of Apple’s early colour history with reference to the memories of early Apple luminaries. He even suggests readily available shades that could suffice, pointing to Gloss Almond Rust-Oleum spray paint.
Radiative cooling paint is not a completely new animal, but the formulation developed at Purdue is quite impressive compared to commercially-available paints that only reflect 80-90% of sunlight.
Purdue’s paint reflects 95.5% of sunlight. It can keep surfaces up to 18°F cooler than their surroundings, even in direct sunlight. Where does the heat go? The paint radiates infrared heat, so it escapes the atmosphere and goes into deep space.
How does it do this? With abundantly available calcium carbonate fillers — the chalky stuff that antacids are made of. The paint absorbs next to no UV rays because of the wide band gaps in the atomic structure of calcium carbonate. Take a brief tour of this amazing paint after the break.
We wonder how many rooftops and roadways we’d have to paint with this stuff to have a chance at reversing climate change. It’s not terribly expensive to make, so the problem shifts to widespread education and adoption. What do you think?
To get the perfect mix for your paint, you need a good shake that is as random as possible. [Mark Rhodes] wanted to automate the process of mixing paint, so he built a 3D printed shaker to thoroughly shake small paint bottles. Using only a single motor, it shakes the bottle along three axes of rotation and one axis of translation.
A cylindrical container is attached to a U-shaped bracket on each end, which in turn is attached to a rotating shaft. Only one of these shafts are powered, the other is effectively an idler. When turned on, it rotates the cylinder partially around the pitch and yaw axis, 360 degrees around the roll axis, and reciprocates it back and forth. The design appears to be based on an industrial mixer known as a “Turbula“. Another interesting feature is how it holds the paint bottle in the cylinder. Several bands are stretched along the inside of the cylinder, and by rotating one of the rings at the end, it creates an hourglass-shaped web that can tightly hold the paint bottle.
The mechanism is mounted on a 3d printed frame that can be quickly clamped to a table. The Twitter post embedded below is a preview for a video [Mark] is working for his Youtube channel, along with which he will also release the 3D files.
Mixing machines come in all shapes and sizes, and we’ve seen a number of 3D printed versions, including a static mixer and a magnetic stirrer.
When folks started quarantining, chalk art spilled onto driveways and sidewalks to remind us that there’s still beauty and creative people doing what they always do. Now it’s time to strut your stuff and show your neighbors that things are greener on your slab of concrete. [friedpotatoes] has shared their giant sidewalk recipe with the world so you can paint the town red. With chalk.
Name brand sidewalk chalk is expensive considering how easy it is to make. What Big Chalk doesn’t want you to know is that the ingredients are just water, plaster of Paris, and tempera paint; meaning this project should be safe enough for the junior hackers to get some hands-on time. Some folks use food coloring instead of paint, but we know what happens to clothing when kids get their mitts on food coloring. [friedpotatoes] also includes extensive repurposing of recyclables, which is commendable.
The instructions suggest filling potato chip (crisp) tubes through a milk jug funnel to make giant pieces, but you can use any mold you like. If you have a CNC machine, it should be no trouble to make stamp-like pieces of chalk for tagging on the go, or shapes like arrows when you have to direct a miniature parade.
Sometimes we manage to miss projects when they first appear, only to have the joy of discovering them a while later. So it is with [John Opsahl]’s Project Convert To Paint, a CNC painting ‘bot that takes a bitmap image and paints it on canvas as a fine artist would, with a real brush, and paints.
It was first created for the 2017 robotart.org competition, and takes the form of a fairly standard CNC gantry machine. It departs from the norm in its chuck however, as it has what is described as a universal artist chuck, capable of holding a variety of artistic implements. The images are converted from bitmap to vector format, and thence to gcode with the help of a bit of custom Python code.
He’s at pains to say that simply because an image can be converted to a paintable format does not mean that it will produce a good picture. But some of the results are rather impressive, delivering anything from a pointilist effect to a broader brush stroke. We can see that with a bit of experience in the processing it would be possible to create a veritable gallery of masterpieces.
Let’s say you’ve watched a few episodes of “The Joy of Painting” and you want your inner [Bob Ross] to break free. You get the requisite supplies for oil painting – don’t forget the alizarin crimson! – and start to apply paint to canvas, only to find your happy little trees are not so happy, and this whole painting thing is harder than it looks.
[Saint Bob] would certainly encourage you to stick with it, but if you have not the patience, a CNC painting robot might be a thing to build. The idea behind [John Opsahl]’s “If Then Paint” is not so much to be creative, but to replicate digital images in paint. Currently in the proof-of-concept phase, If Then Paint appears to have two main components: the paint management system, with syringe pumps to squeeze out different paints to achieve just the right color, and the applicator itself, a formidable six-axis device that supports tool changes by using different brushes chucked up into separate hand drill chucks. The extra axes at the head will allow control of how the brush is presented to the canvas, and also allow for cleaning the brush between colors. The videos below show two of the many ways [John] is exploring to clean the brushes, but sadly neither is as exciting as the correct [Bob Ross] method.
It looks like If Then Paint has a ways to go yet, but we’re impressed by some of the painting it has produced already. This is just the kind of project we like to see in the 2019 Hackaday Prize – thought out, great documentation, and a lot of fun.
Vantablack is the darkest pigment ever created, capable of absorbing 99.96% of visible light. If you cover something in Vantablack, it turns into a black hole. No detail is presented, and physical objects become silhouettes. Objects covered in Vantablack are outside the human experience. The mammalian mind cannot comprehend a Vantablack object.
Vantablack is cool, but it’s also expensive. It’s also exclusively licensed by [Anish Kapoor]’s studio for artistic use. Understandably, artists have rebelled, and they’re making their own Vantablack-like pigments. Now, the World’s Blackest Black is on Kickstarter. You can get a 150 ml bottle of Black 3.0, something that’s almost black as Vantablack, for £10.
The pigment for Black 3.0 is called Black Magick, and yes, there was a version 2.0 The problem with the earlier version is that although the pigment was blacker than almost anything else, paint isn’t just pigment. You need binders. The new formulation uses a new acrylic polymer to hold the pigment, and ‘nano-mattifiers’ to make the paint none more matte.
What can you do with the blackest black paint you’ve ever seen? Well, taking pictures of an object covered in the blackest black is a tiny bit dumb. This is something that must be experienced in person. You could paint a car with it, which is something I really want to see. You could follow [Anish Kapoor] around in the shadows. Use it as a calibration target. Who knows what we’ll do with the almost-Vantablack when everyone has it.