Retrotechtacular: The Tyranny Of Large Numbers

Although much diminished now, the public switched telephone network was one of the largest machines ever constructed. To make good on its promise of instant communication across town or around the world, the network had to reach into every home and business, snake along poles to thousands of central offices, and hum through the ether on microwave links. In its heyday it was almost unfathomably complex, with calls potentially passing through thousands of electronic components, any of which failing could present anything from a minor annoyance to a matter of life or death.

The brief but very interesting film below deals with “The Tyranny of Large Numbers.” Produced sometime in the 1960s by Western Electric, the manufacturing arm of the Bell System, it takes a detailed look at the problems caused by scaling up systems. As an example, it focuses on the humble carbon film resistor, a component used by the millions in various pieces of telco gear. Getting the manufacturing of these simple but critical components right apparently took a lot of effort. Initially made by hand, a tedious and error-prone process briefly covered in the film, Western Electric looked for ways to scale up production significantly while simultaneously increasing quality.

While the equipment used by the Western engineers to automate the production of resistors, especially the Librascope LGP-30 computer that’s running the show, may look quaint, there’s a lot about the process that’s still used to this day. Vibratory bowl feeders for the ceramic cores, carbon deposition by hot methane, and an early version of a SCARA arm to sputter gold terminals on the core could all be used to produce precision resistors today. Even cutting the helical groove to trim the resistance is similar, although today it’s done with a laser instead of a grinding wheel. There are differences, of course; we doubt current resistor manufacturers look for leaks in the outer coating by submerging them in water and watching for bubbles, but that’s how they did it in the 60s.

The productivity results were impressive. Just replacing the silver paint used for terminal cups with sputtered gold terminals cut 16 hours of curing time out of the process. The overall throughput increased to 1,200 pieces per hour, an impressive number for such high-reliability precision components, some of which we’d wager were still in service well into the early 2000s. Most of them are likely long gone, but the shadows cast by these automated manufacturing processes stretch into our time, and probably far beyond.

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Digital Paint Mixing Has Been Greatly Improved With 1930s Math

You might not have noticed if you’re not a digital artist, but most painting and image apps still get color mixing wrong. As we all learned in kindergarten, blue paint and yellow paint makes green paint. Try doing that in Photoshop, and you’ll get something altogether different—a vague, uninspiring brownish-grey. It’s the same story in just about every graphics package out there.

As it turns out, there’s a good reason the big art apps haven’t tackled this—because it’s really hard! However, a team of researchers at Czech Technical University has finally cracked this long-standing problem. The result of their hard work is Mixbox, a digital model for pigment-based color mixing. Once again, creative application of mathematics has netted aesthetically beautiful results!

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A 1962 Test Gear Teardown

Although it sounds like some Star Trek McGuffin, a Q-Meter is a piece of test gear that measures the Q factor of a tuned circuit. [Thomas] got a Boonton meter from 1962 that wasn’t in very good shape, but it was a fun teardown, as you can see in the video below. The meter had signs of a prior modification or repair, but still a nice peek into some vintage gear.

The meter could measure up to 260 MHz (or megacycles in 1962 parlance) and had some unusual features, including an oddly wired AC transformer and a “voltage stabilizer” to ensure a constant AC voltage at the input. We have to admit, we miss the days when our test equipment had gears inside. Then again, we don’t miss the tubes and the high-voltage stuff. Because of the high frequency, the unit even has an oddball acorn tube that you rarely see.

You may notice the meter has a mirror in a strip on the face. This is a common feature of high-precision analog meter movements. The idea is that you move your head until the needle hides its own reflection in the mirror to avoid parallax errors in your reading.

This isn’t the first Q meter we’ve seen; in fact, one was pretty similar but a bit older. While you can get a lot of new gear cheap these days, there’s still something to be said for vintage test equipment.

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Forgotten Internet: Giving (or Getting) The Finger

Hey, you know that guy in accounting, Marco? If you want to find out more about him, you’d probably go surf LinkedIn or maybe a social media site. Inside a company, you might look on instant messaging for a profile and even find out if he is at his desk or away. But back in the 1970s, those weren’t options. But if Marco was on the computer system, maybe you could finger him. While that sounds strange to say today, Finger was a common service provided by computer services at the time. It was like a LinkedIn profile page for the 1970s.

Based on RFC 742, Finger was the brainchild for [Les Earnest]. From a user’s point of view, you put a few files in your home directory (usually .project and .plan; both hidden files), and when someone “fingered” you, they’d see some human-friendly output about your account like your name and office location, if you were logged in or not, and the contents of your project and plan files.

Modern versions may also show your public PGP key and other data. You could usually put a file in your home directory called .nofinger if you wanted to stop people from fingering you.

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RGB LED Display Simply Solves The Ping-Pong Ball Problem

A few years ago [Brian McCafferty] created a nice big RGB LED panel in a poster frame that aimed to be easy to move, program, and display. We’d like to draw particular attention to one of his construction methods. On the software end of things there are multiple ways to get images onto a DIY RGB panel, but his assembly technique is worth keeping in mind.

The diameter of ping pong balls is a mismatch for the spacing of LEDs on a strip. The solution? A bit of force.

The technique we want to highlight is not the fact that he used table tennis balls as the diffusers, but rather the particular manner in which he used them. As diffusers, ping-pong balls are economical and they’re effective. But you know what else they are? An inconvenient size!

An LED strip with 30 LEDs per meter puts individual LEDs about 33 mm apart. A regulation ping-pong ball is 40 mm in diameter, making them just a wee bit too big to fit nicely. We’ve seen projects avoid this problem with modular frames that optimize spacing and layout. But [Brian]’s solution was simply to use force.

Observing that ping-pong balls don’t put up much of a fight and the size mismatch was relatively small, he just shoved those (slightly squashy) 40 mm globes into 33 mm spacing. It actually looks… perfectly fine!

We suspect that this method doesn’t scale indefinitely. Probably large displays like this 1200 pixel wall are not the right place to force a square peg into a round hole, but it sure seemed to hit the spot for his poster-sized display. Watch it in action in the video below, or see additional details on the project’s GitHub repository.

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Lessons Learned, When Restoring An Amiga 1000

In the mid 1980s, there was a rash of 16-bit computers entering the market. One of them stood head and shoulders above the rest: Commodore’s Amiga 1000. It had everything that could reasonably be stuffed into a machine of the period, and multimedia capabilities the rest wouldn’t catch up on for years. [Celso Martinho] has managed to secure one of those first machines, and has shared his tale of bringing it back to life.

The post is as much a love letter to the Amiga and review of A1000 peripherals as it is a restoration, which makes it a good read for retrocomputing enthusiasts.  He recapped it and it wouldn’t boot, the solution of which turned out to be a reminder for the rest of us.

The machine had a RAM upgrade in the form of a daughterboard under the processor, its pins had weakened the leaves of the processor socket so it wouldn’t make contact. So don’t forget to replace sockets as well as capacitors.

The resulting machine is much faster thanks to a modern upgrade with a much quicker processor, memory, and an SD card for storage. He goes into some of the other upgrades available today, all of which would have had early-1990s-us salivating. It’s fair to say that in 2025 an A1000 is more 40-year-old curio than useful modern computer, but we can’t fail to admit to a bit of envy. The Amiga holds a special affection, here.

Inside Vacuum Fluorescent Displays

VFDs — vacuum fluorescent displays — have a distinctive look, and [Anthony Francis-Jones] is generally fascinated with retro displays. So, it makes sense that he’d build a VFD project as an excuse to explain how they work. You can see the video below.

VFDs are almost miniature CRTs. They are very flexible in what they display and can even use color in a limited way. The project [Anthony] uses as an example is an indicator to show the video number he’s currently making.

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