What’s Inside A Super-Cheap Projector? Not A Lot!

[Raymond Ma] has a penchant for browsing Aliexpress and purchasing curious pieces of hardware that are as high on promises as they are low on cost. This is a process he aptly sums up with his opening line of “I should have known better, but…” Luckily, these devices all get torn down and analyzed so we can each enjoy and share a little slice of disappointment.

One such item is the $30 USD YT200 mini projector, which at 320×180 is almost as low on pixels as it is on cost. Still, [Raymond] looks inside to find out if there is perhaps more hacking potential than there is image resolution.

The YT200 lacks any kind of normal video input, and the anemic 15 lumen output is brazenly branded as a feature to protect children’s eyes from excessive brightness.

Light from the single LED is collimated with some Fresnel lenses. That light passes through an LCD panel, and from there the image bounces off a mirror and through a focusing lens housed in a spiral guide. Focal adjustments are made with a small lever, and the whole assembly provides just enough friction to prevent the lens from moving out of focus on its own.

The device actually does work fairly well for what it is: a way to play a range of different media types off a connected USB storage device. As long as one is in a dark room, anyway.

[Raymond] hopes to find some alternate use for the device. Might we suggest projecting into a frosted glass globe to create a sort of spherical display? A spooky eye animation on a USB stick might pair well with that.

Robot Dog Has Animal Magnetism

Robot “dogs” are all the rage lately, but you probably haven’t seen one that can climb up a wall. Researchers in Korea have made one that can, assuming the wall is made out of a metal that a magnet can stick to at least. The robot, MARVEL or magnetically adhesive robot for versatile and expeditious locomotion, might be pressing its luck on acronyms, but it is pretty agile as you can see in the video below. Tests showed the robot walking on walls and ceilings. It can cross gaps and obstacles and can even handle a curved storage tank with paint and rust.

The robot weighs 8 kilograms (17.6 pounds), can carry 2 – 3 kg of payload, and operates without a tether. Each foot contains both an electropermanent magnet and magnetorheological elastomers. If you haven’t seen them before, an electropermanent magnet, or EPM, is a magnet that can be turned on or off electronically. The elastomer is a polymer containing ferromagnetic particles that can alter the material’s properties in response to a magnetic field.

EPMs have two parts. One part is a simple permanent magnet. The other is a soft core easily magnetized by a surrounding coil. If you magnetize the soft core to oppose the permanent magnet, the fields cancel out, effectively turning off the magnet. If you magnetize it the other way, it reinforces the field.

This is better than an electromagnet in this application because turning the magnet on or off only requires a brief pulse. If you want your robot to hang out on the ceiling with Spider Man indefinitely, you don’t have to worry about draining your batteries while keeping an electromagnet engaged.

Overall, an interesting robot. Most wall-climbing robots we’ve seen are pretty lightweight. We don’t see nearly as many that can have the feeling of clinging to the ceiling.

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A Binaural Microphone For The Great Outdoors

A binaural recording is designed to mimic as closely as possible the experience of listening through human ears, and thus binaural microphones are often shaped like the human head with the microphone cartridges placed where the ears would be. That’s not the only way to make a binaural microphone though, and the Crown Stereo Ambient Sampling System, or SASS, did the same thing with a pair of pressure zone microphones for outdoor recordings. [Filip Mulier] doesn’t have one of the originals, but he’s done his best to make a SASS-like microphone of his own.

The attractive thing about this design is its simplicity, making use of foam sheets for the main body, with packing board as a rain deflector and a couple of layers of non-woven cloth as a wind filter. Perhaps best of all though are the recordings, in which we hear ambient recording at its finest. Listen with headphones, we suggest the dawn chorus.

If binaural recording and stereo interests you, we’ve taken a closer look in the past.

BBC Micro:Bit As Handheld Synthesizer

The BBC Micro:bit, while not quite as popular in our community as other microcontroller development boards, has a few quirks that can make it a much more interesting piece of hardware to build a project around than an Arduino. [Turi] took note of these unique features and decided that it was the perfect platform to build a synthesizer on.

The Micro:bit includes two important elements that make this project work: the LED matrix and a gyro sensor. [Turi] built a 5×5 button matrix for inputs and paired each to one of the diodes, which eliminates the problem of false inputs. The gyro sensor is used for detuning, which varies the pitch of any generated sound by a set amount according to the orientation of the device. It also includes a passive low-pass filter to make the sound more pleasant to the ear, especially for younger players of the machine. He’s released the source code on his GitHub page for anyone interested in recreating it.

While this was a one-off project for [Turi], he notes that using MicroPython to program it instead of C led to a lot of unnecessary complications, and the greater control allowed by C would enable some extra features with less hassle. Still, it’s a fun project that really showcases the unique features of this board, much like this tiny Sumo robot we covered over the summer.

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Printed Film Camera Gets 10 Seconds Out Of A 35mm Roll

When the British budget electronics brand Amstrad released their first budget VHS camcorder in the mid 1980s, they advertised it as making a filmmaker out of everyone. Now everyone truly is a filmmaker of sorts with their always-handy mobile phones, even though possessing a camera does not give you the talent of Steven Spielberg.

Such easy access to video hasn’t dimmed the allure of old-style film though, and there is a band of enthusiasts who seek out the older medium. [Joshua Bird] is one, and he’s produced a rather special 3D printed camera that can capture short videos on a standard roll of 35mm camera film. The downside is that, at the going rate, filming your masterpiece comes out to approximately $600 USD for each 10 minutes of footage. Better keep that dense exposition to a minimum.

The two most important mechanisms in a movie camera are the shutter and the film advance. The first is a disc that spins once a frame with an arc-shaped aperture over a section of it to let the light through, while the second is a hook that engages with the film once a frame after the shutter aperture has passed, to advance it to the next frame. Designing these to work in printed form is no easy task, and [Joshua] takes the reader through the various twists and turns in their development. Beyond that he takes a novel approach to a through-the-lens viewfinder, eschewing a split prism for an angled mirror on the shutter disk.

With each frame taking a fraction of the 35mm frame it’s clear from the video below that this doesn’t deliver the highest quality image. But that’s not the point of a device like this, above all it’s a working movie camera that he made himself. Since some of us have interests in that direction, dare we say we’re envious? Meanwhile, this isn’t the first 3D printed movie camera we’ve brought you.

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Citizen-Driven Network Monitors Public Service Radio For Natural Disaster Alerts

Time is of the essence in almost every emergency situation, especially when it comes to wildfires. A wind-driven fire can roar across a fuel-rich landscape like a freight train, except one that can turn on a dime or jump a mile-wide gap in a matter of seconds. Usually, the only realistic defense against fires like these is to get the hell out of their way as soon as possible and make room for the professionals to do what they can to stop the flames.

Unfortunately, most people living in areas under threat of wildfires and other natural disasters are often operating in an information vacuum. Official channels take time to distribute evacuation orders, and when seconds count, such delays can cost lives. That’s the hole that Watch Duty seeks to fill.

Watch Duty is a non-profit wildfire alerting, mapping, and tracking service that provides near-real-time information to those living in wildfire country. Their intelligence is generated by a network of experienced fire reporters, who live in wildfire-prone areas and monitor public service radio transmissions and other sources to get a picture of what’s going on in their specific area. When the data indicate an incident is occurring, maps are updated and alerts go out via a smartphone app. Reporters have to abide by a strict code of conduct designed to ensure the privacy of citizens and the safety of first responders.

While Watch Duty’s network covers a substantial area of California — the only state covered so far — there were still a significant number of dead zones, mostly in the more remote areas of the Sierra Nevada Mountains and in the northern coastal regions. To fill these gaps, Watch Duty recently launched Watch Duty Echo, which consists of a network of remote listening posts.

Each station is packed with RTL-SDR receivers that cover a huge swath of spectrum used by the local fire, law enforcement, EMS agencies — any organization likely to be called to respond to an incident. In addition, each station has an SDR dedicated to monitoring ADS-B transponders and air band frequencies, to get a heads-up on incidents requiring aerial support. The listening posts have wideband discone antennas and a dedicated 1090-MHz ADS-B antenna, with either a cellular modem or a Starlink terminal to tie into the Watch Duty network.

Hats off to the folks at Watch Duty for putting considerable effort into a system like this and operating it for the public benefit. Those who choose to live close to nature do so at their own risk, of course, but a citizen-driven network that leverages technology can make that risk just a little more manageable.

DIY Square Guitar Is Anything But

One of the greatest things about this place is how y’all constantly feed off of each other. And while this isn’t exactly an example of that, it’s pretty darn close — we feature a square guitar build one day, and get a tip about another way different and perhaps more functional one the next.

[Craig Lindley] had no idea of his luthier powers until an email from StewMac inspired him to build his own guitar. Rather than strip a perfectly good axe or two for all the parts, he bought the hardware and a pre-made neck, and built the body himself. The Bo Diddley-inspired boxy body is an ice cream sandwich of sapele, inlaid with white ash around the perimeter which is quite the classy look. Speaking of looks, [Craig] worried that all-gold hardware would be too flashy, but we think it looks great.

Not hard-mode enough for you? Well, here’s a guitar made from scratch, (more or less). If you’d rather have more of a teaching guitar, behold this LED-laden axe.