When Hacking And Biosensing Collide

December 24, 2021 by Elliot Williams 2 Comments

[Prof. Edwin Hwu] of the Technical University of Denmark wrote in with a call for contributions to special edition of the open-access scientific journal Biosensors. Along the way, he linked in videos from three talks that he’s given on hacking consumer electronics gear for biosensing and nano-scale printing. Many of them focus on clever uses of the read-write head from a Blu-ray disc unit (but that’s not all!) and there are many good hacks here.

For instance, this video on using the optical pickup for the optics in an atomic force microscope (AFM) is bonkers. An AFM resolves features on the sub-micrometer level by putting a very sharp, very tiny probe on the end of a vibrating arm and scanning it over the surface in question. Deflections in the arm are measured by reflecting light off of it and measuring their variation, and that’s exactly what these optical pickups are designed to do. In addition to phenomenal resolution, [Dr. Hwu’s] AFM can be made on a shoestring budget!

Speaking of AFMs, check out his version that’s based on simple piezo discs in this video, but don’t neglect the rest of the hacks either. This one is a talk aimed at introducing scientists to consumer electronics hacking, so you’ll absolutely find yourself nodding your heads during the first few minutes. But then he documents turning a DVD player into a micro-strobe for high speed microfluidics microscopy using a wireless “spy camera” pen. And finally, [Dr. Hwu’s] lab has also done some really interesting work into nano-scale 3D printing, documented in this video, again using the humble Blu-ray drive, both for exposing the photopolymer and for spin-coating the disc with medium. Very clever!

If you’re doing any biosensing science hacking, be sure to let [Dr. Hwu] know. Or just tear into that Blu-ray drive that’s collecting dust in your closet.

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Hackaday Podcast 147: Animating Traces, Sucking And Climbing, Spinning Sails, And Squashing Images

December 3, 2021 by Mike Szczys 2 Comments

Hackaday editors Mike Szczys and Elliot Williams get caught up on the week that was. You probably know a ton of people who have a solar array at their home, but how many do you know that have built their own hydroelectric generation on property? Retrocomputing software gurus take note, there’s an impressive cross-compiler in town that can spit out working binaries for everything from C64 to Game Boy to ZX Spectrum. Tom took a hard look at the Prusa XL, and Matthew takes us back to school on what UEFI is all about.

Take a look at the links below if you want to follow along, and as always, tell us what you think about this episode in the comments!

Direct download (55 MB)

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Teardown: Sling Adapter

September 29, 2021 by Tom Nardi 27 Comments

The consumer electronics space is always in a state of flux, but perhaps nowhere is this more evident than with entertainment equipment. In the span of just a few decades we went from grainy VHS tapes on 24″ CRTs to 4K Blu-rays on 70″ LED panels, only to end up spending most of our viewing time watching streaming content on our smartphones. There’s no sign of things slowing down, either. In fact they’re arguably speeding up. Sure that 4K TV you bought a couple years back might have HDR, but does it have HDMI 2.1 and Dolby Vision?

So it’s little surprise that eBay is littered with outdated A/V gadgets that can be had for a pennies on the dollar. Take for example the SB700-100 Sling Adapter we’re looking at today. This device retailed for $99 when it was released in 2010, and enabled Dish Network users to stream content saved on their DVR to a smartphone or tablet. Being able to watch full TV shows and movies on a mobile device over the Internet was a neat trick back then, before Netflix had even started rolling out their Android application. But today it’s about as useful as an HD-DVD drive, which is why you can pick one up for as little as $5.

Of course, that’s only a deal if you can actually do something with the device. Contemporary reviews seemed pretty cagey about how the thing actually worked, explaining simply that plugging it into your Dish DVR imbued the set-top box with hitherto unheard of capabilities. They assured the reader that the performance was excellent, and that it would be $99 well spent should they decide to dive headfirst into this brave new world where your favorite TV shows and movies could finally be enjoyed in the bathroom.

Now, more than a decade after its release, we’ll crack open the SB700-100 Sling Adapter and see if we can’t figure out how this unusual piece of tech actually worked. Its days of slinging the latest episode of The Office may be over, but maybe this old dog can still learn a few new tricks.

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Gopher, The Competing Standard To WWW In The ’90s Is Still Worth Checking Out

September 28, 2021 by Chris Wilkinson 78 Comments

The 30^th anniversary of the World Wide Web passed earlier this year. Naturally, this milestone was met with truckloads of nerdy fanfare and pining for those simpler times. In three decades, the Web has evolved from a promising niche experiment to being an irreplaceable component of global discourse. For all its many faults, the Web has become all but essential for billions around the world, and isn’t going anywhere soon.

As the mainstream media lauded the immense success for the Web, another Internet information system also celebrated thirty years – Gopher. A forgotten heavyweight of the early Internet, the popularity of Gopher plummeted during the late 90s, and nearly disappeared entirely. Thankfully, like its plucky namesake, Gopher continued to tunnel across the Internet well into the 21^st century, supported by a passionate community and with an increasing number of servers coming online.

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History Of Closed Captions: Entering The Digital Era

May 27, 2021 by Chris Lott 42 Comments

When you want to read what is being said on a television program, movie, or video you turn on the captions. Looking under the hood to see how this text is delivered is a fascinating story that stared with a technology called Closed Captions, and extended into another called Subtitles (which is arguably the older technology).

I covered the difference between the two, and their backstory, in my previous article on the analog era of closed captions. Today I want to jump into another fascinating chapter of the story: what happened to closed captions as the digital age took over? From peculiar implementations on disc media to esoteric decoding hardware and a baffling quirk of HDMI, it’s a fantastic story.

There were some great questions in the comments section from last time, hopefully I have answered most of these here. Let’s start with some of the off-label uses of closed captioning and Vertical Blanking Interval (VBI) data.

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History Of Closed Captions: The Analog Era

April 14, 2021 by Chris Lott 46 Comments

Closed captioning on television and subtitles on DVD, Blu-ray, and streaming media are taken for granted today. But it wasn’t always so. In fact, it was quite a struggle for captioning to become commonplace. Back in the early 2000s, I unexpectedly found myself involved in a variety of closed captioning projects, both designing hardware and consulting with engineering teams at various consumer electronics manufacturers. I may have been the last engineer working with analog captioning as everyone else moved on to digital.

But before digging in, there is a lot of confusing and imprecise language floating around on this topic. Let’s establish some definitions. I often use the word captioning which encompasses both closed captions and subtitles:

Closed Captions: Transmitted in a non-visible manner as textual data. Usually they can be enabled or disabled by the user. In the NTSC system, it’s often referred to as Line 21, since it was transmitted on video line number 21 in the Vertical Blanking Interval (VBI).

Subtitles: Rendered in a graphical format and overlaid onto the video / film. Usually they cannot be turned off. Also called open or hard captions.

The text contained in captions generally falls into one of three categories. Pure dialogue (nothing more) is often the style of captioning you see in subtitles on a DVD or Blu-ray. Ordinary captioning includes the dialogue, but with the addition of occasional cues for music or a non-visible event (a doorbell ringing, for example). Finally, “Subtitles for the Deaf or Hard-of-hearing” (SDH) is a more verbose style that adds even more descriptive information about the program, including the speaker’s name, off-camera events, etc.

Roughly speaking, closed captions are targeting the deaf and hard of hearing audience. Subtitles are targeting an audience who can hear the program but want to view the dialogue for some reason, like understanding a foreign movie or learning a new language.

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AI Upscaling And The Future Of Content Delivery

April 5, 2021 by Tom Nardi 29 Comments

The rumor mill has recently been buzzing about Nintendo’s plans to introduce a new version of their extremely popular Switch console in time for the holidays. A faster CPU, more RAM, and an improved OLED display are all pretty much a given, as you’d expect for a mid-generation refresh. Those upgraded specifications will almost certainly come with an inflated price tag as well, but given the incredible demand for the current Switch, a $50 or even $100 bump is unlikely to dissuade many prospective buyers.

But according to a report from Bloomberg, the new Switch might have a bit more going on under the hood than you’d expect from the technologically conservative Nintendo. Their sources claim the new system will utilize an NVIDIA chipset capable of Deep Learning Super Sampling (DLSS), a feature which is currently only available on high-end GeForce RTX 20 and GeForce RTX 30 series GPUs. The technology, which has already been employed by several notable PC games over the last few years, uses machine learning to upscale rendered images in real-time. So rather than tasking the GPU with producing a native 4K image, the engine can render the game at a lower resolution and have DLSS make up the difference.

The implications of this technology, especially on computationally limited devices, is immense. For the Switch, which doubles as a battery powered handheld when removed from its dock, the use of DLSS could allow it to produce visuals similar to the far larger and more expensive Xbox and PlayStation systems it’s in competition with. If Nintendo and NVIDIA can prove DLSS to be viable on something as small as the Switch, we’ll likely see the technology come to future smartphones and tablets to make up for their relatively limited GPUs.

But why stop there? If artificial intelligence systems like DLSS can scale up a video game, it stands to reason the same techniques could be applied to other forms of content. Rather than saturating your Internet connection with a 16K video stream, will TVs of the future simply make the best of what they have using a machine learning algorithm trained on popular shows and movies?

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