Laser Art Inspired By The Ford Motor Company

Have you ever heard of Fordite? It was a man-made agate-like stone that originated from the Ford auto factories in the 1920s. Multiple layers of paint would build up as cars were painted different colors, and when it was thick enough, workers would cut it, polish it, and use it in jewelry. [SheltonMaker] uses a similar technique to create artwork using a laser engraver and shares how it works by showing off a replica of [Van Gogh’s] “Starry Night.”

A piece of Fordite on a pendant

The technique does have some random variation, so the result isn’t a perfect copy but, hey, it is art, after all. While true Fordite has random color layers, this technique uses specific colors layered from the lightest to the darkest. Each layer of paint is applied to a canvas. Only after all the layers are in place does the canvas go under the laser.

The first few layers of paint are white and serve as a backer. Each subsequent layer is darker until the final black layer. The idea is that the laser will cut at different depths depending on the desired lightness. A program called ImagR prepared the image as a negative image. Adjustments to the brightness, contrast, and gamma will impact the final result.

Of course, getting the exact power settings is tricky. The best result was to start at a relatively low power and then make more passes at an even lower power until things looked right. In between, compressed air cleared the print, although you have to be careful not to move the piece, of course.

There are pictures of each pass, and the final product looks great. If art’s not your thing, you can also do chip logos. While the laser used in this project is a 40-watt unit, we’ve noted before that wattage isn’t everything. You could do this—probably slower—with a lower-powered engraver.

Fordite image By [Rhonda]  CC BY-SA 2.0.

A rough cut piece of wood sits on a workbench. A light and a tumbleweed are mounted on top so that the light shines through the tumbleweed. A woman in a ball cap and white tank top is crouched in the background smiling.

Cisco Ball Is The Tumbleweed Opposite Of A Disco Ball

Inspiration can strike a maker at any moment. For [Laura Kampf], it happened in the desert when she saw a tumbleweed.

Tumbleweeds roll through the western United States, hitting cars on the interstate and providing some background motion for westerns. [Kampf] found the plant’s intricate, prickly structure mesmerizing, and decided to turn it into a piece of contemplative kinetic art.

[Kampf] attached the tumbleweed to a piece of wood using epoxy and mounted it to what appears to be a worm drive motor nestled inside an interestingly-shaped piece of wood. As the tumbleweed turns, a light shines through it to project a changing shadow on the wall to “create silence, it creates calmness, it takes away from the noise that surrounds it.” While [Kampf] has some work to do to get the sculpture to its finished state, we can get behind her mantra, “The most important thing about the phase of execution is to get started.”

Are you looking for some projects of your own to help you find calm? How about some ambient lighting, a sand drawing table, or a music player that keeps things simple?

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Pixel Art And The Myth Of The CRT Effect

The ‘CRT Effect’ myth says that the reason why pixel art of old games looked so much better is due to the smoothing and blending effects of cathode-ray tube (CRT) displays, which were everywhere until the early 2000s. In fits of mistaken nostalgia this has led both to modern-day extreme cubism pixel art and video game ‘CRT’ filters that respectively fail to approach what pixel art was about, or why old games looked the way they did back with our NES and SNES game consoles. This is a point which [Carl Svensson] vehemently argues from a position of experience, and one which is likely shared by quite a few of our readers.

Although there is some possible color bleed and other artefacts with CRTs due to the shadow mask (or Sony’s Trinitron aperture grille), there was no extreme separation between pixels or massive bleed-over into nearby pixels to create some built-in anti-aliasing as is often claimed unless you were using a very old/cheap or dying CRT TV. Where such effects did happen was mostly in the signal being fed into the CRT, which ranged from the horrid (RF, composite) to the not-so-terrible (S-Video, component) to the sublime (SCART RGB), with RGB video (SCART or VGA) especially busting the CRT effect myth.

Where the pixel art of yester-year shines is in its careful use of dithering and anti-aliasing to work around limited color palettes and other hardware limitations. Although back in the Atari 2600 days this led to the extreme cubism which we’re seeing again in modern ‘retro pixel art’ games, yesterday’s artists worked with the hardware limitations to create stunning works of arts, which looked great on high-end CRTs connected via RGB and decent via composite on the kids’ second-hand 14″ color set with misaligned electron guns.

AI Image Generator Twists In Response To MIDI Dials, In Real-time

MIDI isn’t just about music, as [Johannes Stelzer] shows by using dials to adjust AI-generated imagery in real-time. The results are wild, with an interactivity to them that we don’t normally see in such things.

[Johannes] uses Stable Diffusion‘s SDXL Turbo to create a baseline image of “photo of a red brick house, blue sky”. The hardware dials act as manual controls for applying different embeddings to this baseline, such as “coral”, “moss”, “fire”, “ice”, “sand”, “rusty steel” and “cookie”.

By adjusting the dials, those embeddings are applied to the base image in varying strengths. The results are generated on the fly and are pretty neat to see, especially since there is no appreciable amount of processing time required.

The MIDI controller is integrated with the help of lunar_tools, a software toolkit on GitHub to facilitate creating interactive exhibits. As for the image end of things, we’ve previously covered how AI image generators work.

A Demo Party On A Chip

The demoscene has provided our community with its artistic outlet since the first computers which could handle graphics, and has stayed at the forefront of technology all the way. For all that though, there’s a frontier it hasn’t yet entirely conquered, which exists in the realm of silicon. To address this cones the ever awesome Tiny Tapeout, who are bringing their ASIC-for-the-masses scheme to the world of demos with an ASIC demo competition.

With a closing date of 6th of September, all accepted entrants get a free Tiny Tapeout tile for their entry. Entries are limited to two tiles or less. with VGA and audio outputs via a specified PMOD pinout. There are a variety of categories including the expected best sound and best graphics, but among them we’re most interested by the mixed signal one that includes analogue circuitry.

Tiny Tapeout has been a particularly exciting project over the last couple of years, truly breaking new ground for the hardware hacker world. Since they’ve just recently been able to start doing some analog design on the chips, we’re excited to see what people come up with for this competition, and we hope it will provide significant advancement to the art. In the best tradition of the demo scene, they’ve even made an intro for the competition, which you can see below the break.

Want to know what all the fuss is about? Start here!

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French acrobatic artist [Bastien Dausse] flies around on an impressive anti-gravity device he created.

Low-Gravity Playground Looks Highly Entertaining (and Useful)

With US astronauts scheduled to return to the Moon in 2026, it might be nice for them to really and truly know ahead of time what the gravity situation is going to be like. At 1/6th Earth’s gravity, the difference can be difficult to simulate.

But not anymore. French acrobatic artist [Bastien Dausse] has created a contraption that does exactly that. [Dausse] straps himself in, and is instantly able to slowly sproing about, up and down and all around in semi-slow motion, using this device which is calibrated to the Moon’s gravity. [Dausse]’s troupe’s performances center on the idea of gravity and of subverting it.

In order to achieve this effect, the swooping sculpture uses a pair of large counterweights. Check out the video below to see how they too become part of the action during a captivating duet performance. Although not attached, part of the device is a disk on which it smoothly moves around. It looks really fun, and more than a little bit dangerous. But mostly fun.

Did you know that Da Vinci created several experiments dedicated to determining the properties of gravity?

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George Washington Gets Cleaned Up With A Laser

Now, we wouldn’t necessarily call ourselves connoisseurs of fine art here at Hackaday. But we do enjoy watching [Julian Baumgartner]’s YouTube channel, where he documents the projects that he takes on as a professional conservator. Folks send in their dirty or damaged paintings, [Julian] works his magic, and the end result often looks like a completely different piece. Spoilers: if you’ve ever looked at an old painting and wondered why the artist made it so dark and dreary — it probably just needs to be cleaned.

Anyway, in his most recent video, [Julian] pulled out a piece of gear that we didn’t expect to see unleashed against a painting of one of America’s Founding Fathers: a Er:YAG laser. Even better, instead of some fancy-pants fine art restoration laser, he apparently picked up second hand unit designed for cosmetic applications. The model appears to be a Laserscope Venus from the early 2000s, which goes for about $5K these days.

Now, to explain why he raided an esthetician’s closet to fix up this particular painting, we’ve got to rewind a bit. As we’ve learned from [Julian]’s previous videos, the problem with an old dirty painting is rarely the paining itself, it’s the varnish that has been applied to it. These varnishes, especially older ones, have a tendency to yellow and crack with age. Now stack a few decades worth of smoke and dirt on top of it, and you’ve all but completely obscured the original painting underneath. But there’s good news — if you know what you’re doing, you can remove the varnish without damaging the painting itself.

In most cases, this can be done with various solvents that [Julian] mixes up after testing them out on some inconspicuous corner of the painting. But in this particular case, the varnish wasn’t reacting well to anything in his inventory. Even his weakest solvents were going right through it and damaging the paint underneath.

Because of this, [Julian] had to break out the big guns. After experimenting with the power level and pulse duration of the 2940 nm laser, he found the settings necessary to break down the varnish while stopping short of cooking the paint it was covering. After hitting it with a few pulses, he could then come in with a cotton swab and wipe the residue away. It was still slow going, but it turns out most things are in the art conservation world.

This isn’t the first time we’ve covered [Julian]’s resourceful conservation methods. Back in 2019, we took at look the surprisingly in-depth video he created about the design and construction of his custom heat table for flattening out large canvases.

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