Designing The Atom Smasher Guitar Pedal

[Alex Lynham] has been creating digital guitar pedals for a while and after releasing the Atom Smasher, a glitchy lo-fi digital delay pedal, he had people start asking him how he designed digital effects pedals rather than analog effects. In fact, he had enough interest, that he wrote an article on it.

The article starts with some background on [Alex], the pedals he’s built and why he chose not to work on pedals full-time. Eventually, the article gets to the how [Alex] designed the Atom Smasher. He starts by describing the chip he used, the same one that many hobbyists, as well as commercial builders, use for delay based effects – the SpinSemi FV-1.

The FV-1 is a SMD chip used for digital delays and other effects that require a delay line – reverbs, choruses, flangers, etc. It’s programmed with an assembly-style language called SpinASM. [Alex] goes over some of the tools and references he used when designing for the pedal. He also has a list of tips for would-be effect pedal designers which work whether you’re designing digital or analogue effects.

[Alex] ends his article saying that, in the future, he might make the schematic and code available, but for the moment he’s not. The FV-1 is an interesting chip, and [Alex]’s article gives a nice high-level look at its features and how to develop for it. For some interesting guitar pedal related articles, check out this one using effects pedals to get better audio in your car, and here’s one about playing with DSP and designing a pedal with it.

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Robotic Glockenspiel And Hacked HDD’s Make Music

[bd594] likes to make strange objects. This time it’s a robotic glockenspiel and hacked HDD‘s. [bd594] is no stranger to Hackaday either, as we have featured many of his past projects before including the useless candle or recreating the song Funky town from Old Junk.

His latest project is quite exciting. He has incorporated his robotic glockenspiel with a hacked hard drive rhythm section to play audio controlled via a PIC 16F84A microcontroller. The song choice is Axel-F. If you had a cell phone around the early 2000’s you were almost guaranteed to have used this song as a ringtone at some point or another. This is where music is headed these days anyway; the sooner we can replace the likes of Justin Bieber with a robot the better. Or maybe we already have?

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Custom Media Center Maintains Look Of 70s Audio Components

Slotting a modern media center into an old stereo usually means adding Bluetooth and a Raspberry Pi to an amp or receiver, and maybe adding a few discrete connectors on the back panel. But this media center for a late-70s Braun hi-fi (translated) goes many steps beyond that — it fabricates a component that never existed.

The article is in German, and the Google translation is a little spotty, but it’s pretty clear what [Sebastian Schwarzmeier] is going for here. The Braun Studio Line of audio components was pretty sleek, and to avoid disturbing the lines of his stack, he decided to create a completely new component and dub it the “M301.”

The gutted chassis of an existing but defunct A301 amplifier became the new home for a Mac Mini, Blu-Ray drive, and external hard drive. An HDMI port added to the back panel blends in with the original connectors seamlessly. But the breathtaking bit is a custom replacement hood that looks like what the Braun designers would have come up with if “media center” had been a term in the 70s.

From the brushed aluminum finish, to the controls, to the logo and lettering, everything about the component that never was shows an attention to detail that really impresses. But if you prefer racks of servers to racks of audio gear, this media center built into a server chassis is sure to please too.

Thanks to [Sascho] and [NoApple4Me] for the nearly simultaneous tips on this one.

Cerebrum: Mobile Passwords Lifted Acoustically With NASB

 

There are innumerable password hacking methods but recent advances in acoustic and accelerometer sensing have opened up the door to side-channel attacks, where passwords or other sensitive data can be extracted from the acoustic properties of the electronics and human interface to the device. A recent and dramatic example includes the hacking of RSA encryption  simply by listening to the frequencies of sound a processor puts out when crunching the numbers.

Now there is a new long-distance hack on the scene. The Cerebrum system represents a recent innovation in side-channel password attacks leveraging acoustic signatures of mobile and other electronic devices to extract password data at stand-off distances.

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Friday Hack Chat: Audio Amplifier Design

Join [Jørgen Kragh Jakobsen], Analog/digital Design Engineer at Merus-Audio, for this week’s Hack Chat.

Every week, we find a few interesting people making the things that make the things that make all the things, sit them down in front of a computer, and get them to spill the beans on how modern manufacturing and technology actually happens. This is the Hack Chat, and it’s happening this Friday, March 31, at noon PDT (20:00 UTC).

Jørgen’s company has developed a line of multi level Class D amplifiers that focus on power reduction to save battery life in mobile application without losing audio quality.

There are a lot of tricks to bring down power consumption, some on core technologies on transistor switching, others based on input level where modulation type and frequency is dynamically changed to fit everything from background audio level to party mode.

Here’s How To Take Part:

join-hack-chatOur Hack Chats are live community events on the Hackaday.io Hack Chat group messaging.

Log into Hackaday.io, visit that page, and look for the ‘Join this Project’ Button. Once you’re part of the project, the button will change to ‘Team Messaging’, which takes you directly to the Hack Chat.

You don’t have to wait until Friday; join whenever you want and you can see what the community is talking about.

Upcoming Hack Chats

We’ve got a lot on the table when it comes to our Hack Chats. On April 7th, our host will be [Samy Kamkar], hacker extraordinaire, to talk reverse engineering.

[Joe Grand’s] Toothbrush Plays Music That Doesn’t Suck

It’s not too exciting that [Joe Grand] has a toothbrush that plays music inside your head. That’s actually a trick that the manufacturer pulled off. It’s that [Joe] gave his toothbrush an SD card slot for music that doesn’t suck.

The victim donor hardware for this project is a toothbrush meant for kids called Tooth Tunes. They’ve been around for years, but unless you’re a kid (or a parent of one) you’ve never heard of them. That’s because they generally play the saccharine sounds of Hannah Montana and the Jonas Brothers which make adults choose cavities over dental health. However, we’re inclined to brush the enamel right off of our teeth if we can listen to The Amp Hour, Embedded FM, or the Spark Gap while doing so. Yes, we’re advocating for a bone-conducting, podcasting toothbrush.

[Joe’s] hack starts by cracking open the neck of the brush to cut the wires going to a transducer behind the brushes (his first attempt is ugly but the final process is clean and minimal). This allows him to pull out the guts from the sealed battery compartment in the handle. In true [Grand] fashion he rolled a replacement PCB that fits in the original footprint, adding an SD card and replacing the original microcontroller with an ATtiny85. He goes the extra mile of making this hack a polished work by also designing in an On/Off controller (MAX16054) which delivers the tiny standby current needed to prevent the batteries from going flat in the medicine cabinet.

Check out his video showcasing the hack below. You don’t get an audio demo because you have to press the thing against the bones in your skull to hear it. The OEM meant for this to press against your teeth, but now we want to play with them for our own hacks. Baseball cap headphones via bone conduction? Maybe.

Update: [Joe] wrote in to tell us he published a demonstration of the audio. It uses a metal box as a sounding chamber in place of the bones in our head.

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The Hard Way Of Cassette Tape Auto-Reverse

The audio cassette is an audio format that presented a variety of engineering challenges during its tenure. One of the biggest at the time was that listeners had to physically remove the cassette and flip it over to listen to the full recording. Over the years, manufacturers developed a variety of “auto-reverse” systems that allowed a cassette deck to play a full tape without user intervention. This video covers how Akai did it – the hard way.

Towards the end of the cassette era, most manufacturers had decided on a relatively simple system of having the head assembly rotate while reversing the motor direction. Many years prior to this, however, Akai’s system involved a shuttle which carried the tape up to a rotating arm that flipped the cassette, before shuttling it back down and reinserting it into the deck.

Even a regular cassette player has an astounding level of complexity using simple electromechanical components — the humble cassette precedes the widespread introduction of integrated circuits, so things were done with motors, cams, levers, and switches instead. This device takes it to another level, and [Techmoan] does a great job of showing it in close-up detail. This is certainly a formidable design from an era that’s beginning to fade into history.

The video (found after the break) also does a great job of showing glimpses of other creative auto-reverse solutions — including one from Phillips that appears to rely on bouncing tapes through something vaguely resembling a playground slide. We’d love to see that one in action, too.

One thing you should never do with a cassette deck like this is use it with a cassette audio adapter like this one.

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