The Ubiquitous Atari Punk Console

September 17, 2015 by Nava Whiteford 11 Comments

The Atari Punk Console (APC) is a dual 555 (or single 556) based synth. Designed by the famous (and somewhat infamous) Forrest Mims in 1980 and originally simply named “Sound Synthesizer”, the circuit gained it’s more recent popularity when re-dubbed the “Atari Punk Console” by Kaustic Machines. The circuit however doesn’t bear much relation to the Atari 2600 which didn’t contain a 555 timer chip. However we assume the 2600 produced a similarly glitchy square wave audio output.

The circuits operation is easy to grasp and uses only 9 components. This ease of design and construction has allowed builders to focus more on the aesthetics of its construction, hacking it into interesting, and often unlikely enclosures and systems. One such hack is the “Atari Punk Bucket” (shown here) where the APC along with a simple amp was hacked into an old rusted bucket. The APC was built up on strip-board along with a simple amp and reclaimed speakers. [Farmer glitch] has used this as a prop in live sets and it both looks and sounds awesome. Continue reading “The Ubiquitous Atari Punk Console” →

Make A Microphone Out Of A Hard Drive

July 27, 2015 by Theodora Fabio 6 Comments

[Rulof Maker] has a penchant for making nifty projects out of old electronics. The one that has caught our eye is a microphone made from parts of an old hard drive. The drive’s arm and magnet were set aside while the aluminum base was diagonally cut into two pieces. One piece was later used to reassemble the hard drive’s magnet and arm onto a wooden platform.

The drive’s arm and voice coil actuator are the key parts of this project. It was modified with a metal extension so that a paper cone cut from an audio speaker could be attached, an idea used in microphone projects we’ve previously featured. Copper wire scavenged from the speaker was then soldered to voice coil on the arm as well as an audio jack. In the first version of the Hard Drive Microphone, the arm is held upright with a pair of springs and vibrates when the cone catches sound.

While the microphone worked, [Rulof] saw room for improvement. In the second version, he replaced the mechanical springs with magnets to keep the arm aloft. One pair was glued to the sides of the base, while another pair recovered from an old optical drive was affixed to the arm. He fabricated a larger paper cone and added a pop filter made out of pantyhose for good measure. The higher sound quality is definitely noticeable. If you are interested in more of [Rulof’s] projects, check out his YouTube channel.

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Update: Battlezone On Vector Display Step-by-Step

June 13, 2015 by Mike Szczys 3 Comments

When we ran the story of Battlezone played on tube displays earlier this week there were immediately questions about recreating the hack. At the time the software wasn’t available, and there is also a bit of hardware hacking necessary to get the audio working. You asked and [Eric] from Tubetime delivered. He’s posted a pair of articles that show how to get an STM32F4 Discovery board to play the classic game, along with instructions to build the firmware.

The hardware hack in this case is untangling the pinout used on the discovery board. It seems that one of the lines needed to get sound working for this hack is tied to one of the two DACs. If you read the original coverage you’ll remember that both of the DACs are used to drive X and Y on the vector display. The image above shows a cut trace on the bottom of the board. You’ll then need to route that signal to an alternate pin by soldering a jumper wire from the chip to a resistor on the board.

This (as well as one other alteration that bridges two of the chip pins) is a great example of work you should be unafraid to do on your own dev boards. We’ve had to do it with the Launchpad boards to get at the functionality we needed. We’d like to hear your own epic stories of abusing dev boards to do your bidding. Let us know in the comments.

ESP8266 As A Networked MP3 Decoder

June 6, 2015 by Elliot Williams 43 Comments

Support libraries, good application notes, and worked examples from a manufacturer can really help speed us on our way in making cool stuff with new parts. Espressif Systems has been doing a good job with their ESP8266 product (of course, it doesn’t hurt that the thing makes a sub-$5 IOT device a reality). Only recently, though, have they started publishing completed, complex application examples. This demo, a networked MP3 webradio player, just popped up in Github, written by the man better known to us as Sprite_tm. We can’t wait to see more.

The MP3 decoder itself is a port of the MAD MP3 library, adapted for smaller amounts of SRAM and ported to the ESP8266. With a couple external parts, you can make an internet-connected device that you can point to any Icecast MP3 stream, for instance, and it’ll decode and play the resulting audio.

What external parts, you ask? First is something to do the digital-to-analog conversion. The application, as written, is build for an ES9023 DAC, but basically anything that speaks I2S should be workable with only a little bit of datasheet-poking and head-scratching. Of course, you could get rid of the nice-sounding DAC chip and output 5-bit PWM directly from the ESP8266, but aside from being a nice quick demo, it’s going to sound like crap.

The other suggested external IC is an SPI RAM chip to allow for buffering of the incoming MP3 file. WiFi — and TCP networks in general — being what they are, you’re going to want to buffer the MP3 files to prevent glitching. As with the dedicated DAC, you could get away without it (and there are defines in the “playerconfig.h” file to do so) but you’ll probably regret it.

In sum, an ESP8266 chip, a cheap I2S DAC, and some external RAM and you’ve got a webradio player. OK, maybe we’d also add an amplifier chip, power supply, and a speaker. Hmmm…. and a display? Or leave it all configurable over WiFi? Point is, it’s a great worked code example, and a neat DIY device to show your friends.

The downsides? So far, only the mono version of the libMAD decoder / synth has been ported over to ESP8266. The github link is begging for a pull request, the unported code is just sitting there, and we think that someone should take up the task.

Other Resources

In our search for other code examples for the ESP8266, we stumbled on three repositories that appear to be official Espressif repositories on Github: espressif, EspressifSystems, and EspressifApp (for mobile apps that connect to the ESP8266). The official “Low Power Voltage Measurement” example looks like a great place to start, and it uses the current version of the SDK and toolchain.

There’s also an active forum, with their own community Github repository, with a few “Hello World” examples and a nice walkthrough of the toolchain.

And of course, we’ve reported on a few in the past. This application keeps track of battery levels, for instance. If you’ve got the time, have a look at all the posts tagged ESP8266 here on Hackaday.

You couldn’t possibly want more resources for getting started with your ESP8266 project. Oh wait, you want Arduino IDE support?

Thanks [Sprite_tm] for the tip.

Audio Algorithm Detects When Your Team Scores

April 24, 2015 by Ethan Zonca 20 Comments

[François] lives in Canada, and as you might expect, he loves hockey. Since his local team (the Habs) is in the playoffs, he decided to make an awesome setup for his living room that puts on a light show whenever his team scores a goal. This would be simple if there was a nice API to notify him whenever a goal is scored, but he couldn’t find anything of the sort. Instead, he designed a machine-learning algorithm that detects when his home team scores by listening to his TV’s audio feed.

[François] started off by listening to the audio of some recorded games. Whenever a goal is scored, the commentator yells out and the goal horn is sounded. This makes it pretty obvious to the listener that a goal has been scored, but detecting it with a computer is a bit harder. [François] also wanted to detect when his home team scored a goal, but not when the opposing team scored, making the problem even more complicated!

Since the commentator’s yell and the goal horn don’t sound exactly the same for each goal, [François] decided to write an algorithm that identifies and learns from patterns in the audio. If a home team goal is detected, he sends commands to some Phillips Hue bulbs that flash his team’s colors. His algorithm tries its best to avoid false positives when the opposing team scores, and in practice it successfully identified 75% of home team goals with 0 false positives—not bad! Be sure to check out the setup in action after the break.

Continue reading “Audio Algorithm Detects When Your Team Scores” →

Logic Noise: Sequencing In Silicon

April 24, 2015 by Elliot Williams 12 Comments

In this session of Logic Noise, we’ll combine a bunch of the modules we’ve made so far into an autonomous machine noise box. OK, at least we’ll start to sequence some of these sounds.

A sequencer is at the heart of any drum box and the centerpiece of any “serious” modular synthesizer. Why? Because you just can’t tweak all those knobs and play notes and dance around at the same time. Or at least we can’t. So you gotta automate. Previously we did it with switches. This time we do it with logic pulses.

Continue reading “Logic Noise: Sequencing In Silicon” →

DIY Bass Drum Microphone Uses Woofer Cone As Diaphragm

April 18, 2015 by Rich Bremer 17 Comments

Anyone into audio recording knows that recording drums is a serious pain. Mic setup and positioning can make or break a recording session. One particular hurdle is getting a great sound out of the bass drum. To overcome this, [Mike] has built a microphone using an 8″ woofer in an attempt to capture the low-end frequencies of his bass drum. Using a speaker as a microphone isn’t a new idea and these large diaphragm bass drum mics have taken commercial form as the DW Moon Mic and the now-discontinued Yamaha SubKick.

The project is actually quite simple. The speaker’s positive terminal is connected to Pin 2 of a 3-pin XLR microphone connector. The speaker’s negative terminal is connected to the connector’s Pin 1. [Mike] made a bracket to connect the woofer to a mic stand, which in turn was cut down to position the woofer at bass drum height. The setup is then plugged into a mixer or pre-amp just like any other regular microphone.

[Mike] has since made some changes to his mic configuration. It was putting out way too hot of a signal to the preamp so he added an attenuation circuit between the speaker and XLR connector. Next, he came across an old 10″ tom shell and decided to transplant his speaker-microphone from the open-air metal rack to the aesthetically pleasing drum shell. Check out [Mike’s] project page for some before and after audio samples.