The Small And Silly Synth Now Even Smaller (But Just As Silly)

What do you do when you’ve carved out a niche for yourself as a builder of small and useless synthesizers? Why, build an even smaller and less useful synthesizer, of course!

If you’ve been paying even a minimal amount of attention you’ll know right away that this comes to use from [mitxela], who while not playing with volumetric POV displays is often found building smaller and smaller synthesizers, including putting them in DIN plug shells. The current synth is based on his “Silly Synth,” which puts all the guts for the synth inside a USB connector. This time around, though, it’s USB-C, and rather than fitting everything inside the connector shell, the entire synth sits on a PCB that’s smaller than a tiny piezo speaker. The whole thing runs on a CH32V003 microcontroller, and aside from a few support components and the right-angle USB-C plug, not much else.

The PCB is what really shines in [mitxela]’s design, especially the routing. He’s got a 20-pin QFN chip on one side of the board and the USB plug right behind it on the other side to deal with, plus the big through-holes for the speaker and the physical connections on the plug. It’s quite a crowded design, but it gets the job done. What’s more, he panelized the design so that mass production is possible; the reason for this is revealed at the end of the video below.

Pretty much every time we see one of these “smallest synth” videos we’re convinced that we’re seeing the lower limit of what’s possible, but every time, [mitxela] goes ahead and proves us wrong. That’s fine, of course — we don’t mind being wrong about something like this.

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It’s A Microphone And A Spring Reverb All In One

We’re so used to reverb effects being simply another software plugin that it’s easy to forget the electromechanical roots of the effect. Decades ago, a reverb would have been a metal spring fed at one end with a speaker and attached at the other to a microphone. You may not see them often in the 2020s, which is probably why [Ham-made] has produced one. It’s not the type with a speaker providing the sound, though. Instead, this is a microphone in its own right with a built-in spring line.

Perhaps it’s not the best microphone possible, with a somewhat heavy diaphragm and 3D printed body. But the hand-wound spring transmits the sound down to a piezo disk which serves as the electrical element, and the whole thing screws together into quite the usable unit. There are a selection of sample MP3 files that provide an interesting set of effect-laden sounds, so if you fancy building one yourself, you can judge the results.

We think this may be the first reverb microphone we’ve seen, but we’re certainly no stranger to reverb projects. More common by far, though, are plate reverbs, in which the physical element in the system is a metal plate rather than a spring. We like it when the sound source is a Commodore 64.

Man playing custom zither made with a laser cutter.

Laser Cut Zither Instrument Kicks It Old World Style

Learning to play an instrument takes a certain level of dedication — and you can add another layer of dedication on top of that when it’s an instrument not found at your local Guitar Center. But it’s an entirely new level of dedication when someone crafts the instrument from scratch. If you’re looking for an example, check out this custom wooden zither [Nicolas Bras] built from laser cut parts.

The basic design of the instrument utilizes the sloted interlocking edges that are then glued together in lieu of traditional fasteners. Standard sized guitar tuning pegs and the accompanying steel guitar strings were then strung across two laser-cut bridges held in place by the string tension alone. The project began as way for [Nicolas] to learn the capabilities of his newly acquired laser cutter, but he himself is no amateur when it comes to constructing one-of-a-kind musical instruments. Just last year, he created a zither with bungee cords from the hardware store.

Zithers are German in origin, though some of the earliest zither-like instruments date back to 400 BCE China. The laser cut version [Nicolas] created had five strings to hammer on, though the type used in classical music arrangements typically contain upwards of thirty strings. The zither family of instruments may have given way to the electric guitars of today — it’s always neat to see new tech leveraged to embrace some old world charm.

For more on the art of DIY music production, check out this post on myriad of DIY musical instrument builds all played in concert.

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Pico Makes A So-So Keyboard Neat-O

When someone gives you a crappy little toy keyboard, what can you do? Sadly plunk on the thing one note at a time? Well yes, but that’s not going to get you on Hackaday. Do what [Turi] did and give that thing a complete overhaul.

[Turi] threw away the original controller board, keeping only the keys, buttons, case, speaker, and a little bit of the original powder yellow enclosure. The Picophonica’s new brain is, you guessed it, a Raspberry Pi Pico. This enables [Turi] to use [Ryo Ishigaki]’s pico_synth_ex synthesizer and introduce MIDI out via USB-C.

The new engine does things that little keyboard could never have dreamed of originally, especially considering it wasn’t even polyphonic. Those fourteen white buttons now control things like sustain, cutoff, LFO rate, decay, and so on. Now it sounds great!

Be sure to check out the brief build video after the break. Excluding drums, the soundtrack was made entirely on the Picophonica.

Of course, Picos aren’t just good for musical keyboards. Use one to convert an old proprietary keyboard to PS/2, or create your own.

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Robot Pianist Runs On Arduino Nano

The piano has been around for a long time now. Not long after its invention, humans started contemplating how they could avoid playing it by getting a machine to do the job instead. [vicenzobit] is the latest to take on this task, building a “Robot Pianista” that uses a simple mechanism to play a tune under electronic command (Spanish language, Google Translate link).

An Arduino Nano is the heart of the build, paired with a shield that lets it run a number of servo motors. The servos, one per key, are each assembled into a 3D-printed bracket with a cam-driven rod assembly. When the servo turns, the cam turns, and pushes down a rod that presses the piano key.

The build is limited in the sense that you can only play as many keys as you have servo channels, but nonetheless, it does the job. With eight servos, it’s able to play a decent rendition of Ode to Joy at a steady tempo, and that’s an excellent start.

We’ve featured some great mechanized instruments before, too. Video after the break.

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A Tube Guitar Amp For A Modest Budget

There’s a mystique among both audiophiles and musicians about vacuum technology, thus having a tube amp still carries a bit of a cachet. New ones can be bought for eye-watering prices and old ones can be had for the same price with the added frisson of unreliability. Happily it’s surprisingly straightforward to build your own, as [_electroidiot] shows us with a fairly inexpensive build.

The design is inspired by the guitar amps of the 1950s and 1960s so it’s not for audiophiles. The circuit is a pretty conventional single-ended one with a two stage double triode preamp and a single power output tube. The transformers are usually the difficult part of a build like this one, and here instead of resorting to using a mains transformer for audio they come from a defunct 1960s Phillips radio. We especially like the old-school construction technique with a folded aluminium chassis and liberal use of tag strips on which to build the circuits.

The result is something that would have been in no way out of place in the 1960s, and proves that tube circuitry isn’t beyond the constructor in 2023. If it’s whetted your appetite for more, we can help you there.

A Yamaha DX7 On A USB Dongle

The Yamaha DX7 was released in 1983, with its FM synthesis engine completely revolutionizing the electronic music world at the time. It didn’t come cheap, and still doesn’t today, but we are blessed with emulators that can give us the same sound on a budget. In that vein, [Kevin] decided to whip up a Yamaha DX7 you can carry around in a little USB dongle. 

The build centers around the use of a Raspberry Pi Zero, Zero W, or Zero 2W configured to run the MiniDEXED DX7 emulator. The Pi is then set up with a dongle adapter board that allows it to run in USB Gadget mode. The Zero line of Raspberry Pis are perfect for this use, as they draw less current and so can, under the right conditions, run off a computer’s USB port. The Pi receives MIDI commands over the USB interface, and outputs sound via a Pimoroni Audio Shim. Effectively, the result is a single-channel DX7 synth that plugs in via USB; or eight channels if you use the more powerful Zero 2W.

[Kevin] readily admits that there probably isn’t much use for a DX7 dongle, given that you could just load a DX7 emulator in your DAW of choice instead. Regardless, it’s a fun build, and one that ably demonstrates the USB Gadget mode of operation for the Raspberry Pi. Video after the break. Continue reading “A Yamaha DX7 On A USB Dongle”