Here’s a question for you all: how will you know when you are no longer young? When you fall out of love with contemporary popular music perhaps, or start to find the idea of a cruise holiday attractive? The surefire sign for many people is having to ask a teenager how a piece of technology works — this is probably not that applicable to most Hackaday readers.
How about when you’re shocked to encounter a significant part of your youth in a museum? These are supposed to be places of The Olden Days, full of rustic agricultural tools or Neolithic pottery, yet here you are in front of your teenage years presented for all to see. You have two choices: you can surrender to the inevitable and henceforth only wear beige clothing, take up golf or maybe book that old person’s cruise holiday, or you can dive in misty-eyed and reacquaint yourself with everything in front of you.
The above is probably an experience many regulars of these pages would share on a visit to Britain’s National Museum Of Computing in a corner of the famous Bletchley Park site, home of Britain’s wartime codebreaking efforts. They describe what they do on their web site as follows:
“We conserve, restore, reconstruct, and give hands-on access to historic computers and related artefacts – with a particular focus on those which were the result of pioneering British ingenuity.“
For the visitor this means that their galleries contain a huge array of computing and associated equipment, many of which are presented as working exhibits without too much of the dumbing-down that pervades so many other museums, and that the staff are extremely knowledgable about them.
The museum is housed in one of the groups of wartime codebreakers’ huts, laid out roughly in the shape of a capital H with the top of one vertical lopped off. If you are a connoisseur of British wartime sites you’ll recognise these buildings, they were built to a fairly standard design all over the country. Internally this means that the galleries are structured around the long corridors that are a staple of that era, giving in particular the earlier exhibits a feel of their time.
