Formula 1 TV Broadcasting In 1:87 Scale

[Gerrit Braun], co-founder of the [Miniatur Wunderland] model railway and miniature airport attraction in Hamburg, takes his model building seriously. For more than five years, he and his team have been meticulously planning, testing, and building a 1:87 scale of Formula 1’s Monaco Grand Prix. Models at the Wunderland are crafted to the Nth detail and all reasonable efforts, and some unreasonable ones, are taken to achieve true-to-life results. In the video down below, part of Gerrit’s diary of the project, he discusses the issues and solutions to simulating realistic television broadcasts (the video is in German, but it has English language subtitles).

The goal is to model the large billboard-sized monitor screens set up at viewing stands. In real life, these displays are fed with images coming in from cameras located all over the circuit, the majority of which are operated by a cameraman. The miniaturization of cameras has come a long way in recent years — the ESP32-CAM module or the Raspberry Pi cameras, for example. But miniaturizing the pan-and-tilt actions of a cameraman, while perhaps possible, would not be reliable over the long time (these exhibits at Wunderland are permanent and operate almost daily). Instead, the team is able to use software to extract a cropped window from high-resolution video, and moving the position of this cropped window simulates the pointing of the camera. More details are in the video.

The skill and creativity of [Gerrit] and his team is incredible. Other videos on this project cover topics like the sound system, PCB techniques used for the roads, and the eye-popping use of an electric standing desk to lift an entire city block so workers can gain access to the area. Fair warning — these are addictive, and the video below is #76 of an unfinished series. We wrote about Wunderland back in 2016 when [Gerrit] and his twin brother [Frank] teamed with Google Maps to make a street view of their replica cities. Thanks to [Conductiveinsulation] who sent us the tip, saying that the discussion about interconnected triangular PCB tiles on this week’s Podcast #122 reminded him of this for some reason. Have any of our readers visited Miniatur Wunderland before? Let us know in the comments below.

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VGA Library For The Raspberry Pi Pico

[Miroslav Nemecek] really pushes the limits of the Pico with his PicoVGA project, which packs a surprising number of features. His main goal with this library is to run retro games which can fit within the limited RAM and processing power of the Pico, but the demo video below shows a wide array of potential applications.

The library provides a whole slew of features, including frame buffering, sprites, overlays, and resolutions up to 1280×960 in either NTSC or PAL timings. A PWM-driven audio output channel is also included in the package. His library takes full advantage of the programmable I/O module functionality and uses the second core which is dedicated to video processing. However, with care, the second core can perform application tasks in certain circumstances. The VGA analog output signals are provided by resistor ladders, and pixel color is 8-bit R3G3B2 format. To be clear, [Miroslav] does cheat a little bit here in one regard — he overclocks the processor up to 270 MHz to meet the timing demands in some of the resolutions.

[Miroslav] has developed these tools using ARM-GCC on Windows, but he lacks the experience to make a Linux build. He welcomes help on that front from anyone familiar with Linux. And stay tuned — there may be more coming from [Miroslav] in the future. He notes that the PicoVGA library was created as part of a retro gaming computer project which is still under development. We look forward to hearing more about this when it gets released.

A couple of weeks ago we wrote about a monochrome VGA version of Pong for the Pico by [Nick Bild]. It’s exciting to see these projects which are exploring the limits of the Pico’s capabilities. Have you seen any boundary-pushing applications for the Pico? Let us know in the comments below. Thanks to [Pavel Krivanek] for sending this project to our tip line.

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History Of Closed Captions: Entering The Digital Era

When you want to read what is being said on a television program, movie, or video you turn on the captions. Looking under the hood to see how this text is delivered is a fascinating story that stared with a technology called Closed Captions, and extended into another called Subtitles (which is arguably the older technology).

I covered the difference between the two, and their backstory, in my previous article on the analog era of closed captions. Today I want to jump into another fascinating chapter of the story: what happened to closed captions as the digital age took over? From peculiar implementations on disc media to esoteric decoding hardware and a baffling quirk of HDMI, it’s a fantastic story.

There were some great questions in the comments section from last time, hopefully I have answered most of these here. Let’s start with some of the off-label uses of closed captioning and Vertical Blanking Interval (VBI) data.

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Obsessively Explaining The Visual Effects In Flight Of The Navigator

[Captain Disillusion] has earned a reputation on YouTube for debunking hoaxes and spreading a healthy sense of skepticism while having some of the highest production value on the platform and pretending to be some kind of inter-dimensional superhero. You’ve likely seen him give a careful explanation of how some viral video was faked alongside a generous dose of sarcastic humor and his own impressive visual effects. VFXcool is a series on his channel that takes deep dives into movies that are historically significant in the effects industry. For this installment, [Captain Disillusion]’s “intern”, [Alan], takes over to breakdown how filmmakers brought a futuristic spaceship to life in 1986’s Flight of the Navigator.

Making a movie requires hacks upon hacks, and that goes double in the era when the technology and techniques we now take for granted were being developed even as they were being put to film. The range of topics covered here is extreme: from full-scale props to models; from robotic motion control rigs to stop motion animation; from early computer graphics to the convoluted optical compositing that was necessary before digital workflows were possible. The tools themselves may be outdated, but understanding the history and the processes allows for a deeper insight into how we accomplish these kinds of effects today. And, really, it’s just so… cool.

[Captain Disillusion]’s previous VFXcool is all about the Back to the Future trilogy, and it’s a little shorter with more information on motion control rigs. We also love seeing how people make DIY effects in their own homes. LEGO actually seems like a pretty popular option for putting together whole scenes in amateur filmmaking.

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RAM Fiddling Turns VGA Converter Into Video Synth

If you’re interested in circuit bent video but not sure where to start, the excellent guide [LoFi Future] has come up with for modifying the cheap and readily available GBS-8100 VGA to composite converter would be a great first step. While we wouldn’t call it an easy modification, the circuit documentation and demonstration video below go a long way to making it as accessible as possible to new players.

Some soldering will be required…

While other video converters have all-in-one chipsets that are much harder to work with, [LoFi Future] explains that the separate EM636165TS DRAM chip on the GBS-8100 provides an ideal spot to tap in and wreak some technicolor havoc. By mapping out the pins and studying how the video output is corrupted by grounding them out or connecting them to each other, he’s been able to come up with fairly repeatable “recipes” for different effects.

In the most basic form, once you’ve soldered the pins of the DRAM chip up to the plug board interface, you’d technically be done. But [LoFi Future] takes it a step further and pairs the GBS-8100 with a separate composite to VGA converter. This provides some additional effects in the form of feedback loops and hue adjustment, but more practically, allows the device to handle composite on both the input and output. It’s a lot of hardware to cram into the enclosure, but thanks to little touches like the printed panel graphics, the final product does looks very professional.

Aside from the occasional modified NES Zapper, most of the circuit bent hardware we see is of the audio variety. But with projects like this one and the MIDI controlled SNES we covered last year as inspiration, we might see a balancing of the scales. Continue reading “RAM Fiddling Turns VGA Converter Into Video Synth”

Retro ISA Card Means Old, Slow Computers No Longer Need Old, Heavy Monitors

One thing about vintage computers is that they depend greatly on whether or not one can plug a compatible monitor into them. That’s what’s behind [Tube Time]’s Graphics Gremlin, a modern-design retro ISA video card that uses an FPGA to act just like a vintage MDA or CGA video card on the input end, but provides a VGA port for more modern display output options. (Actually, there is also an RGBI connector and a composite video out, but the VGA is probably the most broadly useful.)

Handy silkscreen labels make everything crystal clear. Click to enlarge.

Why bother making a new device to emulate an old ISA video card when actual vintage video cards are still plentiful? Because availability of the old cards isn’t the bottleneck. The trouble is that MDA or CGA monitors just aren’t as easy to come across as they once were, and irreplaceable vintage monitors that do still exist risk getting smashed during shipping. Luckily, VGA monitors (or at least converters that accept VGA input) are far more plentiful.

The board’s design files and assembly notes are all on the project’s GitHub repository along with plenty of thoughtful detail about both assembly and troubleshooting, and the Verilog code has its own document. The Graphics Gremlin is still under development, but you can also watch for the latest on [Tube Time]’s Twitter feed.

Thanks to [NoxiousPluK] for the tip!

Disgusting Apple II Monitors Live Again

[The 8-Bit Guy] recently went to check out a stash of old Apple II Color monitors which had been sitting outside in a trash pile for 20 years, and decided to bring one home to restore. As you can see from the lead photo, they were dirty — really dirty. Surprisingly, the team of volunteers who discovered these monitors had fired them up, and every one of them works to some extent or another.

Check out the video below as he cleans up this filthy monitor and starts troubleshooting. You’ll chuckle aloud when he turns the circuit board over to desolder a mysterious diode, and when he flips the board back over, the diode has disappeared (it actually disintegrated into dust on his lab bench). For the curious, one commenter on YouTube found that it was a glass passivated and encapsulated fast recovery diode called a V19. There’s going to be a part 2, and we have every confidence that [The 8-Bit Guy] will succeed and soon add a shiny, like-new monitor to his collection.

If you’re a collector of old monitors, this demonstrates that they can survive quite a bit of abuse and exposure. We’re not sure that rummaging through your local landfill is the best idea, but if you run into an old monitor that has been exposed to the elements, don’t be so quick to dismiss it as a lost cause. Do you have any gems that you’ve restored from the trash? Let us know in the comments.

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