[carykh] took a dive into neural networks, training a computer to replicate Baroque music. The results are as interesting as the process he used. Instead of feeding Shakespeare (for example) to a neural network and marveling at how Shakespeare-y the text output looks, the process converts Bach’s music into a text format and feeds that to the neural network. There is one character for each key on the piano, making for an 88 character alphabet used during the training. The neural net then runs wild and the results are turned back to audio to see (or hear as it were) how much the output sounds like Bach.
The video embedded below starts with a bit of a skit but hang in there because once you hit the 90 second mark things get interesting. Those lacking patience can just skip to the demo; hear original Bach followed by early results (4:14) and compare to the results of a full day of training (11:36) on Bach with some Mozart mixed in for variety. For a system completely ignorant of any bigger-picture concepts such as melody, the results are not only recognizable as music but can even be pleasant to listen to.
Continue reading “Neural Network Composes Music; Says “I’ll be Bach””
If you don’t get along with your orchestra, screw ‘em. [Vladimir Pliassov] proves that you can play each of the virtuosic string instruments yourself, all at the same time (with the exception of the double bass of course).
For the life of me, I can’t imagine how long it took to get situated in this spider’s web of moving parts, but it’s impressive. With the help of this unique mechanical invention all his own, [Vladimir] is able to finger not only the neck of a violin and viola, but also a cello hoisted at an angle below his desk so that he can execute chords with his FEET. To help with the actual sound-making, a complex series of resinous fibers turn on a continuous mill of wooden beams and are tensioned ever so carefully over the bridge of each instrument. [Vladimir] controls which string is making contact with the turning fibers with a pulley wrapped around his thigh that rocks the body of the instrument back and forth.
[Vladimir] gives us an overview of his machine and how it works in the video below. If you’re itching to see it used for the purpose it was created for, well… there’s a video for that too. Even though the quality of the performance suffers a little due to the complicated nature of the setup, [Vladimir] is playing of all things, a piece for the pipe organ by J.S. Bach. Bach being hard mode in any case, let alone the one where you’re playing all the instruments yourself.
Thanks [tinkartank] for pointing out this unique invention. It’s definitely worthy of some awe!
Continue reading “One Man’s Mini Symphony of Many Strings”
We get a lot of tips about old hardware playing recognizable tunes. But once in a while one of these projects goes above and beyond the others and this is a shining example of great hardware music. [FunToTheHead] put together a music video (embedded after the break) that shows his custom MIDI device playing Bach’s Toccata in d minor. He left some comments that clue us into the way he did it. Most obviously, he’s using the stepper motors from four floppy drives to create precisely pitched sounds. Internally, a PIC 18F14K50 acts as a MIDI-over-USB device, taking commands for all 128 MIDI notes as well as the pitch bends associated with them. The first four channels are played directly on each drive and the other twelve are triaged among the hardware by the microprocessor. But for the results heard in the video you’ll need to code your MIDI files by hand.
Bonus points to the video editor for the Phantom’s floppy-laden appearance in the video… it’s good to laugh!
Continue reading “Classical’s greatest hits on hardware’s greatest flops”