Homebrew Binaural Microphone Lets You Listen Like A Human

We humans may not have superpowers, but the sensor suite we have is still pretty impressive. We have binocular vision that autofocuses and can detect a single photon, skin studded with sensors for touch, heat, and pain, and a sense of smell that can detect chemicals down to the parts per trillion range. Our sense of hearing is pretty powerful, too, allowing us to not only hear sounds over a 140 dB range, but also to locate its source with a fair degree of precision, thanks to the pair of ears on our heads.

Recreating that binaural audio capture ability is the idea behind this homebrew 3D microphone. Commercially available dummy head microphones are firmly out of the price range of [LeoMakes] and most mortals, so his was built on a budget from a foam mannequin head and precast silicone rubber ears, which you can buy off the shelf, because of course you can.

Attached to the sides of the foam head once it got the [Van Gogh] treatment, the ears funnel sound to tiny electret cartridge microphones. [Leo] learned the hard way that these little capsule mics can’t use the 48-volt phantom power that’s traditionally pumped up the cable to studio microphones; he fixed that problem with a resistor in parallel with the mic leads. A filtering capacitor, an RC network between the cold line and ground on the balanced audio line, and a shield cleverly fashioned from desoldering braid took care of the RF noise problem.

The video after the break shows the build and test results, which are pretty convincing with headphones on. If you want to build your own but need to learn more about balanced audio and phantom power, we’ve got a short primer on the topic that might help.

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Building A Custom Camera Mic

Most consumer-grade cameras these days come with adequate microphones built in. However, as with all hardware made down to a price point, there’s room for improvement. [M. Ploegmakers] decided to whip up a better microphone setup for his Sony A6300, with the Dumbbell Mic as the result.

The microphone is based around an electret condensor element, which provides good performance at a remarkably low price. This is then integrated with a preamp circuit to bring the audio up to the appropriate level for the camera to record along with the video. Switches on board set the gain level, as well as changing the mic to operate with or without phantom power, where available.  The electronics is wrapped up in a 3D-printed enclosure, designed to mount on top of the camera for use out in the field.

It took some experimentation, but now [M. Ploegmakers] has a custom mic rig that records straight into the camera, avoiding the need to splice audio and video back together in post. If your camera lacks an audio input, you might have to do a little more work to hack one in, though!

Wood And Carbon Rods Used For This Handsome And Effective Microphone

Anyone who was active in the phreaking scene or was even the least bit curious about the phone system back in the Ma Bell days no doubt remembers the carbon capsule microphone in the mouthpiece of many telephone handsets. With carbon granules sandwiched between a diaphragm and a metal plate, they were essentially sound-driven variable resistors, and they worked well enough to be the standard microphone for telephony for decades.

In an attempt to reduce complicated practices to their fundamentals, [Simplifier] has undertaken this surprisingly high-fidelity carbon microphone build that hearkens back to the early days of the telephone. It builds on previous work that was more proof of concept but still impressive. In both builds, the diaphragm of the microphone is a thin piece of wood, at first carved from a single block of softwood, then later improved by attaching a thin piece of pine to a red oak frame. The electrical side of the mic has four carbon rods running from the frame to the center of the diaphragm, where they articulate in a carbon block with small divots dug into it. As the diaphragm vibrates, the block exerts more or less pressure on the rods, varying the current across the mic and reproducing the sound. It works quite well, judging by the video after the break.

Congratulations to [Simplifier] for another great build and top-notch craftsmanship. We’ve seen homebrew vacuum tubes, conductive glass, and solar cells from him before, which sort of makes him the high-tech version of Primitive Technology. We’re looking forward to whatever comes next. Continue reading “Wood And Carbon Rods Used For This Handsome And Effective Microphone”

Belt The Quarantine Blues Into A Homemade Mic

If there’s any psychological good to be gleaned from quarantine, it’s that people are using the time to finish old projects while starting plenty of new ones. If you’re running out of ideas, or just want to feel better by doing some in-house recycling, dump out that bin and make a simple microphone.

All you need is some PETE #1 plastic, a piezo disk, and the right kind of tin can. The plastic gets heat-fused to the rolled edge of the can, and since it gets stretched and shrunk in the process, it forms a tight membrane that doubles as a percussion instrument.

You do your shouting into the other end, and your sound waves vibrate the membrane. The piezo picks up the vibrations and sends them to a 1/4″ jack so you can plug it into an amp.

Even if you are somehow sidestepping the blues, you can always use this to yell at people who threaten to get too close to you. This fun project is about as open as it gets, but we’re sure that you can think of ways around using a piezo disk. Let us know in the comments after you check out [Ham-made]’s music video.

We like [Ham-made]’s method for cutting down the juice jug without cutting into yourself. Just clamp a razor blade into your vise and move jug against it. Reminds us of another way to easily reuse plastic soda bottles by making them into rope.

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Eavesdropping Assistant Disturbs The Sound Of Silence

Unless you happen to be from Finland, this is just an all too familiar situation: you’re stuck in an inescapable situation with this one person who is really more of an acquaintance than a friend, and neither of you knows who should say something in hopes of keeping a conversation going. Awkward silence is inevitable, and the longer it lasts, the more excruciating the thought of opening your mouth becomes. Well, consider those days over, thanks to [Jasper Choi] and his friends, who blessed us with the System for Awkward Silence Solution and Interaction Enhancer, or SASSIE.

Built as a laser-cut rotating cylinder, and equipped with a pair of microphones, SASSIE detects and counts the duration of any ongoing silence in the room. Once a pre-defined time limit is reached, it rotates itself to a random direction, symbolically pointing a finger to one of the people present in the room to indicate its their turn to speak now. To break the silence right off the bat, the finger pointing is accompanied by some pre-recorded messages. Unfortunately the audio files exceeded the storage of the Arduino Uno used here, so the responsibilities had to be divided between two Arduinos, arranged with the help of some simple serial communication.

While this is obviously a tongue-in-cheek project, it might just be a welcoming relieve for people with social anxiety, and there is definitely potential to take the idea further. Maybe with some inspiration from this happy robot fellow, a future version might ease the conversation even further by suggesting a topic along the way.

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Stylish Mic Is Metal Printing Done Right

[Eric Strebel] wanted a microphone to record voiceovers, and being a designer, wanted something suitably impressive for the task.  Inspired by the classic Unidyne 55, he set about designing his own mic, and used some pretty fancy techniques to get it built.

The mic was built around a ribbon element, providing good dynamic response. The design was created in CAD, and was initially intended to be constructed out of three seperate pieces. However, [Eric] realized that through the use of a binder jetting 3D printer, this wouldn’t be necessary.

Binder jetting is a technique in which a nozzle squirts binder into a powder bed to create a 3D printed part. In this case, a steel powder is used, which is then post-processed in an oven with liquid bronze. The bronze wicks into the finished part, adding strength. It’s a process which creates metal parts with very few limitations; the primary concern being minimum wall thicknesses.

With access to a binder jetting printer, [Eric] was free to design the stylish geometry of the final product. Mashing up hexagons with classic 50s curves, the final result is impressive. [Eric] now uses the microphone regularly to record voiceovers, and the aptly-named Hexavox even made an appearance at NAMM.

If you’re looking for more ways to DIY in your home studio, consider building your own isolation shield. Video after the break.

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A Tin Can Phone, But With Magnets

The tin can phone is a staple of longitudinal wave demonstrations wherein a human voice vibrates the bottom of a soup can, and compression waves travel along a string to reproduce the speaker in another can at the other end. All the parts in this electrical demonstration are different, but the concept is the same.

Speakers are sound transducers that turn electrical impulses into air vibrations, but they generate electricity when their coil vibrates. Copper wires carry those impulses from one cup to another. We haven’t heard of anyone making a tin can phone amplifier, but the strictly passive route wasn’t working, so an op-amp does some messy boosting. The link and video demonstrate the parts and purposes inside these sound transducers in an approachable way. Each component is constructed in sequence so you can understand what is happening and make sense of the results.

Can someone make a tin can amplifier transformer? We’d like to see that. In another twist of dual-purpose electronics, did you know that LEDs can sense light?

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