Wireless Sax Mic Done On The Cheap

Sometimes, economies of scale don’t work in our favor. While guitarists and singers will find themselves well catered to by the accessories market, players of fancier, less popular instruments will often have to dig deeper in their pockets to get what they need. [Henry Goh] found himself in need of a saxophone mic. However, off-the-shelf solutions were a touch expensive, and thus he decided he could probably whip something up himself.  (Video, embedded below.)

Parts of a saxophone, for the uninitiated. The microphone should be placed a good distance from the center of the bell to pick up the best sound.

It’s a simple solution, one that we could imagine any maker quickly whipping up with junkbox parts. Not one to skimp on quality, [Henry] picked a Rode Wireless Go paired with a lavalier mic for a quality wireless microphone solution. The real problem would be mounting the device, intended to be worn on a shirt, to the right position in front of the saxophone’s bell.

To achieve this, most dedicated sax mics used a bendable arm to allow the position to be readily changed. Instead, [Henry] whipped up some mounts on the 3D printer that would allow him to mount the Rode wireless mic hardware on an bendy Energizer LED torch. The torch even comes with a clamp allowing it to be easily attached to the instrument, making fitment a cinch.

[Henry] estimates the solution saved him up to $800 SGD. The final result is cost effective, and gives quality easily good enough for amateur and community performances. As a bonus, the hack is non-destructive, meaning you can repurpose the lavalier mic for other work as needed.

We love a good hack on the cheap, and it’s something we see all the time in the music scene. This guitar build is a great example of the form.

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Get The Party Started With A Mesh WiFi Light Show

Wildly blinking LEDs may not be the ideal lighting for the average office environment, but they’ll surely spice up any party. And since a party without music is just a meeting, having both synced up is a great way to set the mood. Sure, you could simply roll out your standard LED strip instead, but that gets a bit boring, and also a bit tricky if you want to light up several places the same way. [Gerrit] might have built the perfect solution though, with his (mu)sic (R)eactive (Li)ghts, or muRLi, which are a set of individual lights that synchronize a programmable pattern over WiFi.

The system consists of muRLi itself as the base station that defines and sends the light pattern through WebSockets, and several muRLi Nodes that house a set of WS2812B LEDs to receive and display it. Both are built around a Wemos D1 Mini configured to set up a WiFi mesh network, and depending what’s in reach, the nodes connect either to the base station or other nodes, giving the system definitely enough reach for any location size. The music is picked up by a MAX4466-amplified microphone inside the base station — adding some more flexibility to positioning the system — and analyzed for volume and audio spectrum, which is also shown on an OLED.

The best part however is how the light patterns are programmed. Instead of hard-coding it into the firmware, [Gerrit] went for a modular approach with little ROM cartridges to plug into the muRLi base station. The cartridge itself contains just an I2C EEPROM, storing JavaScript code that is interpreted by the firmware using mJS. The scripts have access to the analyzed audio data and amount of LEDs within the network, and can dynamically generate the patterns as needed that way. Everything is neatly housed in 3D-printed enclosures, with all the design and source files available on the project’s GitHub page — but see for yourself in the video after the break.

If you don’t care about the wireless part but enjoy light synced up with music, have a look at a plain MIDI solution for that. As for [Gerrit], we’re definitely looking forward to seeing his next endeavor one day, since we also enjoyed his last one.

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Homebrew Binaural Microphone Lets You Listen Like A Human

We humans may not have superpowers, but the sensor suite we have is still pretty impressive. We have binocular vision that autofocuses and can detect a single photon, skin studded with sensors for touch, heat, and pain, and a sense of smell that can detect chemicals down to the parts per trillion range. Our sense of hearing is pretty powerful, too, allowing us to not only hear sounds over a 140 dB range, but also to locate its source with a fair degree of precision, thanks to the pair of ears on our heads.

Recreating that binaural audio capture ability is the idea behind this homebrew 3D microphone. Commercially available dummy head microphones are firmly out of the price range of [LeoMakes] and most mortals, so his was built on a budget from a foam mannequin head and precast silicone rubber ears, which you can buy off the shelf, because of course you can.

Attached to the sides of the foam head once it got the [Van Gogh] treatment, the ears funnel sound to tiny electret cartridge microphones. [Leo] learned the hard way that these little capsule mics can’t use the 48-volt phantom power that’s traditionally pumped up the cable to studio microphones; he fixed that problem with a resistor in parallel with the mic leads. A filtering capacitor, an RC network between the cold line and ground on the balanced audio line, and a shield cleverly fashioned from desoldering braid took care of the RF noise problem.

The video after the break shows the build and test results, which are pretty convincing with headphones on. If you want to build your own but need to learn more about balanced audio and phantom power, we’ve got a short primer on the topic that might help.

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Building A Custom Camera Mic

Most consumer-grade cameras these days come with adequate microphones built in. However, as with all hardware made down to a price point, there’s room for improvement. [M. Ploegmakers] decided to whip up a better microphone setup for his Sony A6300, with the Dumbbell Mic as the result.

The microphone is based around an electret condensor element, which provides good performance at a remarkably low price. This is then integrated with a preamp circuit to bring the audio up to the appropriate level for the camera to record along with the video. Switches on board set the gain level, as well as changing the mic to operate with or without phantom power, where available.  The electronics is wrapped up in a 3D-printed enclosure, designed to mount on top of the camera for use out in the field.

It took some experimentation, but now [M. Ploegmakers] has a custom mic rig that records straight into the camera, avoiding the need to splice audio and video back together in post. If your camera lacks an audio input, you might have to do a little more work to hack one in, though!

Wood And Carbon Rods Used For This Handsome And Effective Microphone

Anyone who was active in the phreaking scene or was even the least bit curious about the phone system back in the Ma Bell days no doubt remembers the carbon capsule microphone in the mouthpiece of many telephone handsets. With carbon granules sandwiched between a diaphragm and a metal plate, they were essentially sound-driven variable resistors, and they worked well enough to be the standard microphone for telephony for decades.

In an attempt to reduce complicated practices to their fundamentals, [Simplifier] has undertaken this surprisingly high-fidelity carbon microphone build that hearkens back to the early days of the telephone. It builds on previous work that was more proof of concept but still impressive. In both builds, the diaphragm of the microphone is a thin piece of wood, at first carved from a single block of softwood, then later improved by attaching a thin piece of pine to a red oak frame. The electrical side of the mic has four carbon rods running from the frame to the center of the diaphragm, where they articulate in a carbon block with small divots dug into it. As the diaphragm vibrates, the block exerts more or less pressure on the rods, varying the current across the mic and reproducing the sound. It works quite well, judging by the video after the break.

Congratulations to [Simplifier] for another great build and top-notch craftsmanship. We’ve seen homebrew vacuum tubes, conductive glass, and solar cells from him before, which sort of makes him the high-tech version of Primitive Technology. We’re looking forward to whatever comes next. Continue reading “Wood And Carbon Rods Used For This Handsome And Effective Microphone”

Belt The Quarantine Blues Into A Homemade Mic

If there’s any psychological good to be gleaned from quarantine, it’s that people are using the time to finish old projects while starting plenty of new ones. If you’re running out of ideas, or just want to feel better by doing some in-house recycling, dump out that bin and make a simple microphone.

All you need is some PETE #1 plastic, a piezo disk, and the right kind of tin can. The plastic gets heat-fused to the rolled edge of the can, and since it gets stretched and shrunk in the process, it forms a tight membrane that doubles as a percussion instrument.

You do your shouting into the other end, and your sound waves vibrate the membrane. The piezo picks up the vibrations and sends them to a 1/4″ jack so you can plug it into an amp.

Even if you are somehow sidestepping the blues, you can always use this to yell at people who threaten to get too close to you. This fun project is about as open as it gets, but we’re sure that you can think of ways around using a piezo disk. Let us know in the comments after you check out [Ham-made]’s music video.

We like [Ham-made]’s method for cutting down the juice jug without cutting into yourself. Just clamp a razor blade into your vise and move jug against it. Reminds us of another way to easily reuse plastic soda bottles by making them into rope.

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Eavesdropping Assistant Disturbs The Sound Of Silence

Unless you happen to be from Finland, this is just an all too familiar situation: you’re stuck in an inescapable situation with this one person who is really more of an acquaintance than a friend, and neither of you knows who should say something in hopes of keeping a conversation going. Awkward silence is inevitable, and the longer it lasts, the more excruciating the thought of opening your mouth becomes. Well, consider those days over, thanks to [Jasper Choi] and his friends, who blessed us with the System for Awkward Silence Solution and Interaction Enhancer, or SASSIE.

Built as a laser-cut rotating cylinder, and equipped with a pair of microphones, SASSIE detects and counts the duration of any ongoing silence in the room. Once a pre-defined time limit is reached, it rotates itself to a random direction, symbolically pointing a finger to one of the people present in the room to indicate its their turn to speak now. To break the silence right off the bat, the finger pointing is accompanied by some pre-recorded messages. Unfortunately the audio files exceeded the storage of the Arduino Uno used here, so the responsibilities had to be divided between two Arduinos, arranged with the help of some simple serial communication.

While this is obviously a tongue-in-cheek project, it might just be a welcoming relieve for people with social anxiety, and there is definitely potential to take the idea further. Maybe with some inspiration from this happy robot fellow, a future version might ease the conversation even further by suggesting a topic along the way.

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