Perfectly clear ice spheres are nifty but can be a bit tricky to make without an apparatus. [Seth Robinson] crafted a copper ice press to make his own.
Copper is well-known for its thermal conductivity, making it a perfect material for building a press to melt ice into a given shape. Like many projects, a combination of techniques yields the best result, and in this case we get to see 3d printing, sand casting, lost PLA casting, lathe turning, milling, and even some good old-fashioned sanding.
The most tedious part of the process appears to be dip coating of ceramic for the lost PLA mold, but the finished result is certainly worth it. That’s not to say that any of the process looks easy if you are a metal working novice. Taking over a week to slowly build up the layers feels a bit excruciating, especially compared to 3D printing the original plastic piece. If you’re ever feeling discouraged watching someone else’s awesome projects, you might want to stick around to the end when [Robinson] shows us his first ever casting. We’d say his skill has improved immensely over time.
[Kelly Coffield] makes intake manifolds for old Ford throttle bodies for fun, demonstrating an excellent technique for making such things in the small shop. The mould patterns are CNC machined from a solid polystyrene block, with all the necessary gates to feed the aluminium into the mould. The principle is to introduce aluminium from a large central runner into the mould structure, which feeds the gates into the mould parts. The various foam mould components are then glued with an extra brace bar at the bottom to strengthen it.
Dip coating with a refractory slurry
The complete structure is then sprayed with surfactant (just plain old soapy water) and dip-coated in a refractory slurry. The surfactant adjusts the coating’s surface tension, preventing bubbles from forming and ruining the surface quality produced by this critical coating step.
Once a satisfactory coating has been applied and hardened, the structure is placed inside a moulding pan fitted with a pneumatic turbine vibrator, to allow sand to be introduced. The vibrations ease the flow of sand into all the nooks and crannies, fully supporting the delicate mould structure against the weight of the metal, and gases produced as the foam burns away. A neat offset pouring cup is then added to the top of the structure and packed in with more sand to stabilise it. It’s a simple setup that can easily be replicated in any hackerspace or backyard for those motivated enough. [Kelly] is using A356 aluminium alloy, but there’s no reason this technique won’t work for other metals.
It was amusing to see [Kelly] demould by just dumping out the whole stack onto the drive and throwing the extracted casting into a snow bank after quenching. We might as well use all that free Midwest winter cooling capacity! After returning to the shop, [Kelly] would typically perform any needed adjustments, such as improving flatness in the press, while the part was in the ‘as cast temper’ condition. We’ll gloss over the admission of cutting the gates off on the table saw! After these adjustments, the part is artificially aged to a T5-like specification, to give it its final strength and machinability properties. There are plenty more videos on this process on the channel, which is well worth a look.
We all know the basics of how metal casting works, a metal is heated up to melting point and the resulting liquid metal is poured into a mold. When the metal sets, it assumes the shape of the mold. It’s a straightforward way to reliably replicate a metal item many times over, and the basics are the same whether the metal is a low-temperature alloy in a silicone mould or a crucible of molten steel poured into a sand mould.
A sand mould being formed around a pattern. Lukas Stavek, CC BY-SA 3.0 .
What we all understood as casting in our conversation was sand casting. Sand is packed around a pattern of the piece to be cast, and then the pattern is removed leaving a cavity in its shape which becomes the mould. There are refinements to this process and the mould is frequently formed in two halves, but it’s something that’s even practical to do in a hackerspace level setting.
A refinement of sand casting is so-called lost-wax casting, in which a hollow wax model of the piece to be cast is packed around with sand, and when the metal is poured onto the top of it the wax melts and the wax is melted out before pouring the metal in to take its place. A variation on this appears here from time to time, so-called lost-PLA casting, where the wax model is replaced with a PLA 3D print.
Where our confusion crept in was with die casting. We could recognise a die-cast piece, but just what is die-casting, and how is a die-casting made? The answer there lies in mass-production, because a snag with sand casting is that a sand mould can be labour intensive to produce. Much better to come up with a quick-turnaround process that re-uses the same mould over and over, and save all that time!
Enter the die-casting, to metalwork what injection moulding is to polymers. The die is a mould made out of metal, usually with liquid cooling, and the casting is done not by pouring but by forcing the molten metal into the mould under pressure. The whole process becomes much quicker, meaning that it can become a piece of process machinery spitting out castings rather than a labour-intensive individual task. The metals used for die-casting are the lower temperature ones such as aluminium, zinc, and their alloys, but you will find die-castings in all conceivable places.
It’s obvious that Hackaday editors are not experienced foundrymen even if some of us grew up around metalwork, but we know that among our readers lie genuine experts in all sorts of fields. If that’s you and you operate a die-casting machine, please take a moment to tell us about it, we really would like to know more!
As far as the hacker’s toolbox goes, the 3D printer is way up there in terms of utility. Sure, it takes time to learn the ins and outs of designing, slicing, and extruding, but after that, the world is pretty much your additive oyster. Follow those design dreams, or use it to replace the things that break. The icing on the cake? You can chase those dreams into other materials, because 3D prints can be used to cast metal.
[RetroTech Journal] wanted to fry up some rosette cookies, a Scandinavian delight from his youth that look a lot like fancy, personal funnel cakes. They’re made with special aluminium irons that shape the dough while it fries, as opposed to the jumbled chaos that is funnel cake.
Rosette irons come in a few traditional shapes, but once you get tired of those, it’s up to you to cast them in aluminium. And how would you go about doing that? By creating a firmly-packed sand mold using a mounted 3D print.
In the endlessly entertaining video after the break, [RetroTech Journal] takes you through the entire process from CAD to cookies. It has everything you could possibly want: LEGO stop-motion, claymation, a little bit of cooking, and a whole lot of knowledge. We can’t wait to see what comes next.
Sand-casting metal parts is a technique that has been around for a very long time, but it can be educational to see the process from start to finish. That’s exactly what [Frederico] shows us with his sand-cast slingshot of his own design, and it’s not bad for what he says is a first try!
First, [Frederico] makes a two-part green sand mold of the slingshot body. Green sand is a sand and clay mix, and is only green in the sense that it is wet or “raw” and not further processed. After the mold is made, it’s time to melt aluminum in the propane-powered furnace, and the molten aluminum is then poured into the mold.
After cooling, [Frederico] breaks up the sand to reveal the rough cast object. There is post-processing to do in the form of sprues to cut and some flashing around the seams to remove, but overall it looks to have turned out well. You can watch the whole process in the video, embedded below.
Nothing says hack like a tool quickly assembled from a few scrap-heap parts. For [Turbo Conquering Mega Eagle], his junkyard finds were a fire extinguisher, an old office fan, and a few scraps of plywood; the result was a quick and easy ball mill.
There’s very little mention of what said ball mill will be for — [TCME] said something about milling bentonite clay, AKA kitty litter — but that’s hardly the point. Having previously fabricated a much smaller version of this ball mill that could chuck up in his lathe, he scaled this one up considerably. The spent fire extinguisher was relieved of the valve and some external bits to create the mill’s drum. Plywood was used for a quick frame to support rollers and to turn a couple of pulleys for the running gear. The fan motor proved barely capable of performing, though, even with the mechanical advantage of the pulleys and an improvised drive belt. The motor just didn’t have the oomph to turn the drum when loaded with ceramic balls, but a quick adjustment to the drive train did the trick. The video below shows the whole build process, which couldn’t have taken much more than a couple of hours.
It looks like a sand casting project may be on deck for [TCME]’s milled bentonite, so we’ll look forward to that. Perhaps his other recent fire extinguisher build will make an appearance in that video too.
For some mobile projects like small carts or rolling cabinets, your standard casters from Harbor Freight will do just fine. But some projects need big, beefy wheels, and these custom cast aluminum wheels certainly make a statement. Mostly, “Watch your toes!”
To be honest, [Brian Oltrogge]’s wheels are an accessory in search of a project, and won’t be crushing feet anytime soon. He made them just to make them, but we have no beef with that. They’ve got a great look that hearkens back to a time when heavy metal meant something else entirely, and things were made to last. Of course, being cast from aluminum sort of works against that, but there are practical limits to what can be done in the home foundry. [Brian] started with a session of CAD witchcraft followed by machining the cores for his molds. Rather than doing this as lost foam or PLA, he milled the cores from poplar wood. His sand mix is a cut above what we usually see in home-brew sand casting — sodium silicate sand that can be cured with carbon dioxide. All his careful preparation meant the pour went off without a hitch, and the wheels look great.
We’ve featured quite a few metal casting projects recently, some that went well and some that didn’t. [Brian] looks like he knows what he’s doing, and we appreciate the workmanship that he puts on display here.
