Not content with fitting a tiny square-wave MIDI synthesizer into a MIDI plug, [Mitxela] went on to cram a similar noisemaker into a USB plug itself.
Besides being physically small, the code is small too, as well as the budget. It uses V-USB for the USB library running on an ATtiny85, and a couple of passive parts. His firmware (apparently) takes in MIDI notes and spits out square waves.
Continue reading “Smallest MIDI Synth, Again!”
Seb Lee-Delisle has built a career around large installations that use powerful lasers and high-end projects to make people happy. It’s a dream job that came to fruition through his multi-discipline skill set, his charismatic energy, and a mindset that drives him to see how he can push the boundaries of what is possible through live interaction.
His talk at the Hackaday | Belgrade conference is about his Laser Light Synth project, but we’re glad he also takes a detour into some of the other installations he’s built. The synth itself involves some very interesting iterative design to end up with a capacitive touch audio keyboard that is lit with addressable LEDs. It controls a laser that projects shapes and images to go along with the music, which sounds great no matter who is at the keyboard thanks to some very creative coding. As the talk unfolds we also hear about his PixelPyros which is essentially a crowd-controlled laser fireworks show.
See his talk below and join us after the break for a few extra details.
Continue reading “Curiously Delightful Things Done with Lasers and Projectors”
MIDI was created over thirty years ago to connect electronic instruments, synths, sequencers, and computers together. Of course, this means MIDI was meant to be used with computers that are now thirty years old, and now even the tiniest microcontrollers have enough processing power to take a MIDI signal and create digital audio. [mitxela]’s polyphonic synth for the ATtiny 2313 does just that, using only two kilobytes of Flash and fitting inside a MIDI jack.
Putting a MIDI synth into a MIDI plug is something we’ve seen a few times before. In fact, [mitxela] did the same thing a few months ago with an ATtiny85, and [Jan Ostman]’s DSP-G1 does the same thing with a tiny ARM chip. Building one of these with an ATtiny2313 is really pushing the envelope, though. With only 2 kB of Flash memory and 128 bytes of RAM, there’s not a lot of space in this chip. Making a polyphonic synth plug is even harder.
The circuit for [mitxela]’s chip is extremely simple, with power and MIDI data provided by a MIDI keyboard, a 20 MHz crystal, and audio output provided eight digital pins summed with a bunch of resistors. Yes, this is only a square wave synth, and the polyphony is limited to eight channels. It works, as the video below spells out.
Is it a good synth? No, not really. By [mitxela]’s own assertion, it’s not a practical solution to anything, the dead bug construction takes an hour to put together, and the synth itself is limited to square waves with some ugly quantization, at that. It is a neat exercise in developing unique audio devices and especially hackey, making it a very cool build. And it doesn’t sound half bad.
Continue reading “The ATtiny MIDI Plug Synth”
Dang. [Mixtela] has just managed a seriously cool hack: running an entire MIDI synthesizer on an ATTiny85 to create what he claims is the worlds smallest MIDI synthesizer. That’s it on the left, next to a standard MIDI cable plug. The whole thing is so small it fits inside a MIDI plug and can run off the power supplied by the MIDI output, driving a small pizeo buzzer. Considering that the ATTiny85 has just 8Kb of memory and 512 bytes of RAM, this is no small feat (get it?). To create the sound, [Mixtela] simply drives the buzzer with PWMed square waves, creating the glorious early chiptunes sound that every retro gamer will recognize.
He even decided to implement some MIDI commands beyond just playing notes, including pitch bending, and is considering ways to add polyphony to his small miracle. Sure, it isn’t going to win any awards for sound quality, and without optoisolators it doesn’t really fit the MIDI spec. But it works, and remember that MIDI synthesizers used to be big, expensive devices that required a degree in sound engineering to program. Now, thanks to hackers like [Mixtela], you can build your own from parts that cost only a couple of dollars.
Continue reading “The Smallest MIDI Synthesizer?”
Cx5 is a strange material that’s a favorite of model makers and prop replicators. It’s kind of like a wax, kind of like a clay, and a little bit like a plastic. Now it’s a 3D printer filament. It looks very interesting for sculpted and highly detailed models, something the 3D printing scene hasn’t had yet.
So you want a CNC machine, right? Tormach makes a good one, and here’s what it takes to put a PCNC440 in your garage. This is an incredible amount of work and a great excuse to buy an engine hoist.
[Zemnmez] could find dozens of apps and webpages that would calculate resistor color codes for him automatically. What he couldn’t find is one that would do it in reverse – i.e. type in a resistor value and return the correct color code. He made this.
[aggaz] needed a way to connect multiple MIDI devices to his computer. The MIDI spec provides a neat piece of hardware for just this occasion – the MIDI thru box. The only thing you need to build a single MIDI thru box is an opto-isolator and a buffer. It’s easy enough to build, although the DIN5 jacks used for MIDI devices are pretty expensive nowadays. (FWIW- We get an invalid certificate error when loading this page but you should still be able to load it.)
AliExpress always has some interesting stuff on it, and [Ethan] found something very cool. They’re A8 CPUs found in the latest iPhone. Are they real? Who knows. I bought one, and you’re going to get pictures in another links post in a month or so.
The Game Boy Micro was released by Nintendo in 2005 and quickly became one of the coolest and most desired handheld consoles on the planet. You need only look at the eBay listings for the Micro as evidence of its desirability. [ModPurist] took an old DS Lite and converted it into a Game Boy Micro – same idea, larger package.
[serdef] is clearly just having a little bit of fun here. One never needs a whiteboard pen that’s syncronized by MIDI to dance along with the theme from Duke Nukem.
But if you had all of the parts on hand (a highly liquid MIDI-driven relay board that connects straight up to a soundcard, some muscle wire, tape, and a whiteboard pen, naturally) we’re pretty sure that you would. You can watch the dancing pen in a video below the break.
The project is really about documenting the properties of [serdef]’s muscle wire, and he found that it doesn’t really contract enough with a short piece to get the desired effect. So he added more wire. We’ve always meant to get around to playing with muscle wire, and we were surprised by how quickly it reacted to changing the voltage in [serdef]’s second video.
Now the dancing pen isn’t the most sophisticated muscle wire project we’ve ever seen. And that award also doesn’t go to this Nitinol-powered inchworm. Did you know that there’s muscle wire inside Microsoft’s Surface?
Continue reading “Muscle Wire Pen Dances to Duke Nukem”
There seems to be a direct correlation between musicians and people who can program. Even programmers who don’t play an instrument often have a profound appreciation of music and so we see quite a few musical projects pop up. [Ihsan Kehribar’s] latest project is a good example. He married an STM32F031 ARM development board, an audio codec, and a simple op amp filter to make a playable MIDI instrument. Of course, it is hard to appreciate a music project from a picture, but if you want to listen to the results, there’s always Soundcloud.
He’d started the project using an 8-bit micro, but ran into some limitations. He switched to an STM32F031, which is a low-end ARM Cortex M0 chip. [Ihsan] mentions that he could have used the DSP instructions built into larger ARM chips, but he wanted to keep the project done on minimal hardware. The audio CODEC chip is from Cirrus Logic (a WM8524), and it produces two output channels at 192 kHz. As an unexpected benefit, the CODEC uses a charge pump to generate a negative voltage (much like a MAX232 does) and [Ihsan] was able to tap that voltage to provide the op-amps in the audio filter with a negative supply rail.
Continue reading “Polyphonic FM Synthesizer uses ARM”