Building The Cheapest MIDI Home Studio From 1988

These days, there is a plethora of cheap hardware and software which you can use to make digital music. Back in the 1980s, though, this was still a nascent field, with new gear changing the game for musicians. In his latest video, [cTrix] puts together a guide to building a budget MIDI home studio like it’s 1988.

The original Atari ST is the star of the show, which sold for around £300 back then. Unlike most contemporary computers, it came with MIDI ports built-in, and it quickly became a popular platform for music sequencing and controlling external synth hardware. It was often spotted in posh studios being used by big-time musicians, but [cTrix] wanted to look at how it was used by more humble users.

While the Atari ST could output some passable chiptunes, it was most powerful when paired with off-board gear. Industry magazines would readily talk up “DIY” setups worth thousands, but [cTrix] aimed for a budget in the low hundreds. In 1988, that might get you something like the 16-channel Yamaha PSS-580, which rocked full MIDI support and a ton of sounds and drumkits built in. It ran an OPL soundchip, and could play multiple instruments at once under MIDI control from software like Dr. T’s MIDI Recording Studio.

Of course, if you’ve ever played a keyboard like the PSS-580, you’ll have noted that the sound output can be more than a little chintzy. A cheap way to level up was to get yourself something like the Roland MT-32, which rocked a far higher-quality sound module. Everything from slap bass to solid electric pianos could be blasted out from the Roland, which also included a decent reverb unit, too. [cTrix] also dives into other budget heroes, like the rich and expansive Kawai K1 and the Yamaha EMT-10.

If you want to make music like it’s 1988 and you’re hunting for your first gold record, you’ll learn a lot here. We can’t wait for Part 2, that explores the next level of sophistication in this era. His previous lessons on how to make 90s dance bangers on the Amiga are a treat, too.

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Building A Breath-Controlled MIDI Device

When we think of MIDI devices, we typically jump straight to drum machines, rack synths, and keyboard controllers. However, there’s nothing saying you can’t build your own MIDI controllers that use the magic of breath to do their musical duty. That’s precisely what [Xavier Dumont] did with this unique 3D printed build.

The device looks somewhat like an alien ship from an animated 1960s sci-fi movie, but it’s actually a sophisticated MIDI controller. Naturally, it’s peppered with buttons as every good controller should be, and it features a touch-control strip on the back.

However, the real magic is in the breath control. When the user blows into the sensor, the device sends out MIDI signals of varying intensity to control the object of the player’s desire. The breath signal can be used to modulate the mod wheel, pitch bends, or octave shifts, among a variety of other options.

[Xavier] wields the instrument with prowess in the audio demos at the end of the video. We can imagine this futuristic thing being played by a background alien in a celebration scene in a far-flung Marvel movie. Or maybe Star Wars? In any case, a triumph.

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MIDI Interface For NeXTcube Plugs Into The Past

[Joren] recently did some work as part of an electronic music heritage project, and restored an 80s-era NeXTcube workstation complete with vintage sound card, setting it up with a copy of MAX, a graphical music programming environment. But there was one piece missing: MIDI. [Joren] didn’t let that stop him, and successfully created hardware to allow MIDI input and output.

The new panel provides all the connectors necessary to interface with either classic MIDI devices, or MIDI over USB (where it appears as a USB MIDI device to any modern OS.)

Interestingly, the soundcard for the NeXTcube has an RS-422 serial port and some 8-pin mini DIN connectors. They are not compatible with standard MIDI signals, but they’re not far off, either.

To solve this, [Joren] used a Teensy developer board to act as an interface between classic MIDI devices like keyboards or synthesizers (or even not-so-common ones like this strange instrument) while also being able to accommodate modern MIDI over USB connections thanks to the Teensy’s USB MIDI functionality.

A metal enclosure with a 3D-printed panel rounds out the device, restoring a critical piece of functionality to the electronic music-oriented workstation.

MIDI as a protocol isn’t technically limited to musical applications, though that’s one place it shines. And just in case it comes in handy someday, you can send MIDI over I2C if you really need to.

Nanoaetherphone Is A Special MIDI Controller

MIDI controllers can be simple straightforward keyboards, or wild magical devices that seem to snatch notes from the very aether itself. As you might expect from the name, the Nanoaetherphone II is one of the latter.

The device is inspired by the Theremin, and was built to celebrate its 100th anniversary. The Nanoaetherphone II is all about using sensors to capture data from wireless hand-wavey interactions, and turn it into MIDI messages. To this end, it has an LDR sensor for detecting light levels, which determines volume levels. This is actuated by the user’s thumb, blocking the sensor or allowing ambient light to reach it. At the front of the handheld unit, there is also an ultrasonic range sensor. Depending on how close the sensor is to the user’s hand or other object determines the exact note sent by the device. As a MIDI controller, it is intended to be hooked up to an external synthesizer to actually generate sound.

The overall concept isn’t too complicated, and the design makes it easy to pickup and play. We imagine it could even be foolproofed by programming it only to play notes from a given scale or mode, allowing for easy soloing without too many of those ill-tempered blue notes. Jazz enthusiasts might prefer it to just spit out any and all notes, of course.

We love a good MIDI controller around these parts, and we’ve seen everything from knitted models to those made out of old phones. Video after the break.

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Touch Tone MIDI Phone And Vocoder Covers Daft Punk

[poprhythm]’s Touch Tone MIDI Phone is a fantastic conversion of an old touch tone phone into a MIDI instrument complete with intact microphone, but this project isn’t just about showing off the result. [poprhythm] details everything about how he interfaced to the keypad, how he used that with an Arduino to create a working MIDI interface, and exactly how he decided — musically speaking — what each button should do. The LEDs on the phone are even repurposed to blink happily depending on what is going on, which is a nice touch.

Of course, it doesn’t end there. [poprhythm] also makes use of the microphone in the phone’s handset. Since the phone is now a MIDI instrument with both a microphone and note inputs, it’s possible to use them together as the inputs to vocoder software, which he demonstrates by covering Around the World by Daft Punk (video).

We love how [poprhythm] explains how he interfaced to everything because hardware work is all about such details, and finding the right resources. Here’s the GitHub repository for the Arduino code and a few links to other resources.

We have seen MIDI phone projects before, and each one is always unique in its own way: here’s a different approach to converting a keypad phone to MIDI, and this rotary pulse-dial phone went in a completely different direction with the phone itself completely unmodified, using only external interfacing.

You can admire [poprhythm]’s Touch Tone MIDI Phone in action in the short videos embedded below, with each one showing off a different aspect of the build. It’s great work!

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MIDI Controller Looks Good, Enables Your Air Guitar Habit

We all want to be guitar heroes, but most of us have to settle for letting a MIDI board play our riffs using a MIDI controller. [Joris] thinks a MIDI controller should look like a cool instrument and thus the Ni28 was born. Honestly, we first thought we were looking at wall art, but on closer look, you can see the fretboard and the soundhole are festooned with buttons.

Actually, they aren’t really buttons. The Ni in the name is because the buttons are nickel-plated brass plates that act like touch switches. There’s virtually no activation force required and you can easily touch more than one plate at a time.

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Mini MIDI Synth Uses Minimum Number Of Parts

The 80s were the golden age of synthesizers in pop music. Hugely complicated setups that spared no expense were the norm, with synths capable of recreating anything from pianos and guitars to percussion, strings, and brass. These types of setups aren’t strictly necessary if you’re looking to make music, though, especially in the modern age of accessible microcontrollers. This synthesizer from [Folkert] with MIDI capabilities, for example, creates catchy tunes with only a handful of parts.

This tiny synth is built around an ESP32 and works by generating PWM signals normally meant for LEDs. In this case, the PWM signals are sent through a rudimentary amplifier and then on to an audio output device.  That could be a small speaker, an audio jack to another amplifier, or a capture device.

The synth’s eight channels use up most of the ESP32’s I/O and provide a sound that’s reminiscent of the eight-bit video game era. The total parts count for this build is shockingly small with only a handful of resistors, the ESP, an optocoupler, and a few jacks.

For those wishing to experiment with synthesizers, a build like this is attractive because it’s likely that all the parts needed are already sitting around in a drawer somewhere with possibly the exception of the 5 pin DIN jacks needed for MIDI capabilities. Either way, [Folkert] has made all of the schematics available on the project page along with some sample mp3 files. For those looking to use parts from old video game systems sitting in their parts drawer, though, take a look at this synthesizer built out of a Sega Genesis.