Darkroom Robot Automates Away The Tedium Of Film Developing

Anyone who has ever processed real analog film in a darkroom probably remembers two things: the awkward fumbling in absolute darkness while trying to get the film loaded into the developing reel, and the tedium of getting the timing for each solution just right. This automatic film-developing machine can’t help much with the former, but it more than makes up for that by taking care of the latter.

For those who haven’t experienced the pleasures of the darkroom — and we mean that sincerely; watching images appear before your eyes is straight magic — film processing is divided into two phases: developing the exposed film from the camera, and making prints from the film. [kauzerei]’s machine automates development and centers around a modified developing tank and a set of vessels for the various solutions needed for different film processes. Pumps and solenoid valves control the flow of solutions in and out of the developing tank, while a servo mounted on the tank’s cover gently rotates the reel to keep the film exposed to fresh solutions; proper agitation is the secret sauce of film developing.

The developing machine has a lot of other nice features that really should help with getting consistent results. The developing tank sits on a strain gauge, to ensure the proper amount of each solution is added. To avoid splotches that can come from using plain tap water, rinse water is filtered using a household drinking water pitcher. The entire rig can be submerged in a heated water bath for a consistent temperature during processing. And, with four solution reservoirs, the machine is adaptable to multiple processes. [kauzerei] lists black and white and C41 color negative processes, but we’d imagine it would be easy to support a color slide process like E6 too.

This looks like a great build, and while it’s not the first darkroom bot we’ve seen — we even featured one made from Lego Technics once upon a time — this one has us itching to get back into the darkroom again.

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Hackaday Podcast Episode 249: Data By Laser And Parachute, Bluetooth Hacks, Google’s Gotta Google

‘Twas the podcast before Christmas, and all through the house, the best hacks of the week are dancing around Elliot and Tom’s heads like sugar-plums. Whatever that means.

I’d just like to interject for a moment. What you’re referring to as Christmas is, in fact, Happy/Holidays.

Before settling their brains in for a long winter’s nap, they’ll talk about the open source software podcast that now calls Hackaday home, the latest firmware developments for Google’s Stadia controller, high-definition cat videos from space, and upgrades for the surprisingly old-school battery tech that powers the Toyota Prius.

Out on the lawn, expect a clatter about the the state-of-the-art in DIY camera technology, the acoustic properties of hot chocolate, and a storage media from the 1990s that even Al Williams had never heard of.

Finally, after tearing open the shutters and throwing up the sash, the episode wraps up with a discussion about wiring techniques that let you leave the soldering iron at home, and the newest chapter in the long history of transferring data via parachute. Miniature sleigh and eight tiny reindeer sold separately.

Download the gift you really want this year: this week’s podcast in DRM-free MP3.

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Oh, The Places You’ll Go With Stop Motion Animation

Robots made of broken toy parts, stop-motion animation, and a great song to tie it all together were not on our bingo card for 2023, but the results are perfect. [Mootroidxproductions] recently released the official music video for I Fight Dragons 2019 song “Oh the Places You’ll Go”.

The song was written by lead vocalist [Brian Mazzaferri] with inspiration from the classic Dr. Seuss book. [Brian] wrote it for his newborn daughter, and we’re pretty sure it will hit any parent right in the feels.

[Mootroidxproductions] isn’t a parent themselves, but they expanded on the theme to create a video about sacrificing oneself to save a loved one. With a self deprecating wit, they take us through the process of turning broken Bionicle parts, bits of Gundam, Lego, and, armature wire to make the two robots in the film. He also explains how he converted garbage into sets, greebles, and lighting effects.

The robots had to be designed so that they could fulfill their roles in the film. From the size of their hands down to their individual walking gaits, he thought of everything. His encyclopedic knowledge of Bionicle parts is also on full display as he explains the origin of the major parts used to build “Little Blue” and “Sherman”

Click through the break for both the main video and the behind-the-scenes production.

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The Insatiable Hunger Of Paper Shredder-Based Locomotion

We enjoy hacks that combine or alter devices, enhancing (or subverting) their purpose in the process, but [Japhy Riddle] reminds us all that sometimes it’s fun just to enjoy a spectacle. In this case, it’s an old paper shredder given wheels and a continuous line of paper to rip into.

The result is a device demonstrating a shredder-based form of locomotion, noisily pulling itself along by its own insatiable appetite.

It even looks like a robot, even though there’s nothing really going on inside. It just mindlessly and noisily consumes, converting paper into shreds, moving inexorably forward and limited only by the supply of paper or the length of its power cable, whichever is shorter. Powerful artistic statement, or simple spectacle? You be the judge.

Want to try your hand at a paper shredder-inspired piece? You can take artistic inspiration from the stock tracker that literally shreds your money when the market is down, or if you’re more interested in the worky bits, make your own shredder from LEGO.

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Playing The Guitar Of DOOM

Over the years, we’ve seen DOOM run on pretty much everything from an 8088 to a single keycap. We’ve also written up one or two controllers, but we don’t think we’ve ever seen anything like this — playing DOOM with an electric guitar.

The guitar in question is a Schecter Hellraiser Deluxe, which seems like a great choice to us. In order to get the notes to control the game, [DOS Storm] converted a handful of notes to MIDI using a VST plugin called Dodo MIDI 2 and the Reaper DAW. Then it was a matter of converting MIDI to keystrokes. This took two programs — loopMIDI to do take the MIDI data and route it elsewhere, and MIDIKey2Key to actually convert the MIDI to the keystrokes that control DOOM.

The result is that the notes that move Doomguy around are mostly in an A-major bar chord formation, with some controls up in the solo range of the fret board. Be sure to check out the demo video below and watch [DOS Storm] clear level one in a fairly impressive amount of time, considering their controller is a guitar.

That key cap isn’t even the most ridiculous thing we’ve seen DOOM running on. It’s probably a toss-up between that and the LEGO brick.

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High Temp Resin Means Faster Hot Foil Stamping

[This Designed That] does a lot of hot foil stamping. That’s the shiny embellishment you’ll see on wedding invitations and your fancier letterheads. They wanted a way to quickly see if the process is right for a given design, and how it might come together if so. Many of the designs involve letter forms, which they have tried milling out of brass in the past, but the process is fiddly and takes a while. Seeking a faster way to test designs, [This Designed That] turned to 3D printing.

They achieved good results with an Elegoo Mars Pro, but the the most important thing here is the resin needs to withstand at least 130 C, which is the max that [This Deigned That] usually runs it at. The answer was in Phrozen TR300 resin, which can handle temps up to 160 C.

In trials, the stamp heat measured roughly 30 C lower on average than the press, so [This Designed That] kept turning up the heat, but it just wasn’t conductive enough. So they started experimenting with ways to increase heat transfer. First they tried molding metal powder, but it didn’t work. After briefly flirting with electroplating them, [This Designed That] finally tried some aluminum tape, wrapped tight and burnished to the design.

Now the hot foil machine stamps perfectly at only 120 C — the lower end of the standard temperature that [This Designed That] typically runs the thing. They are chuffed at the results, and frankly, so are we. Be sure to check out the process video after the break.

Curious about hot foil stamping machines? Check out this retrofit job.

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Illustrated Kristina with an IBM Model M keyboard floating between her hands.

Keebin’ With Kristina: The One With The Busy Box Macro Pad

Well, I must admit that Google Translate completely failed me here, and thus I have no real idea what the trick is to this beautiful, stunning transparent split keyboard by [illness072]. Allegedly, the older tweets (exes?) hold the key to this magic, but again, Google Translate.

Based on top picture, I assume that the answer lies in something like thin white PCB fingers bent to accommodate the row stagger and hiding cleverly behind the keys.

Anyone who can read what I assume is Japanese, please advise what is going on in the comments below.

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