Supercon 2022: Aedan Cullen Is Creating An AR System To Beat The Big Boys

April 10, 2023 by Maya Posch 10 Comments

There’s something very tantalizing about an augmented reality (AR) overlay that can provide information in daily life without having to glance at a smartphone display, even if it’s just for that sci-fi vibe. Creating a system that is both practical and useful is however far from easy, which is where Aedan Cullen‘s attempt at creating what he terms a ‘practical augmented reality device’.

In terms of requirements, this device would need to have a visual resolution comparable to that of a smartphone (50 pixels/degree) and with a comparable field of view (20 degrees diagonal). User input would need to be as versatile as a touchscreen, but ‘faster’, along with a battery life of at least 8 hours, and all of this in a package weighing less than 50 grams.

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Playing 78 RPM Shellac Records: It’s Not Just About Speed

April 10, 2023 by Maya Posch 25 Comments

What is the difference between 78, 45, and 33 RPM records? Obviously most people would say the speed, which of course is true to a degree. But as [Techmoan] covers in a recent video, there’s a whole lot more to the playback of 78 RPM records. Especially the older type without so-called ‘microgrooves’. Even if you have a record player that can do 78 RPM speeds, you may have noticed that the sound is poor, with a lot of clicking and popping.

The primary reason for this is that on an average 78 RPM record, the groove containing the sound pattern is 3 mil (thousandth of an inch) wide, whereas the grooves on microgroove and 33/45 RPM records is a mere 1 mil wide. This difference translates into the stylus tip, which is comically undersized for the 3 mil grooves and ends up dragging somewhere in the very bottom of the groove, missing entirely out on the patterns etched higher up on the sides. This is why in the past styluses would often come in the flip-style version, as pictured above.

It’s also possible to purchase the mono, 3 mil styluses today from Audio-Technica and other well-known brands, requiring only to switch the stylus cartridge between playing sessions with different groove sizes. As [Techmoan] demonstrates in the video, the difference between a too small and just right stylus is night and day, but it reveals the second issue with playing records: equalization.

Virtually all records have some kind of equalization applied to the recorded audio, to balance out the imperfections of the recording medium. Upon playback, this effect is inverted, restoring the original signal as much as possible. Since 1954, the de facto standard has been RIAA equalization, and this is what the average record preamplifier also assumes you are using. Unfortunately, this means that for many records from around that time and before, the wrong equalization will be applied, as basically every publisher had their own standard.

In the video, [Techmoan] figures out a way to get an affordable way to playback these wide groove, 78 RPM records, and to dodge the RIAA equalization step by tapping directly into the signal from the cartridge. This would likely be a lot easier if one threw more money at the whole thing, but where is the fun in that?

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The Real John Wick-Style Bullet Proof Suit

April 10, 2023 by Al Williams 55 Comments

If you’ve seen the John Wick movies, you’ve probably had to suspend your disbelief about many things, but the bulletproof suits are perhaps the hardest thing to swallow. They look like stylish suits but are impervious to just about anything at any range. What’s more is when you are hit, they seem to absorb all impact with no effect on the wearer at all.

You can keep running, firing, or karate kicking while the suit takes all of the bullets. You can even pull your jacket up over your face if you want to protect that million-dollar smile. Physics, of course, tells us that a suit like this is pretty much impossible. Except that they actually exist. Granted, the real-life suits don’t have the magic physics-defying powers of Mr. Wick’s suit, but if you have the cash, you can get a smart-looking suit that protects you from getting killed by a bullet.

Real Life, Part I

In the movies, the suits supposedly have Kevlar in them just like a real piece of ballistic body armor. The problem is, Kevlar is bulky. However, most of the real body armor you see — like a vest on a SWAT team operative — is made from Kevlar or similar ballistic fibers like Twaron, Goldflex, or Dyneema. They also have plates made of metal or ceramic. Continue reading “The Real John Wick-Style Bullet Proof Suit” →

Tree Supports Are Pretty, So Why Not Make Them Part Of The Print?

April 10, 2023 by Donald Papp 5 Comments

Here’s an idea that [Nephlonor] shared a couple years ago, but is worth keeping in mind because one never knows when it might come in handy. He 3D printed a marble run track and kept the generated tree supports. As you can see in the image above, the track resembles a roller-coaster and the tree supports function as an automatically-generated scaffolding for the whole thing. Clever!

As mentioned, these results are from a couple of years ago; so this idea should work even better nowadays. Tree supports have come a long way since then, and are available in more slicers than just Cura.

Tree supports without an interface layer is easy mode for “generate me some weird-looking scaffolding”

If you’re going to do this, we suggest reducing or eliminating the support interface and distance, which is the spacing between the supports and the rest of the model. The interface makes supports easier to remove, but if one is intending to leave it attached, it makes more sense to have a solid connection.

And while we’re on the topic of misusing supports, we’d like to leave you with one more trick to keep in mind. [Angus] of Maker’s Muse tucked a great idea into one of his videos: print just the support structure, and use it as a stand for oddly-shaped objects. Just set the object itself to zero walls and zero infill, and the printer will generate (and print) only the support structure. Choose an attractive angle, and presto! A display stand that fits the object like a glove.

You can watch a brief video of the marble run embedded below. Again, tree supports both look better and are available in more slicers nowadays. Have you tried this? If so we’d love to hear about it, so let us know in the comments!

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ISD1700 Based Lo-Fi Sampler

April 10, 2023 by Matthew Carlson 5 Comments

Custom music instruments here at Hackaday range from wacky to poignant. OpnBeat by [Hiro Akihabara] focuses on something different: simplicity.

There are few buttons, the design and code are optimized to be straightforward and easy to modify, and the interface is slick. Eight musical keys complement three interface keys and a knob. An Arduino Nano powers the main brains of the system but the music generation comes from eight Nuvoton ISD1700s controlled over SPI by the Nano. The beautifully laid-out PCB is 110mm by 180mm (4.33″ by 7″), so cases can easily be printed on smaller FDM printers. All the switches are Cherry MX switches for the beautiful tactile feedback.

The code, PCB, and 3D case files are all available on GitHub. We love the thought that went into the design and the focus on making it easy to recreate. It might be quite as cute and simplified as this twelve-button musical macro pad, but the two together could make quite the band.

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Parallel Computing On The PicoCray RP2040 Cluster

April 9, 2023 by Joseph Long 28 Comments

[ExtremeElectronics] cleverly demonstrates that if one Raspberry Pi Pico is good, then nine must be awesome. The PicoCray project connects multiple Raspberry Pi Pico microcontroller modules into a parallel architecture leveraging an I2C bus to communicate between nodes.

The same PicoCray code runs on all nodes, but a grounded pin on one of the Pico modules indicates that it is to operate as the controller node. All of the remaining nodes operate as processor nodes. Each processor node implements a random back-off technique to request an address from the controller on the shared bus. After waiting a random amount of time, a processor will check if the bus is being used. If the bus is in use, the processor will go back to waiting. If the bus is not in use, the processor can request an address from the controller.

Once a processor node has an address, it can be sent tasks from the controller node. In the example application, these tasks involve computing elements of the Mandelbrot Set. The particular elements to be computed in a given task are allocated by the controller node which then later collects the results from each processor node and aggregates the results for display.

The name for this project is inspired by Seymore Cray. Our Father of the Supercomputer biography tells his story including why the Cray-1 Supercomputer was referred to as “the world’s most expensive loveseat.” For even more Cray-1 inspiration, check out this Raspberry Pi Zero Cluster.

Holograms: The Future Of Speedy Nanoscale 3D Printing?

April 9, 2023 by Dave Rowntree 7 Comments

3D printing by painting with light beams on a vat of liquid plastic was once the stuff of science fiction, but now is very much science-fact. More than that, it’s consumer-level technology that we’re almost at the point of being blasé about. Scientists and engineers the world over have been quietly beavering away in their labs on the new hotness, nanoscale 3D printing with varying success. Recently IEESpectrum reports some promising work using holographic imaging to generate nanoscale structures at record speed.

Current stereolithography printers make use of UV laser scanned over the bottom of a vat of UV-sensitive liquid photopolymer resin, which is chemically tweaked to make it sensitive to the UV frequency photons. This is all fine, but as we know, this method is slow and can be of limited resolution, and has been largely superseded by LCD technology. Recent research has focussed on two-photon lithography, which uses a resin that is largely transparent to the wavelength of light concerned, but critically, can be polymerized with enough energy density (i.e. the method requires multiple photons to be simultaneously absorbed.) This is achieved by using pulsed-mode lasers to focus to a very tight point, giving the required huge energy density. This tight focus, plus the ability to pass the beam through the vat of liquid allows much tighter image resolution. But it is slow, painfully slow.