Winter-Proof (And Improve) Your Resin 3D Printing

Was your 3D printer working fine over the summer, and now it’s not? With colder temperatures comes an overall surge in print failure reports — particularly with resin-based printers that might reside in outbuildings, basements, or garages. If you think this applies to you, don’t miss [Jan Mrázek]’s tips on improving cold-weather print results. His tips target the main reasons prints fail, helping to make the process a little more resilient overall. [Jan]’s advice is the product of long experience and experimentation, so don’t miss out.

With environmental changes comes the possibility that things change just enough to interfere with layers forming properly. The most beneficial thing overall is to maintain a consistent resin temperature; between 22 and 30 degrees Celsius is optimal. A resin heater is one solution, and there are many DIY options using simple parts. Some of the newer (and more expensive) printers have heaters built in, but most existing hobbyist machines do not.

An extreme case of blooming.

Temperature control isn’t the only thing, either. Layer formation and build plate adhesion can all be improved by adding rest times between layers. Yes, this increases print time. It also allows resin to settle before the next layer, improving adhesion and preventing blooming (a rough texture caused by an imperfect cure.) Since resin flows less readily at lower temperatures, rest times can help improve results. The best setting depends heavily on your particular setup, so [Jan] gives tips on finding optimal rest times.

Most common knowledge and advice from well-meaning communities online focuses on increasing exposure time or blaming the build plate. [Jan] feels that these are ultimately the wrong way to go about addressing failures. Usually, an environmental change (like the arrival of winter) has simply pushed a printer that was not optimized in the first place outside of its narrow comfort zone. A little optimization can set things back on track, making the printer more resilient and reliable overall.

Comparing Adhesives For Gluing PETG Prints

Testing every kind of glue with PETG, including wood glue. (Credit: Cosel, YouTube)
Testing every kind of glue with PETG, including wood glue. (Credit: Cosel, YouTube)

PETG is a pretty great material to print 3D models with, but one issue with it is that gluing it can be a bit of a pain. In a recent video by [Cosel] (German language, with English auto-dub) he notes that he found that with many adhesives the adhesion between PETG parts would tend to fail over time, so he set out to do a large test with just about any adhesive he could get his hands on. This included everything from epoxy to wood glue and various adhesives for plastics

TL;DR: Some superglues seem to weaken PETG, and a construction polyurethane glue is the absolute winner.

For the test, two flat surfaces were printed in PETG for each test, glued together and allowed to fully dry over multiple days. After about a week each sample was put into a rig that tried to pull the two surfaces apart while measuring the force required to do so.

With e.g. two-part epoxy and super glue the parts would break rather than the glue layer, while with others the glue layer would give way first. All of these results are noted in the above graphic that has the force listed in Newton. The special notes and symbols stand for strong smell (‘Geruch’), the PETG itself breaking (‘Substrat gebrochen’) and high variability (‘hohe Streuung’) between the multiple samples tested per adhesive.

Interesting is that multiple superglues (‘Sekundenkleber’) show different results, while MMA (Methyl Methacrylate) and similar score the highest. The Bostik P580 is a polyurethane construction adhesive, usually used for gluing just about anything to anything in interior and exterior applications, so perhaps its high score isn’t so surprising. Trailing at the end are the wood glue in last place, with the UHU general adhesive also scoring rather poorly.

Clearly there are many options for gluing PETG parts, but some are definitely more sturdy than others.

Thanks to [Risu no Kairu] for the tip.

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Supercon 2024: Joshua Wise Hacks The Bambu X1 Carbon

Bambu Labs have been in the news lately. Not because of the machines themselves, but because they are proposing a firmware change that many in our community find restricts their freedom to use their own devices.

What can be done? [Joshua Wise] gave a standout talk on the Design Lab stage at the 2024 Hackaday Superconference where he told the tale of his custom firmware for the Bambu X1 Carbon. He wasn’t alone here; the X1 Plus tale involves a community of hackers working on opening up the printer, but it’s also a tale that hasn’t ended yet. Bambu is striking back. Continue reading “Supercon 2024: Joshua Wise Hacks The Bambu X1 Carbon”

3D Print Stamps, And Ink Stuff To Your Heart’s Content With These Tips

Ink stamps can be fun to make and use, and 3D printers are uniquely positioned to create quality stamps of all kinds with just a little care. As with most things, the devil is in the details and the best results will require some extra work. Luckily, [Prusa] has a blog post that goes through how to 3D print the best stamps and includes concrete recommendations and tips to get the most out of the process.

Resin printers can create stamps too, just ensure a flexible material is used.

What makes a good 3D-printed stamp? It should be easy to use, transfer an image cleanly, and retain ink reasonably well. To hit these bases, printing the stamp face out of a flexible material is probably the most important, but a flat and smooth stamp surface is equally crucial. Satin-finish build plates will give a weathered look to the stamp, but textured build plates in general are no good.

As for the design, turning an image into a 3D object can be a bit challenging for novices, but there are tools that make that much easier now than it used to be. Some slicers allow importing .svg files (scalable vector graphics) with which to emboss or deboss objects, and online tools as well as free software like Inkscape will let folks covert images into .svg format.

Flexible filaments tend to be stringy so they should be dried before use, especially if the stamp design has a lot of separate elements that invite stringing. Any flex filament should do the job, but of course some specific filament brands perform better than others. Check out the full blog post for specific recommendations.

Pausing a print and inserting a pre-printed support piece (removed after the print completes) helps form big overhangs.

The remaining tricky element is that flexible filaments also tend to be poor at bridging, and if one is printing a stamp face-down on the build plate (to get that important, ultra-flat face) then the upper inside of the stamp may need some support for it to come out right. As [Prusa] suggests, this is a good place to use a manual, drop-in pre-printed support piece. Or if one has the ability to print in multiple materials, perhaps print the support structure in PLA since it is just about the only material that won’t completely weld itself to flex filaments. Of course, if one is designing the stamp entirely in CAD, then the best option would be to chamfer the stamp elements so supports aren’t necessary in the first place. Finally, don’t overlook the value of a physical design that makes handling easy and attractive.

Since 3D printing makes iteration so fast and easy, maybe it would be worth using this to revisit using rubber stamps to help create PCBs?

Software Lets You Paint Surface Patterns On 3D Prints

Just when you think you’ve learned all the latest 3D printing tricks, [TenTech] shows up with an update to their Fuzzyficator post-processing script. This time, the GPL v3 licensed program has gained early support for “paint-on” textures.

Fuzzyficator works as a plugin to OrcaSlicer, Bambu Studio, and PrusaSlicer. The process starts with an image that acts as a displacement map. Displacement map pixel colors represent how much each point on the print surface will be moved from its original position. Load the displacement map into Fuzzyficator, and you can paint the pattern on the surface right in the slicer.

This is just a proof of concept though, as [TenTech] is quick to point out. There are still some bugs to be worked out. Since the modifications are made to the G-code file rather than the model, the software has a hard time figuring out if the pattern should be pressed into the print, or lifted above the base surface. Rounded surfaces can cause the pattern to deform to fit the surface.

If you’d like to take the process into your own hands, we’ve previously shown how Blender can be used to add textures to your 3D prints.

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Small Print Bed? No Problem!

One of the major limitations of 3D printers is the size of the printable area. The robotic arm holding the printer head can only print where it can reach, after all. Some methods of reducing this constraint have been tried before, largely focusing on either larger printers or printer heads that are mobile in some way. Another approach to increasing the size of prints beyond the confined space typical of most consumer-grade 3D printers is to create some sort of joinery into the prints themselves so that larger things can be created. [Cal Bryant] is developing this jigsaw-based method which has allowed him to produce some truly massive prints.

Rather than making the joints by hand, [Cal]’s software will cut up a model into a certain number of parts when given the volume constraints of a specific 3D printer so it can not only easily print the parts, but also automatically add the jigsaw-like dovetail joints to each of the sections of the print. There were a few things that needed prototyping to get exactly right like the tolerance between each of the “teeth” of the joint, which [Cal] settled on 0.2 mm which allows for a strong glued joint, and there are were some software artifacts to take care of as well like overhanging sections of teeth around the edges of prints. But with those edge cases taken care of he has some working automation software that can print arbitrarily large objects.

[Cal] has used this to build a few speaker enclosures, replacing older MDF designs with 3D printed ones. He’s also built a full-size arcade cabinet which he points out was an excellent way to use up leftover filament. Another clever way we’ve seen of producing prints larger than the 3D printer is to remove the print bed entirely. This robotic 3D printer can move itself to a location and then print directly on its environment.

Laser-Cut Metal Endoskeleton Beefs Up 3D Prints

There are limits to what you can do with an FDM printer to make your parts stronger. It really comes down to adding more plastic, like increasing wall thickness or boosting up the infill percentage. Other than that, redesigning the part to put more material where the part is most likely to fail is about the only other thing you can do. Unless, of course, you have access to a fiber laser cutter that can make internal metal supports for your prints.

As [Paul] explains it, this project stemmed from an unfortunate episode where a printed monitor stand failed, sending the LCD panel to its doom. He had taken care to reinforce that part by filling it with fiberglass resin, but to no avail. Unwilling to risk a repeat with a new tablet holder, he decided to test several alternative methods for reinforcing parts. Using a 100 W fiber laser cutter, he cut different internal supports from 0.2 mm steel shim stock. In one case he simply sandwiched the support between two half-thickness brackets, while in another he embedded the steel right into the print. He also made two parts that were filled with epoxy resin, one with a steel support embedded and one without.

The test setup was very simple, just a crane scale to measure the force exerted by pulling down on the part with his foot; crude, but effective. Every reinforced part performed better than a plain printed part with no reinforcement, but the clear winner was the epoxy-filled part with a solid-metal insert. Honestly, we were surprised at how much benefit such a thin piece of metal offered, even when it was directly embedded into the print during a pause.

Not everyone has access to a fiber laser cutter, of course, so this method might not be for everyone. In that case, you might want to check out other ways to beef up your prints, including just splitting them in two.

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