Retrotechtacular

293 Articles

Retrotechtacular: LA’s Hilarious Subway Safety Film From 1992

August 13, 2021 by 17 Comments

Subways! They’ve been around for an awfully long time; almost as long as modern railways themselves, believe it or not. Building underground was undertaken in earnest by those in the 19th century, who set out to build networks of stations to allow residents to get around a city quickly and effectively.

That fact should stick in your mind as you sample this glorious retro video from 1992. “L.A. Underground – Safety in the Extreme” is a guide for Californians, aiming to educate residents about the new B Line subway that opened the following year. The video acts as if the subway is a new fangled, mysterious thing, with a couple of confusing off-the-wall moments as well. If you’re a transport enthusiast or get excited about weird public films, this one’s for you.

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Retrotechtacular: Understanding Protein Synthesis Through Interpretive Dance

August 1, 2021 by 8 Comments

With the principles of molecular biology very much in the zeitgeist these days, we thought it would be handy to provide some sort of visual aid to help our readers understand the complex molecular machines at work deep within each cell of the body. And despite appearances, this film using interpretive dance to explain protein synthesis will teach you everything you need to know.

Now, there are those who go on and on about the weirdness of the 1960s, but as this 1971 film from Stanford shows, the 60s were just a warm-up act for the really weird stuff. The film is a study in contrasts, with the setup being provided by the decidedly un-groovy Paul Berg, a professor of biochemistry who would share the 1980 Nobel Prize in Medicine for his contributions to nucleic acid research. His short sleeves and skinny tie stand in stark contrast to the writhing mass of students capering about on a grassy field, acting out the various macromolecules involved in protein synthesis. Two groups form the subunits of the ribosome, a chain of ballon-headed students act as the messenger RNA (mRNA) that codes for a protein, and little groups standing in for the transfer RNA (tRNA) molecules that carry the amino acids float in and out of the process.

The level of detail, at least as it was understood in 1971, is impressively complete, with soloists representing things like T-factor and the energy-carrying molecule GTP. And while we especially like the puff of smoke representing GTP’s energy transfer, we strongly suspect a lot of other smoke went into this production.

Kitsch aside, and with apologies to Lewis Carroll and his Jabberwock, you’ll be hard-pressed to find a modern animation that captures the process better. True, a more traditional animation might make the mechanistic aspects of translation clearer, but the mimsy gyre and gimble of this dance really emphasize the role random Brownian motion plays in macromolecular processes. And you’ll never see the term “tRNA” and not be able to think of this film.

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Retrotechtacular: Mechanical TV From The People Who Made It Happen

July 31, 2021 by 12 Comments

If we have a television in 2021 the chances are that it will be a large LCD model, flat and widescreen, able to display HD images in stunning clarity. Before that we’d have had a CRT colour TV, them maybe our parents grew up with a monochrome model. Before those though came the first TVs of all, which were mechanical devices that relied on a spinning disk to both acquire and display the image. The BBC Archive recently shared a vintage clip from 1970 in which two of the assistants of [John Logie Baird], the inventor of the first demonstrable television system, demonstrated its various parts and revealed its inner workings.

We’ve covered the Nipkow scanning disk in a previous article, with its characteristic spiral of holes. We see the original Baird Televisor, but the interesting part comes as we move to the studio. Using the original equipment they show a dot of light traversing the presenter’s face to scan a picture before taking us to a mock-up of the original studio. Here there’s a surprise, because instead of the camera we’d expect today there is a Nipkow disk projector which traverses the subject sitting in the dark. A bank of photocells above the projector senses the reflected light, and returns a video signal.

The resulting low-resolution pictures had a low enough bandwidth to be broadcast over an AM radio transmitter, and for a tiny 30-line picture in the glowing pink of a neon light they provide a surprising amount of detail. With such a straightforward principle it’s not surprising that they’ve appeared in a few projects on these pages, including an Arduino driven colour video monitor, and a POV clock. Take a look at the video below the break.

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Retrotechtacular: Nuvistor, Vacuum’s Last Gasp

July 21, 2021 by 51 Comments

In 2021 all our electronics are solid state, in that they exclusively use semiconductor devices as their active components. Some of us may experiment with vacuum tubes, but only for curiosity or aesthetic purposes. Semiconductors have overtaken vacuum devices in all but the rarest of niche applications due to their easier design requirements, greater reliability, lower cost, and increased performance.

It was not always this way though, and there was a period at the start of the semiconductor era when transistors and vacuum tubes existed together side-by-side and competed directly. Vacuum tube manufacturers continued to create new devices into the 1970s, and in doing so they pushed the boundaries of their art in unprecedented directions. [David W Knight] has a page dedicated to the Nuvistor, something his calls the “final evolution of the thermionic valve”. His comparison photo seen above shows a Nuvistor on the left — a miniature vacuum tube you’ve likely never seen before.

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Retrotechtacular: The Secret Life Of The Electric Light

July 13, 2021 by 22 Comments

Normally, when we pick out something to carry the “Retrotechtacular” banner, it’s a film from the good old days when technology was young and fresh, and filmmakers were paid by one corporate giant or another to produce a film extolling the benefits of their products or services, often with a not-so-subtle “celebrate the march of progress” undertone.

So when we spied this remastered version of The Secret Life of the Electric Light,  an episode from [Tim Hunkin]’s fabulous educational The Secret Life of Machines TV series, we didn’t really think it would be good Retrotechtacular fodder. But just watching a few minutes reminded us of why the series was must-see TV back in the 1990s (when it first aired widely here in the States), especially for the budding geek. When viewed with eyes more used to CGI animations and high production values, what [Tim] and his collaborator, the late [Rex Garrod], accomplished with each of these programs is truly astounding. Almost every bit of the material, as well as the delivery, has an off-the-cuff quality to it that belies what must have taken an enormous amount of planning and organization to pull off. [Tim] and [Rex] obviously went to a lot of trouble to make it look like they didn’t go to a lot of trouble, and the result is films that home in on the essentials of technology in a way few programs have ever managed, and none since. And the set-piece at the end of each episode — often meeting its pyrotechnic destruction — always were real crowd-pleasers. They still are.

We have to say the remastered versions of The Secret Life episodes, all of which appear to be posted at [Tim]’s YouTube channel, look just great, and the retrospectives at the end of each episode where he talks about the travails of production are priceless. Also posted are his more recent The Secret Life of Components, which is a treasure trove of practical tips for makers and backyard engineers that’s well worth watching too.

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Retrotechtacular: Discovering Aerodynamics With The Chrysler Airflow

June 16, 2021 by 31 Comments

When you think about it, for most of human history we’ve been a pretty slow bunch. At any time before about 150 years ago, if you were moving faster than a horse can run, you were probably falling to your death. And so the need to take aerodynamics into consideration is a pretty new thing.

The relative novelty of aerodynamic design struck us pretty hard when we stumbled across this mid-1930s film about getting better performance from cars. It was produced for the Chrysler Sales Corporation and featured the innovative design of the 1934 Chrysler Airflow. The film’s narration makes it clear why the carmaker would go through the trouble of completely rethinking how cars are made; despite doubling average engine horsepower over the preceding decade, cars had added only about 15% to their top speed. And while to our 21st-century eyes, the Chrysler Airflow might look like a bulked-up Volkswagen Beetle, compared to the standard automotive designs of the day, it was a huge aerodynamic leap forward. This makes sense with what else was going on in the technology world at the time — air travel — the innovations of which, such as wind tunnel testing of models, were spilling over into other areas of design. There’s also the influence of [Orville Wright], who was called in to consult on the Airflow design.

While the Airflow wasn’t exactly a huge hit with the motoring public — not that many were built, and very few remain today; [Jay Leno] is one of the few owners, because of course he is — it set standards that would influence automotive designs for the next 80 years. It’s fascinating too that something seemingly as simple as moving the engine forward and streamlining the body a bit took so long to hit upon, and yet yielded so much bang for the buck.

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Retrotechtacular: The Drama Of Metal Forming

May 29, 2021 by 22 Comments

It may seem overwrought, but The Drama of Metal Forming actually is pretty dramatic.

This film is another classic of mid-century corporate communications that was typically shown in schools, which the sponsor — in this case Shell Oil — seeks to make a point about the inevitable march of progress, and succeeds mainly in showing children and young adults what lay in store for them as they entered a working world that needed strong backs more than anything.

Despite the narrator’s accent, the factories shown appear to be in England, and the work performed therein is a brutal yet beautiful ballet of carefully coordinated moves. The sheer power of the slabbing mills at the start of the film is staggering, especially when we’re told that the ingots the mill is slinging about effortlessly weigh in at 14 tons apiece. Seeing metal from the same ingots shooting through the last section of a roller mill at high speed before being rolled into coils gives one pause, too; the catastrophe that would result if that razor-sharp and red-hot metal somehow escaped the mill doesn’t bear imagining. Similarly, the wire drawing process that’s shown later even sounds dangerous, with the sound increasing in pitch to a malignant whine as the die diameter steps down and the velocity of the wire increases.

There are the usual charming anachronisms, such as the complete lack of safety gear and the wanton disregard for any of a hundred things that could instantly kill you. One thing that impressed us was the lack of hearing protection, which no doubt led to widespread hearing damage. Those were simpler times, though, and the march of progress couldn’t stop for safety gear. Continue reading “Retrotechtacular: The Drama Of Metal Forming” →