Musical Hacks

1502 Articles

The Monolith Brings The Boom To Maker Faire

June 10, 2017 by 4 Comments

[Ross Fish], [Darcy Neal], [Ben Davis], and [Paul Stoffregen] created “the Monolith”, an interactive synth sculpture designed to showcase capabilities of the Teensy 3.6 microcontroller.

The Monolith consists of a clear acrylic box covered in LED-lit arcade buttons. The forty buttons in front serve as an 8-step sequencer with five different voices, while touch sensors on the left and right panels serve as a polyphonic arpeggiator and preset controller, respectively.

In order to control all of those buttons, the team designed breakout boards equipped with a port expander, 16-channel PWM driver chip, and N-channel MOSFETs allowing the entire synth to be controlled from a single Teensy 3.6.

In terms of software, [Paul] made improvements to the Teensy Audio Library to accommodate the hardware, improving the way signal-controlled PWM waveforms are handled and enhancing the way envelopes work. Ultimately they combined three Arduino sketches into one to get the finished code.

After showing off the project on Tested, the team set up the Monolith in the Kickstarter booth at Maker Faire Bay Area. The project was a hit at the Faire, earning a coveted red ribbon and inspiring countless adults and kids to check it out. We love a project that inspires so much interaction. Not only can three people play with the Monolith at once, but they can see through the clear case and get an idea of what’s going on.

If you want to learn more you can download project files from [Paul]’s GitHub. In the meantime, check out some other synth projects we’ve published on Hackaday: we’ve grooved on a synth-violin, a 3D-printed synth, and a single-PCB synth, among many others.

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Controlling A Moog Werkstatt With A Capacitive Touch Jankó Keyboard

June 8, 2017 by 1 Comment

[Ben Bradley], a member of Freeside Atlanta, built a capacitive touch Jankó keyboard for the Georgia Tech Moog Hackathon. Jankó Keyboards are a 19th-Century attempt to add a more compact piano keyboard. There are three times as many keys as a traditional piano but arranged vertically for (supposedly) greater convenience while playing–an entire octave can be covered with one hand. But yeah, it never caught on.

[Ben]’s project consists of a series of brass plates wired to capacitive touch breakout boards from Adafruit, one for each of the Arduino Mega clone’s four I2C addresses. When a key is touched, the Arduino sends a key down signal to the Werkstatt while using a R-2R ladder to generate voltage for the VCO exponential input.

The most recent Moog Hackathon was the third.  Twenty-five teams competed from Georgia Tech alone, plus more from other schools, working for 48 hours to build interfaces with Moog Werkstatt-Ø1 analog synths, competing for $5,000 in cash prizes as well as Werkstatts for the top three teams.

We’re synth-fiends here on Hackaday: we cover everything from analog synths to voltage controlled filters.

Via Freeside Atlanta, photo by [Nathan Burnham].

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Starship One: The Ultimate 90’s Synthesizer

June 5, 2017 by 12 Comments

We’ve seen some crazy music production stations over the years. But this synthesizer system may just take the cake. Starship One is the creation of [Marc Brasse]. At first glance, this music battle station looks like it belongs on the bridge of the Enterprise. The resemblance is not entirely unintentional. [Marc] himself says “Commander Data from Star Trek: The Next Generation might actually (have) like(d) it if he did not have such a conservative taste in music.”

At the core of Starship One are two underappreciated synths from the 90’s. The Technics WSA1, and a Gem S3 turbo. Both were keyboards ahead of their time. The WSA1 is a modeling synth, a sound generation trend in the ’90s which sounded great, but never quite caught on. The other strike against it was that it was built by Technics, who had a reputation for building HiFi equipment and home keyboards. Professionals just didn’t pick it up.

The Gem S3 had a similar story — built by a company called General Music, the keyboard was a great design with incredible piano action, but never quite made it. [Marc] wasn’t turned off by the lineage of these two synths. In fact, he embraced them. [Marc] explains more about his philosophy in creating the Starship One in this PDF document.

[Marc] combined these two instruments with Fatar MP1 bass pedals, a ribbon controller, and more additional components than we could ever hope to name here. The frame of the synth is built from a discarded retail CD sales rack. Extruded aluminum pieces came from a sun slat curtain. Just about every part was reused to build one beast of a workstation.

If you’re wondering what the strange keyboard layout is, it’s a Janko keyboard adapter [Marc] custom made. Instead of 88 notes, there are 264 keys, arranged so that every chord has the same fingering, regardless of the scale being played.

Want more modulation? Check out this ARM based FM synth, or this monster post of open source synths!

Hackerspace Jukebox!

June 2, 2017 by 11 Comments

Depending on whom you talk to, music can be an integral part of getting work done. At the Hackheim hackerspace in Trondheim, Norway, [Nikolai Ovesen] thought that the previous system of playing music over Bluetooth took away from the collaborative, interactive spirit of the space. Solution: a weekend build of a Raspberry Pi-powered jukebox.

The jukebox is simply laser-cut from plywood and bolted together. Inside, the touchscreen is mounted using double-sided tape, with the Raspberry Pi 3 and buck converter mounted on its rear with motherboard spacers. An IBM ThinkPad power cable was re-purposed and modified so it supplies the amp, as well as the Pi and touchscreen through the buck converter.

Once everything was connected, tested, and fired up, a bit of clever software working around had to be done in order to get Golang working, along with setting up the touchscreen and amp. Hackers interact with the jukebox using the Mopidy music server and its Mopify(Spotify) plugin — but they can also request songs through a bot in the Hackheim Slack channel.

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Music Reading For Machines

May 25, 2017 by 17 Comments

“Dammit Jim, I’m a hacker, not a musician!”, to paraphrase McCoy Scotty from the original Star Trek series. Well, some of us are also musicians, some, like me, are also hack-musicians, and some wouldn’t know a whole note from a treble clef. But every now and then the music you want is in the form of sheet music and you need to convert that to something your hack can play. If you’re lucky, you can find software that will read the sheet music for you and spit out a MIDI or WAV file. Or, as with my hand-cranked music player, you may have to read just enough of the music yourself to convert musical notes to frequencies for something like a 555 timer chip. We’ll dive into both cases here.

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Bring Home A Classic Synth With The DIY Fairlight CMI

May 23, 2017 by 8 Comments

[Davearneson] built a modern version of a classic synthesizer with his DIY Fairlight CMI. If there were a hall of fame for electronic instruments, the Fairlight CMI would be on it. An early sampling synth with a built-in sequencer, the Fairlight was a game changer. Everyone from A-ha to Hans Zimmer has used one. The striking thing about the Fairlight was the user interface. It used a light pen to select entries from text menus and to interact with the audio waveform.

The original Fairlight units sold for £18,000 and up, and this was in 1979. Surviving units are well outside the price range of the average musician. There is an alternative though – [Peter Vogel] has released an iOS app which emulates the Fairlight.

[Davearneson] had an old iPad 2 lying around. Too slow to run many of the latest apps, but just fast enough to run the Fairlight app. An iPad doesn’t exactly look like a classic instrument though. So he broke out the tools and created a case that looked the part.

The front of the case is made of framing mat board. The rest of the shell is wood. [Davearneson] used Plasti-Dip spray to replicate the texture of 1970’s plastics. The audio interface is a Griffon unit, which provides audio and MIDI connections. [Davearneson] extended the connections from the Griffon to the rear of the case, making for a clean interface.

The iPad doesn’t exactly support a light pen, so a rubber tipped stylus on a coil cord takes it place. The result is a device that looks and works like a Fairlight – but doesn’t need a steady diet of 8″ floppy discs to operate.

Interested in classic digital synthesizers that are a bit more budget friendly? Check out Al Williams’ article on the SID chip, or this 3D printed synth based upon the 4046 PLL chip.

A MIDI Harmonica

May 21, 2017 by 12 Comments

MIDI, or Musical Instrument Digital Interface, has been the standard for computer control of musical instruments since the 1980s. It is most often associated with electronic instruments such as synthesisers, drum machines, or samplers, but there is nothing to stop it being applied to almost any instrument when combined with the appropriate hardware.

[phearl3ss1] pushes this to the limit by adding MIDI to the most unlikely of instruments. A harmonica might seem to be the ultimate in analogue music, yet he’s created an ingenious Arduino-powered mechanism to play one under MIDI control.

The harmonica itself is mounted on a drawer slide coupled to a wheel taken from a pool sweeper and powered by a motor  that can move the instrument from side to side with a potentiometer providing positional feedback to form a simple servo. The air supply comes from a set of three bellows driven via a crank from another motor, and is delivered by what looks like a piece of PVC pipe to the business end of the harmonica.

The result is definitely a playable MIDI harmonica, though it doesn’t quite catch the essence of the human-played instrument. Judge for yourselves, he’s posted a build video which we’ve placed below the break.

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