Sixteen Channel Retro Rotary Fader

Musician and electronic musical machine builder [Sam Battle] has recreated the unusual Crystal Palace Audio Fader over at Look Mum No Computer. The Crystal Palace was a rotary fader developed by engineer Dave Young at the BBC Radiophonic Workshop back in the late 1960s. Doctor Who fans might recognize it from the “The Krotons” series theme music. It’s a wild mechanical mixer, which fades between sixteen different inputs to produce its output by using a variable speed rotating pickup.

Dave Young’s Crystal Palace

After Young built the prototype, three of these were made and put into cases cut out of scrap plexiglass) from a dumpster — hence they became known as Crystal Palaces after the 1851 glass and iron structure of the same name.

[Sam] decides to build this using some inductors and an old tape head. After proving out the concept on a breadboard, he mounts sixteen inductors on a 3D-printed circular frame. The rotating pickup transfers the signal via slip-rings at the top. An array of input jacks and level pots are mounted on the enclosure’s face plate, which contains a vector board full of op amps that drive the coils. Strictly speaking, the original fader used capacitive coupling, not inductive, but that doesn’t detract at all from this project. And as he states upfront, he intentionally didn’t dig too deep into the original, so as to put his own spin on the design.

Continue reading “Sixteen Channel Retro Rotary Fader”

The Sixtyforgan Proves That Church Organs Are Definitely Chiptune

Church organs may be mechanically complicated and super old-school, but they share something in common with the earliest computer sound chips. In theory, and largely in practice, they produce very simple waveforms. The primary reason that church organs seem so full and rich compared to your old Commodore 64 is that they have the benefit of a whole church’s worth of reverb to fatten out the sound. [Linus] demonstrates this with the Sixtyforgan.

The Sixtyforgan is a Commodore 64 hooked up to a spring reverb tank. By running the relatively basic waveforms from the Commodore’s SID chip through this reverb, it’s possible to generate sounds that are eerily similar to those you might hear at your local Sunday service. While we won’t expect chiptune luminaries like [chipzel] to start busting out songs of praise at events like Square Sounds, it’s kind of awesome to think of the composers of antiquity rocking out to some mad Game Boy jams way back when.

It’s a great demonstration of the Commodore’s musical abilities, and we particularly like the application of the chromatic button layout borrowed from the accordion. We’d love to see this setup combined with an orchestra of the retro computers, like this demonstration playing The Sugar Plum Fairy. Alternatively, Billy Corgan on the Sixtyforgan playing Tiberius would be pretty great, too. Pretty sounding video after the break.

Continue reading “The Sixtyforgan Proves That Church Organs Are Definitely Chiptune”

Don’t Fret Over The Ukulele

A ukulele is a great instrument to pick to learn to play music. It’s easy to hold, has a smaller number of strings than a guitar, is fretted unlike a violin, isn’t particularly expensive, and everything sounds happier when played on one. It’s not without its limited downsides, though. Like any stringed instrument some amount of muscle memory is needed to play it fluidly which can take time to develop, but for new musicians there’s a handy new 3D printed part that can make even this aspect of learning the ukulele easier too.

Called the Easy Fret, the tool clamps on to the neck of the ukulele and hosts a series of 3D printed “keys” that allow for complex chord shapes to be played with a single finger. In this configuration the chords C, F, G, and A minor can be played (although C probably shouldn’t be considered “complex” on a ukulele). It also makes extensive use of compliant mechanisms. For example, the beams that hit the chords use geometry to imitate a four-bar linkage. This improves the quality of the sound because the strings are pressed head-on rather than at an angle.

While this project is great for a beginner learning to play this instrument and figure out the theory behind it, its creator [Ryan Hammons] also hopes that it can be used by those with motor disabilities to be able to learn to play an instrument as well. And, if you have the 3D printer required to build this but don’t have an actual ukulele, with some strings and tuning pegs you can 3D print a working ukulele as well.

Homebrew Grain Synth Has A Rad Step Sequencer

In the world of homebrew synthesizers, there are plenty of noiseboxes and grooveboxes that make all kinds of wacky and wild noises. However, common projects like the Auduino and Atari Punk Console are often limited in that they can’t readily be programmed to play multiple notes or any sort of discernable rhythm. [Nick Poole] changes this with his Auduino step sequencer build.

The build takes the Auduino grain synthesizer, and modifies it by adding a step sequencer. This is possible as the Auduino code, which runs on the old-school ATMEGA-based Arduinos, is incredibly fast, leaving plenty of processing time for extra features to be added. [Nick] adds eight LEDs and eight buttons to the build, allowing the user to select one of eight steps to modify. Then, the sound parameters for the step can be altered with the standard Auduino controls. This lets the user quickly and easily build up 8-step melodies, something that was previously impossible with the Auduino.

It’s a fun build, and one that makes a great intro into the world of DIY synth builds. The techniques learned here will serve any aspiring maker well if they dive further into the world of modular synthesis and associated arcana. Video after the break.

Continue reading “Homebrew Grain Synth Has A Rad Step Sequencer”

Guitar Effects With No (Unwanted) Delay

MIDI has been a great tool for musicians and artists since its invention in the 1980s. It allows a standard way to interface musical instruments to computers for easy recording, editing, and production of music. It does have a few weaknesses though, namely that without some specialized equipment the latency of the signals through the various connected devices can easily get too high to be useful in live performances. It’s not an impossible problem to surmount with the right equipment, as illustrated by [Philip Karlsson Gisslow].

The low-latency MIDI interface that he created is built around a Raspberry Pi Pico. It runs a custom library created by [Philip] called MiGiC which specifically built as a MIDI to Guitar interface. The entire setup consists of a preamp to boost the guitar’s signal up to 3.3V where it is then fed to the Pi. This is where the MIDI sampling is done. From there it sends the information to a PC which is able to play the sound back quickly with no noticeable delay.

[Philip] also had to do a lot of extra work to port the software to the Pi which lacks a lot of the features of its original intended hardware on a Mac or Windows machine, and the results are impressive, especially at the end of the video where he uses the interface to play a drum machine via his guitar. And, while MIDI is certainly a powerful application for a guitarist, we have also seen the Pi put to other uses in this musical realm as well.

Continue reading “Guitar Effects With No (Unwanted) Delay”

Peek Into This Synth’s Great Design (And Abandoned Features)

[Tommy]’s POLY555 is an analog, 20-note polyphonic synthesizer that makes heavy use of 3D printing and shows off some clever design. The POLY555, as well as [Tommy]’s earlier synth designs, are based around the 555 timer. But one 555 is one oscillator, which means only one note can be played at a time. To make the POLY555 polyphonic, [Tommy] took things to their logical extreme and simply added multiple 555s, expanding the capabilities while keeping the classic 555 synth heritage.

The real gem here is [Tommy]’s writeup. In it, he explains the various design choices and improvements that went into the POLY555, not just as an instrument, but as a kit intended to be produced and easy to assemble. Good DFM (Design For Manufacturability) takes time and effort, but pays off big time even for things made in relatively small quantities. Anything that reduces complexity, eliminates steps, or improves reliability is a change worth investigating.

For example, the volume wheel is not a thumbwheel pot. It is actually a 3D-printed piece attached to the same potentiometer that the 555s use for tuning; meaning one less part to keep track of in the bill of materials. It’s all a gold mine of tips for anyone looking at making more than just a handful of something, and a peek into the hard work that goes into designing something to be produced. [Tommy] even has a short section dedicated to abandoned or rejected ideas that didn’t make the cut, which is educational in itself. Want more? Good news! This isn’t the first time we’ve been delighted with [Tommy]’s prototyping and design discussions.

POLY555’s design files (OpenSCAD for enclosure and parts, and KiCad for schematic and PCB) as well as assembly guide are all available on GitHub, and STL files can be found on Thingiverse. [Tommy] sells partial and complete kits as well, so there’s something for everyone’s comfort level. Watch the POLY555 in action in the video, embedded below.

Continue reading “Peek Into This Synth’s Great Design (And Abandoned Features)”

A Sympathetic Nail Violin

As a hacker community, we are no strangers to beautiful and unique musical instruments. A sympathetic nail violin built by [Nicolas Bras] is a welcome addition to the eclectic family. Working up from the simple idea of a nail in a piece of wood and adjusting the pitch by hammering the nail farther into the wood, [Nicolas] expanded the idea. With careful planning and tuning, the nails can have sympathetic properties. These properties mean that when one nail is played via a bow, it causes other nails to sound, creating harmonies and sustains.

With a bit of careful woodworking and a scant touch of metalwork, an instrument was crafted. It offers vast flexibility as it can be played by bow, by plucking with your finger, or by strumming. There are several levels of nails, each level having a paired sympathetic nail. This allows for a diverse and versatile instrument.

Here at Hackaday, we seem to have a thing for tiny violins, whether physical or virtual. While the nail violin may not look like your traditional violin, we can certainly appreciate the wonderful music it creates.

Continue reading “A Sympathetic Nail Violin”