Moon moving from inside a large glass sphere into screens of two vintage television sets

Blending Pepper’s Ghost, Synths, And Vintage TVs

We were recently tipped off to the work of [Joshua Ellingson], and digging in, we found an extensive collection of art and ongoing experiments, with synthesizers deforming and driving old black-and-white clips played on vintage television sets, objects jumping from screens into the real world and back, and cathode ray tube oscilloscopes drawing graphics in the air (loud sound!) (nitter). It’s recommended that you check out the short showcase videos we embedded below before you continue reading, because transcribing these visuals into words won’t do them justice.

In case you’re not up for a video, however, we shall try transcribing them anyway. Animals, shapes and figures appear in the real world, bound by glass spheres and containers, using the technique known as Pepper’s Ghost. A variety of screens used for creating that illusion – sometimes it’s a tablet, and sometimes it’s an old television set rested upside down on top of a glass aquarium. Vintage television sets are involved quite often in [Ellingson]’s experiments, typically found playing movie scenes and clips from their appropriate eras, or even used as one of the locations that a Pepper’s Ghost-enchanted object could move into — firmly a part of the same imaginary world turned real.

It’s not always that things move from a TV screen into their glass boundary, gaining an extra dimension in the process, but when it happens, the synchronization is impeccable. All of that is backed by — and usually controlled by — Moog synthesizer sounds, knob turns driving video distortions or aspects of an object movement. Not all of his clips have synthesizers, old TVs, or Pepper’s Ghost illusion in them, but every experiment of his contains at least two out of these three, working in unison to create impressions. And as much as the art value is undeniable, [Ellingson] also adds a whole lot of hacker value for us to take away!

[Ellingson] understands what goes into building optical illusions like Pepper’s Ghost — using a variety of different glassware, from Erlenmeyer flasks to teapots, producing a consistent and ongoing stream of new ideas with unique spins on them. His aim is to share and create beyond what his art can achieve, which is why he encourages us to try it out ourselves — with this one minute video of a quick Pepper’s Ghost build, using nothing but a generic tablet, an emptied-out plastic snow globe and a piece of cheap transparency film used for school projectors. If you want to go beyond, he’s made an extensive tutorial on illusions of the kind he does, their simplicities and complexities, and all the different ways you can build one.

We all benefit when an artist finds a technology and starts playing with it, closing the divide between technology and art – and by extension, the divide between technology and nature. Sometimes, it’s flowing light art installations where you are a boulder in route of plankton’s movement, other times, it’s through-hole component-packed printed circuit birds that sing not unlike the non-printed-circuit ones, or manipulation of CRT displays with function generator-driven coils to offset the beam and turn the image into a pattern of lines.

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AI-Generated Sleep Podcast Urges You To Imagine Pleasant Nonsense

[Stavros Korokithakis] finds the experience of falling asleep to fairy tales soothing, and this has resulted in a fascinating project that indulges this desire by using machine learning to generate mildly incoherent fairy tales and read them aloud. The result is a fantastic sort of automated, machine-generated audible sleep aid. Even the logo is machine-generated!

The Deep Dreams Podcast is entirely machine-generated, including the logo.

The project leverages the natural language generation abilities of OpenAI’s GPT-3 to create fairytale-style content that is just coherent enough to sound natural, but not quite coherent enough to make a sensible plotline. The quasi-lucid, dreamlike result is perfect for urging listeners to imagine pleasant nonsense (thanks to Nathan W Pyle for that term) as they drift off to sleep.

We especially loved reading about the methods and challenges [Stavros] encountered while creating this project. For example, he talks about how there is more to a good-sounding narration than just pointing a text-to-speech engine at a wall of text and mashing “GO”. A good episode has things like strategic pauses, background music, and audio fades. That’s where pydub — a Python library for manipulating audio — came in handy. As for the speech, text-to-speech quality is beyond what it was even just a few years ago (and certainly leaps beyond machine-generated speech in the 80s) but it still took some work to settle on a voice that best suited the content, and the project gradually saw improvement.

Deep Dreams Podcast has a GitLab repository if you want to see the code that drives it all, and you can go to the podcast itself to give it a listen.

Sound And Light Play Off Acrylic And Wire In This Engaging Circuit Sculpture

It’s no secret that we really like circuit sculptures around here, and we never tire of seeing what creative ways people come up with to celebrate the components used to make a project, rather than locking them away in an enclosure. And a circuit sculpture that incorporates sound and light in its design is always a real treat to discover.

Called “cwymriad” by its designer, [Eirik Brandal], this sound sculpture incorporates all kinds of beautiful elements. The framework is made from thick pieces of acrylic, set at interesting angles to each other and in contrasting colors. The sound-generating circuit, which uses square wave outputs from an ESP32 to provide carrier and modulation signals for a dual ring modulator, is built on a framework of tinned wires. The sounds the sculpture makes have a lovely resonance to them, like random bells and chimes that fade and mix together. There’s also a matrix of white LEDs that form a sort of digital oscilloscope that displays shifting waveforms in time with the music.

While we like the way this looks and sounds, the real bonus here is the details of construction in the video below. [Eirik]’s careful craftsmanship working with multiple materials is evident throughout; we were especially impressed by the work needed to drill holes for the LED matrix, any one of which slightly out of place would have been painfully obvious in the finished product.

This is far from [Eirik]’s first appearance on these pages. His vacuum tube and silicon “ioalieia” was featured just a few weeks back, and “ddrysfeöd” used the acrylic parts as light pipes in a lovely way.

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Pyrotechnic Posters Are Fireworks Drawn On Paper

There’s a deep love many humans feel for fire; it’s often cited as one of the most important discoveries that led to the founding of civilization. The work of French artistic duo [Pinaffo-Pluvinage] definitely hits upon that, combining pyrotechnics with paper to make what are probably the most exciting posters you’ve ever seen, as reported by Heise Online.

The artworks are made with a variety of powders, including those for blue and red flames and one with a special “scintillating” effect.

The posters aren’t huge, measuring 50 cm x 70 cm. However, what they lack in size, they make up for with literal flames. Yes, the posters are laced with a variety of pyrotechnic powders that combust in a variety of designs and patterns to create a dynamic burning artwork once ignited.

Each poster is thus a work of art in both the visual and combustible realms. Different parts of the artwork burn at differnt rates and with different colored flames, adding to the performance when the poster is burned. Impressively, the artworks are not destroyed in the process; the pyrotechnic material burns off with much flame and smoke without destroying the poster itself.

Putting together the posters wasn’t as simple as simply doodling some designs. The duo had to develop their own methods to apply the pyrotechnic material to the paper. Reportedly, the effort took hundreds of experiments to get right.

It’s unclear exactly how the effect is achieved without burning the whole poster down; one suspects some kind of protective layer may be used. It’s quite the opposite of flash paper, which consumes the paper itself in the combustion.

In any case, fireworks experts will likely have some good ideas of the chemicals used to achieve the flaming effects; sound off in the comments if you know what’s what!

The pieces could be interpreted as a commentary on the transience of all things, or the artist’s intention could have been something different entirely. Who can say? Video after the break.

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BenAkrin-PlottyBot-TypeWriterMode

PlottyBot: A DrawBot That Plots A Lot

Fire up those 3D printers because if you’re like us, you’ll want your own PlottyBot. Still, have a pile of “thank you notes” to write from recent winter holiday gift exchanges? Hoping to hand letter invitations to a wedding or other significant event? Need some new art to adorn your lock-down shelter or shop? It sounds like [Ben] could help you with that.

Besides being a handsomely designed desktop DrawBot, this project from [Ben] looks to have some solid software to run it, a community of makers who have tested the waters, and very detailed build instructions. Those include everything from a BOM with links for ordering parts to animated GIF assembly for the trickier steps.

If you’d like to graduate from “handwritten” cards and letters to something poster-sized are customization tips for expanded X and Y dimensions. As we’ve included in other recent articles, one caveat to mention is the current scarcity of the Raspberry Pi Zeros that PlottyBots require. But if you have one on hand or think you’ll be able to source one by the time you’ve 3D printed all the parts, it might just be the perfect time to add another bot to your family. As a heads up, this project is self-hosted on a solar-powered server, so maybe take turns reading the complete build log.

A nice bonus if you need help drawing something suitably complex to require a robot’s help, [Ben] also created MandalGaba which looks like an awesome online tool for drawings like the ones shown above.

A kinetic art installation with many metal parts

Kinetic Art Installation Brings All The World’s Lightning To One Place

Lightning is a force to be reckoned with: ever since ancient times, humans have been in awe of the lethal power of lightning strikes and the deafening roar of thunder. Quite reasonably, they ascribed these events to acts of angry gods; today, modern science provides a more down-to-earth explanation of the physics involved, and a world-wide network of sensors generates a real-time record of lightning strikes around the globe.

[Dmitry Morozov]’s latest kinetic art installation called Adad is driven by this stream of data. Named after a Mesopotamian god of thunder, it consists of a set of arms that suddenly jerk upwards when a lightning strike is detected anywhere in the world. When an arm falls down again, it strikes a piezo crystal, which generates an electric charge that triggers a bright flash of light as well as a sound effect. Those crystals are pieces of potassium sodium tartrate (also known as Rochelle salt) and were grown specifically for this project. They are housed in plexiglass holders which also provide electrical connections.

Adad‘s spider-like design, its eerie sounds as well as the sudden pops and flashes make this a rather unsettling yet beautiful display of Nature’s violence. And it’s a piece of beauty from an engineering point of view as well: sleek aluminium tubes, servo-driven motion and those transparent crystal holders, all controlled by an Arduino that receives live lightning data through an internet connection.

We’ve seen several types of lightning detectors, usually based on a standard radio receiver or a specialized chip. If you’re interested in growing your own piezo crystals, we’ve covered that too. Continue reading “Kinetic Art Installation Brings All The World’s Lightning To One Place”

A bird-shaped yellow PCB with legs wound out of wire, perched on its creator's arm. The bird has a lot of through-hole components on it, as well as an assortment of different-colored LEDs.

Printed Circuit Bird Family Calls For Us To Consider Analog

On our favourite low-attention-span content site, [Kelly Heaton] has recently started sharing a series of “Printed Circuit Birds”. These are PCBs shaped like birds, looking like birds and chirping like birds – and they are fully analog! The sound is produced by a network of oscillators feeding into each other, and, once tuned, is hardly distinguishable from the bird songs you might hear outside your window. Care and love was put into making this bird life-like – it perches on Kelly’s arm with legs woven out of single-strand wire and talons made out of THT resistors, in the exact same way you would expect a regular bird to sit on your arm – that is, if you ever get lucky enough. It’s not just one bird – there’s a family of circuit animals, including a goose, a crow and even a cricket.

Why did these animals came to life – metaphorically, but also, literally? There must be more to a non-ordinary project like this, and we asked Kelly about it. These birds are part of her project to explore models of consciousness in ways that we typically don’t employ. Our habit is to approach complex problems in digital domains, but we tend to miss out on elegance and simplicity that analog circuits are capable of. After all, even our conventional understanding of a neural network is a matrix of analog coefficients that we then tune, a primitive imitation of how we assume human brains to work – and it’s this “analog” approach that has lately moved us ever so closer to reproducing “intelligence” in a computer.

Kelly’s work takes a concept that would have many of us get the digital toolkit, and makes it wonderfully life-like using a small bouquet of simple parts. It’s a challenge to our beliefs and approaches, compelling in its grace, urging us to consider and respect analog circuits more when it comes to modelling consciousness and behaviours. If it’s this simple to model sounds and behaviour of a biological organism, a task that’d have us writing DSP and math code to replicate on a microcontroller – what else are we missing from our models?

Kelly has more PCBs to arrive soon in preparation for her NYC exhibit in February, and will surely be posting updates on her Twitter page! We’ve covered her work before, and if you haven’t seen it yet, her Supercon 2019 talk on Electronic Naturalism would be a great place to start! Such projects tend to inspire fellow hackers to build other non-conventional projects, and this chirping pendant follows closely in Kelly’s footsteps! The direction of this venture reminds us a lot of BEAM robotics, which we’ve recently reminisced upon as something that’s impacted generations of hackers to look at electronics we create through an entirely different lens.

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