Another Doom Port To The Atari ST

Last week, we examined a Doom port for the venerable Atari ST. As is so often the way with this thing, one netted another, and [Steve] wrote in to inform us about a different version under the name DOOM8088ST.

The port is so named because it’s based on Doom8088, which was originally written for DOS machines running Intel 8088 or 286 CPUs. Both ports are the work of [FrenkelS], and aims to bring the Doom experience into the far more resource constrained environment of the Atari ST. There is only very limited sound, no saving, and it only supports Doom 1 Episode 1. Still, it’s quite recognizable as Doom!

Doom8088ST is tunable to various levels of performance, depending on what you’re running it on. Low mode (30 x 128) is suitable for stock Atari ST machines running at 8 MHz. It’s described as having “excellent” framerate and is very playable. If you’ve got an upgraded ST or Mega STe, you can try Medium (60 x 128), which has greatly improved visuals but is a lot heavier to run.

Files are on Github for those interested to run or tinker with the code. Don’t forget to check out the other port we featured last week, either, in the form of STDOOM. Video after the break.

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Atari ST desktop with Doom shortcut

Running DOOM On An Atari ST

If you grew up with a beige Atari ST on your desk and a faint feeling of being left out once Doom dropped in 1993, brace yourself — the ST strikes back. Thanks to [indyjonas]’s incredible hack, the world now has a working port of DOOM for the Atari STe, and yes — it runs. It’s called STDOOM, and even though it needs a bit of acceleration or emulation to perform, it’s still an astonishing feat of retro-software necromancy.

[indyjonas] did more than just recompile and run: he stripped out chunks of PC-centric code, bent GCC to his will (cheers to Thorsten Otto’s port), and shoehorned Doom into a machine never meant to handle it. That brings us a version that runs on a stock machine with 4MB RAM, in native ST graphics modes, including a dithered 16-colour mode that looks way cooler than it should. The emotional punch? This is a love letter to the 13-year-old Jonas who watched Doom from the sidelines while his ST chugged along faithfully. A lot of us were that kid.

Sound is still missing, and original 8MHz hardware won’t give you fluid gameplay just yet — but hey, it’s a start. Want to dive in deeper? Read [indyjonas]’ thread on X.

Fancy Adding A Transputer Or Two To Your Atari ST?

Has anybody heard of the ATW800 transputer workstation? The one that used a modified Atari ST motherboard as a glorified I/O controller for a T-series transputer?  No, we hadn’t either, but transputer superfan [Axel Muhr] has created the ATW800/2, an Atari Transputer card, the way it was meant to be.

The transputer was a neat idea when it was conceived in the 1980s. It was designed specifically for parallel and scientific computing and featured an innovative architecture and dedicated high-speed serial chip-to-chip networking. However, the development of more modern buses and general-purpose CPUs quickly made it a footnote in history. During the same period, a neat transputer-based parallel processing computer was created, which leveraged the Atari ST purely for its I/O. This was the curious ATW800 transputer workstation. That flopped as well, but [Axel] was enough of a fan to take that concept and run with it. This time, rather than using the Atari as a dumb I/O controller, the card is explicitly designed for the Mega-ST expansion bus. A second variant of the ATW800/2 is designed for the Atari VME bus used by the STe and TT models—yes, VME on an Atari—it was a thing.

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Remember The Tri-Format Floppy Disk?

These days, the vast majority of portable media users are storing their files on some kind of Microsoft-developed file system. Back in the 1980s and 1990s, though, things were different. You absolutely could not expect a floppy disk from one type of computer to work in another. That is, unless you had a magical three-format disk, as [RobSmithDev] explains.

The tri-format disk was a special thing. It was capable of storing data in Amiga, PC, and Atari ST formats. This was of benefit for cover disks—a magazine could put out content for users across all three brands, rather than having to ship multiple disks to suit different machines.

[RobSmithDev] started investigating by reading the tri-format disk with his DiskFlashback tool. The tool found two separate filesystems. The Amiga filesystem took up 282 KB of space. The second filesystem contained two folders—one labelled PC, the other labelled ST. The Atari ST folder contained 145KB of data, while the PC folder used 248 KB. From there, we get a breakdown on how the data for each format is spread across the disk, right down to the physical location of the data. The different disk formats of each system allowed data to be scattered across the disk such that each type of computer would find its relevant data where it expected it to be.

It’s a complex bit of disk engineering that allowed this trick to work, and [Rob] explains it in great detail. We love nitty gritty storage hacks around here. Video after the break.

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Donated Atari Mega ST Gives A Peek At Game Development History

[Neil] from The Cave, a computer and console gaming museum in the UK, has a treat for vintage computing and computer gaming enthusiasts. They received an important piece of game dev history from [Richard Costello], who coded ports of Gauntlet 2, Mortal Kombat, and Primal Rage for Atari ST and Amiga home computers. [Richard] brought them his non-functional Atari Mega ST in the hopes that they could get it working again, and demonstrate to visitors how game development was done back in the 80s — but sadly the hardware is not in the best shape.

The Atari ST flagged deleted files for overwriting but didn’t actively wipe them, allowing an undelete utility to work.

That doesn’t stop [Neil], however. The real goal is seeing if it’s possible to re-create the development environment and access the game assets on the SCSI hard drive, and it’s not necessary to revive every part of the hardware to do that. The solution is to back up the drive using a BlueSCSI board which can act as a host, scan the SCSI bus, and dump any device it finds to an SD card. The drive didn’t spin up originally, but some light percussive maintenance solved that.

With the files pulled off the drive, it was time to boot it up using an emulator (which begins at the 16:12 mark). There are multiple partitions, but not a lot of files. There was one more trick up [Neil]’s sleeve. Suspecting that deleting everything was the last thing [Richard] did before turning the machine off decades ago, he fired up a file recovery utility. The Atari ST “deleted” files by marking them to be overwritten by replacing the first letter of the filename with a ‘bomb’ character but otherwise leaving contents intact. Lo and behold, directories and files were available to be undeleted!

[Neil] found some fascinating stuff such as mixed game and concept assets as well as what appears to be a copy of Ramrod, a never-released game. It’s an ongoing process, but with any luck, the tools and environment a game developer used in the 80s will be made available for visitors to experience.

Of course, modern retro gaming enthusiasts don’t need to create games the classic way; tools like GB Studio make development much easier. And speaking of hidden cleverness in old games, did you know the original DOOM actually had multi-monitor support hidden under the hood?

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Building The Cheapest MIDI Home Studio From 1988

These days, there is a plethora of cheap hardware and software which you can use to make digital music. Back in the 1980s, though, this was still a nascent field, with new gear changing the game for musicians. In his latest video, [cTrix] puts together a guide to building a budget MIDI home studio like it’s 1988.

The original Atari ST is the star of the show, which sold for around £300 back then. Unlike most contemporary computers, it came with MIDI ports built-in, and it quickly became a popular platform for music sequencing and controlling external synth hardware. It was often spotted in posh studios being used by big-time musicians, but [cTrix] wanted to look at how it was used by more humble users.

While the Atari ST could output some passable chiptunes, it was most powerful when paired with off-board gear. Industry magazines would readily talk up “DIY” setups worth thousands, but [cTrix] aimed for a budget in the low hundreds. In 1988, that might get you something like the 16-channel Yamaha PSS-580, which rocked full MIDI support and a ton of sounds and drumkits built in. It ran an OPL soundchip, and could play multiple instruments at once under MIDI control from software like Dr. T’s MIDI Recording Studio.

Of course, if you’ve ever played a keyboard like the PSS-580, you’ll have noted that the sound output can be more than a little chintzy. A cheap way to level up was to get yourself something like the Roland MT-32, which rocked a far higher-quality sound module. Everything from slap bass to solid electric pianos could be blasted out from the Roland, which also included a decent reverb unit, too. [cTrix] also dives into other budget heroes, like the rich and expansive Kawai K1 and the Yamaha EMT-10.

If you want to make music like it’s 1988 and you’re hunting for your first gold record, you’ll learn a lot here. We can’t wait for Part 2, that explores the next level of sophistication in this era. His previous lessons on how to make 90s dance bangers on the Amiga are a treat, too.

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See The ATARI GEM Desktop Running On A Portable Word Processor… Thing

Get ready for vintage computing aplenty in [David Given]’s project to port EmuTOS to the AlphaSmart Dana. He’s got it all on video, too. All 38 hours of it over 13 episodes!

The GEM desktop, as seen on the Atari ST line of computers.

[David]’s fork of EmuTOS is an open source version of the Atari TOS, which is itself the 68000-based OS for the Atari ST line of computers.

As for the AlphaSmart Dana, it is a roughly twenty-year-old portable word processor thing with pen input which runs a version of PalmOS. It’s a slightly oddball piece of hardware, but quite capable in its own way. A match obviously made in heaven? It is if you have [David]’s skill and drive!

To get EmuTOS working on the Dana, the first step was figuring out how to find and work with the Dana’s debug port, using it to get direct access to the CPU while bypassing the boot ROM. Turns out that the Dana’s 68000-compatible processor has a handy feature: by manipulating the right pin, one can remote-control the CPU (to a certain extent) via the UARTs. That’s the entry point for a whole lot of hacking that ultimately results in firing up the GEM desktop on the Dana, and being able to run (some) original Atari ST software. Probably the biggest issue is that the screen size isn’t a great match for what the OS expects, but it works.

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